WEBVTT 1 00:00:06.000 --> 00:00:59.000 The walls of flames around me my falling, falling to desolation, constant condemnation, mental infestation and change it by your gracious. 2 00:00:59.000 --> 00:01:10.000 Welcome back to Hunted in the Glow Episode two. I'm Aubrey, your gm. I'll tell for my players to introduce themselves, who they are, who they're playing and then we'll get rolling into things. 3 00:01:10.000 --> 00:01:20.000 Hi everyone. My name is Abhishek Batang. I use he, him pronouns. And today I will be playing Quinn Davis, the seer who also uses he, him pronouns. 4 00:01:20.000 --> 00:01:32.000 Hello, I am Andrew. I use he, him pronouns. I will be playing Riley Willows, the witch who uses she, they, pronouns. 5 00:01:32.000 --> 00:01:40.000 Hi there. I'm Beau, any and all pronouns. And today I'll be playing Verity low, she, her pronouns. 6 00:01:40.000 --> 00:01:49.000 Hi, I'm Clyn, she, her pronouns. And today I'll be playing Daisy Henning, also she, her pronouns. 7 00:01:49.000 --> 00:01:54.000 Hi, my name is so they, them pronouns. And I will be playing Melody, Grace, 8 00:01:54.000 --> 00:02:39.000 she, her pronouns and last session, one of our players met the wrong end of a pair of garden shears heroes. Don't worry, Daisy's fine and Quinn is having visions of a strange mask. Melody is just being Melody. And Verity is now become designated driver. And they're all coming to raid Riley's closet. Riley, speaking of your closet, what is your room like and what is your closet like as you have Verity, Melody and Daisy all in your room going through your things? 9 00:02:39.000 --> 00:04:13.000 I think before everyone gets there, it's very like neat and everything is very perfect and nothing is out of place and everything has like a particular spot because Riley's grandmother will come in and be like, did you clean your room is everything and look around and can never be anything out of place. It all has to be exact. Slowly as like people get there, the things just are in complete disarray. And I think the closet is just like one of those like normal like really small closets and, and just has like a bunch of stuff hung up and then like a plastic like bin full of other clothes that are sort of like laid on the bottom of of the thing. Yeah, there's nothing like spectacular about it. I think there's like, you know, some random like crystals and like different stuff on like different shelves that are kind of like odd and out of place that are like what are those there specifically placed for? But other than that, pretty normal standard. Just like books on a shelf and a dresser that's empty because everything's just in a bin in the closet. They don't want to fold everything so they just throw it in the bin and toss it in the closet? 10 00:04:13.000 --> 00:04:14.000 Yeah. 11 00:04:14.000 --> 00:04:49.000 Yeah. Like I can, I can like, I can imagine. Like this is like that weird kind of like proto. It's like there's like a little bit of grunge, there's like a little bit of punk, There's a little bit of alternative. You know, like if I see 90s witches, I'm just thinking of the witches from the craft. And that's kind of how I imagine Riley dresses. Yes. So. Yes. All three of you in the room? Well, all four of you actually. It's probably a little cramped. And. Yeah, you can raid the closet for anything that you want. 12 00:04:49.000 --> 00:05:08.000 I'm trying to figure out what outfit I'm looking for. Preppy, Preppy jock is the vibe. Ooh, are there any. Okay, this is Riley's closet. Riley tends to wear a lot of black, Correct? 13 00:05:08.000 --> 00:05:09.000 Yeah. 14 00:05:08.000 --> 00:05:09.000 Yeah. 15 00:05:09.000 --> 00:05:14.000 Okay. I'm looking for some thigh high socks, I think. 16 00:05:14.000 --> 00:05:28.000 Yeah, I think Riley has some. They'll likely be in that plastic bin as just whatever is just thrown in there. If it doesn't have like a place to hang in the closet, I. I'm 17 00:05:28.000 --> 00:05:34.000 immediately in that bin, like organizing, trying to like find things in there. 18 00:05:34.000 --> 00:05:44.000 Yeah. I think Riley is just like glances over periodically and is just like sitting on the bed reading a book. It's like, hopefully you find something. 19 00:05:44.000 --> 00:06:00.000 Yeah. When was the last time you wore this? And it's like very like, like old looking band, like grunge tea. It's kind of cool. 20 00:06:00.000 --> 00:06:09.000 I. I don't. I don't remember the last time I wore that. Yeah, I. I kind of stick to the stuff that's like hung up. 21 00:06:09.000 --> 00:06:10.000 Oh. 22 00:06:10.000 --> 00:06:14.000 And that kind of rotates as I do laundry. 23 00:06:14.000 --> 00:06:17.000 That's. Wait, is this your dirty laundry? 24 00:06:17.000 --> 00:06:19.000 No, no, but it's clean. But. 25 00:06:19.000 --> 00:06:20.000 Okay. 26 00:06:19.000 --> 00:06:23.000 Yeah. 27 00:06:23.000 --> 00:06:28.000 Okay. Well, do we want to coordinate? That's the question for the group. 28 00:06:28.000 --> 00:06:38.000 I think, unfortunately, these clothes are a bit too small for me. But I. I'm. I'm sure I can find something in my closet. 29 00:06:38.000 --> 00:06:56.000 I'm gonna try to find like a large knit sweater. It's gonna be like a dark color, so I don't know. Verde's color preference maybe. Melody D. Did promise that you could wear a sweater. 30 00:06:56.000 --> 00:07:01.000 I will. I guess I can put it on, see if it looks all right. 31 00:07:01.000 --> 00:07:02.000 Okay. 32 00:07:02.000 --> 00:07:13.000 And Verity, you would say that Daisy would probably. You have a very set color palette, right? I imagine. 33 00:07:13.000 --> 00:07:14.000 Yeah. 34 00:07:14.000 --> 00:07:30.000 Probably a lot of like earth tones and maybe some like, you know, some like sort of purples and sort of. I mean, you know, it's Roseville, so everything's a bit flower coated, but just. 35 00:07:30.000 --> 00:07:31.000 Just a little. 36 00:07:30.000 --> 00:07:37.000 Yeah, yeah, yeah. But probably on the. On the. Yeah. Earthier side. 37 00:07:37.000 --> 00:07:44.000 Yeah. The darker color is not necessarily out of your. Out of your wheelhouse, but, you know, not usually what you do. 38 00:07:44.000 --> 00:07:48.000 I will still put it on because Daisy told me to put it on. 39 00:07:48.000 --> 00:07:50.000 Of course. 40 00:07:50.000 --> 00:07:53.000 Girly looks so good. 41 00:07:53.000 --> 00:07:55.000 Oh, thank you. 42 00:07:55.000 --> 00:08:03.000 Yeah, I feel like it really anchors the skirt. You know, when they, like, had that matching thing that kind of like, it was cohesive, but this, like, makes the skirt pop. 43 00:08:03.000 --> 00:08:09.000 You know, I'll do a little curtsy. 44 00:08:09.000 --> 00:08:18.000 I love, I love. Okay, Riley, what are you gonna wear? Or Melody, do you know what you're gonna wear? 45 00:08:18.000 --> 00:08:44.000 Melody, who I think was doing two things at once. One in the bathroom and step two, texting kind of comes out as you ask her a question. Is still kind of like. I'm trying to remember. Like, I think it's the slide up kind of phone that you can. I guess a BlackBerry. Yeah, like a Sidekick or a BlackBerry. It's kind of just like you can hear the tapping. 46 00:08:44.000 --> 00:08:47.000 Yeah. Latest tech. 47 00:08:47.000 --> 00:09:10.000 Yeah, no, literally. And it's like, huh. And then sees Verity in a different outfit and is kind of eyeing it. Like, girl, do you want. Do you want to wear that? 48 00:09:10.000 --> 00:09:13.000 Yeah. 49 00:09:13.000 --> 00:09:44.000 Okay. And then turns to Daisy and she's. This is the same day. So she's still in, like a T shirt that's kind of tucked into jorts. That's how that makes them less attractive. Which in two shorts and kind of looks around and sees what everyone else is wearing. Maybe like, what's the brightest thing that we have? You scoped it out. Daisy, what's the brightest thing we have? 50 00:09:44.000 --> 00:09:48.000 What am I looking at in this closet? Riley, what's the brightest thing we have? 51 00:09:48.000 --> 00:10:01.000 Oh, man. I think, like, maybe something berun is. Is probably the price you. 52 00:10:01.000 --> 00:10:19.000 Yeah. So I think that, that whatever, maroon, maybe if you even have like a nice little hat. Like the maroonist outfit that you have is what Melody is gonna try on and kind of like. So how do I look? 53 00:10:19.000 --> 00:10:22.000 I love it with the hair. Yay. 54 00:10:22.000 --> 00:10:25.000 Nay, nay. You guys don't look like. You guys don't look like you're falling 55 00:10:25.000 --> 00:10:27.000 in love with me. 56 00:10:27.000 --> 00:10:28.000 Yay. 57 00:10:27.000 --> 00:10:29.000 Yay. Okay, Okay. 58 00:10:29.000 --> 00:10:35.000 I mean, it's the color of passion. How can we not fall in love with you? 59 00:10:35.000 --> 00:10:45.000 She's like snapping. Oh, yes, yes, yes. Passion. What else is there? Cherries. 60 00:10:45.000 --> 00:10:46.000 Cherries. 61 00:10:46.000 --> 00:10:55.000 Cherries, Cherries. Like boots. Boots, Boots. 62 00:10:55.000 --> 00:10:59.000 Boots. That's definitely what I said. I said boots. 63 00:10:59.000 --> 00:11:03.000 I think boots. 64 00:11:03.000 --> 00:11:04.000 Boots. 65 00:11:04.000 --> 00:11:18.000 Okay. Okay. Yeah, yeah. Yeah, she, like, looks in the mirror, kind of likes it kind of doesn't. It's like, Riley, are you good at makeup? 66 00:11:18.000 --> 00:11:25.000 I don't tend to do any makeup for myself, so I'm not really skilled at it. 67 00:11:25.000 --> 00:11:30.000 Would you like me to do your makeup? 68 00:11:30.000 --> 00:11:33.000 If you want, but, yes, I want to. 69 00:11:33.000 --> 00:12:00.000 Okay, I'll allow it. Okay. And she is gonna, like, go into her. We'll say, like, her backpack and pull out so many products, like, absolutely. Armed to the teeth with, like, wands and brushes, like, eyeliner. And it's like, come here. And she, like, pats on your bed that she's already sitting on, that she has already swirled out. It's like, come here. 70 00:12:00.000 --> 00:12:02.000 All right. 71 00:12:02.000 --> 00:12:19.000 And Riley will, like, kind of maneuver their feet to be closer, but was kind of sitting at the end of the bed, and then, like, we'll move in and can I continue reading while you do this, or does that disrupt you? 72 00:12:19.000 --> 00:12:29.000 I kind of need your face, and we could make it work. Can you. 73 00:12:29.000 --> 00:12:34.000 What if one of us reads to you? 74 00:12:34.000 --> 00:12:40.000 Yeah. Probably going to be a boring read, but sure. 75 00:12:40.000 --> 00:13:08.000 It's perfectly fine here. Just lay down flat on the bed, and how about I get into a good position? And she is going to, like. If you allow her, she is going to straddle you, like, up above, I guess we're perpendicular to each other and is going to do the makeup basically, while it's almost like you're cuddling. And she's gonna be looking at your face while you can still hold the book up above if your arms are stretched out. 76 00:13:08.000 --> 00:13:16.000 This seems extremely abnormal in my understanding of doing makeup, but I said I'd allow it. 77 00:13:16.000 --> 00:13:22.000 No, don't worry about it. And she's gonna do, like. She's just gonna, like, very gently, very softly do your makeup. 78 00:13:22.000 --> 00:13:30.000 I feel like I have to make you. I have to ask for a turn. Someone on roll at this point. 79 00:13:30.000 --> 00:13:33.000 Something ridiculous, like a 1212. 80 00:13:33.000 --> 00:13:51.000 So you will get a string on Riley and either ch. Choose one from. The reaction below is, I give myself to you, I promise something I think you want, or I get embarrassed and act awkward. 81 00:13:51.000 --> 00:14:24.000 I think I have to go with I get embarrassed and act awkward. I like the other options, but I feel like this is so, like, just out of the wheelhouse. Like, I don't know what's going on here, but I said I would allow this. But now. Now I feel awkward. I think, like, there's a moment, like, Riley, like, kind of brings the. The book down from above and is, like, covering their face and is like, okay, and like, takes a deep breath and then puts the book back. 82 00:14:24.000 --> 00:14:34.000 It like, it's like a mid. She's like doing eyeliner and you bring the book down and it kind of SM like. Oh. And she kind of leans over you. Okay. 83 00:14:34.000 --> 00:14:37.000 I, I, I couldn't read that word. It was too small. 84 00:14:37.000 --> 00:14:41.000 Oh, yeah, that's fine. Would you like me to. You want me to finish or. 85 00:14:41.000 --> 00:14:42.000 Yes. 86 00:14:42.000 --> 00:14:47.000 Okay. And that's what she's doing in your clothes. 87 00:14:47.000 --> 00:15:07.000 There is no straight explanation for what's going on here and around this time as all of this makeup shenanigans and closet raiding. Shenan. Shenanigans. Is happening. Quinn, you're leaving the school having just possibly met a murderer. 88 00:15:07.000 --> 00:15:22.000 Possibly. Yeah, he's definitely leaving the school in a bit of a hurry. Like once he's put like some distance between himself and like the development room, his, his walk will basically just turn into a brisk and then turn into an outright run. 89 00:15:22.000 --> 00:15:25.000 Yeah. 90 00:15:25.000 --> 00:15:43.000 I will say that you're aware that everybody else is gathering at Riley's to do makeup and raid the closet. It is up to you if you want to rush there or not. 91 00:15:43.000 --> 00:16:18.000 I mean, if he does try anything, I mean, all four of the girls are there. I think, I think they'll be safe in numbers. Better to just meet at the party. I think that also gives him a chance to sort of get prepared himself. Cuz I figured why not go to the party? Alcohol does sort of help with the visions too, so. Yeah, this is true. So at least, at least be a chance for free alcohol. And you can at least get a chance to investigate more about this whole Masks and Cal situation. 92 00:16:18.000 --> 00:16:35.000 Yeah, no, I, I imagine you, you enter Riley's room like as, as this is going on, with Melody straddling Riley doing the makeup and Riley just trying to read the book. So that's, that's the tableau you walk into. 93 00:16:35.000 --> 00:16:37.000 Do I need to come back? 94 00:16:37.000 --> 00:16:38.000 Hi, Quinn. 95 00:16:38.000 --> 00:16:43.000 Do you want your makeup done? I think Melody's busy, but I'm free. 96 00:16:43.000 --> 00:16:59.000 I mean, I was gonna do my own look, but you're. He just shrugs at that. Like he's really, he's really just like not really trying not to really just look at the scene between Melody and Riley. 97 00:16:59.000 --> 00:17:20.000 Melody, who changes attention immediately, almost ridiculously, while still straddling Riley, kind of like turns her head to look at you. I mean, if you're so good at makeup, Quinn, you could do Daisy's makeup. I know. You have perfected eyeliner. Something I've even, that I'm jealous of 98 00:17:20.000 --> 00:17:32.000 just takes practice I mean, sure, I guess. I mean, yeah, if you want. We'll look at you, Daisy. Yeah, 99 00:17:32.000 --> 00:17:35.000 I think Melody brought a bunch of stuff if we want to use it. 100 00:17:35.000 --> 00:17:56.000 Let me see a wide variety of stuff there. Like, all types of colors, you know, Melody, despite being probably to combat the rampant sleepiness of the everything about her, has so much makeup for every look that you can imagine. 101 00:17:56.000 --> 00:18:11.000 That is certainly extensive. Well, I will grab a couple supplies. Definitely some eyeliner look. See if there's a foundation shade in Daisy's shade. 102 00:18:11.000 --> 00:18:15.000 I take it out of your hand and grab the right one. 103 00:18:15.000 --> 00:18:16.000 Like you could tell. 104 00:18:16.000 --> 00:18:29.000 You tell. He doesn't really with foundation the whole lot, but okay. I mean, sure, I guess. I mean, what kind of look are you going for? Are you doing anything, like, grungy or. 105 00:18:29.000 --> 00:18:59.000 Yeah, I have this like, kind of preppy outfit that I threw. I found this flannel in Riley's closet on. So like kind of like a grungy, girly look. It's basically like cute little tank top skirts, thigh highs with like Doc sand or like not Doc sandals, but like the fisherman sandals and then just like a very like dark colored plaid button up over top of it all. 106 00:18:59.000 --> 00:19:34.000 I think Quinn would sort of go in and I think sort of make sure you're all prepped skincare and all that. So probably going with face foundation first. Make sure everything's all just like matte and set before. Mainly just it's nothing really special on that foundation. A little bit of concealer, emphasis on the little before. Really focusing on like the eyes is really going for like that grungy, smoky, like almost lived in makeup kind of look for the eyes. A lot of smudge eyeliner, really. 107 00:19:34.000 --> 00:19:38.000 While you're. While you're doing this. What color are Quinn's eyes? 108 00:19:38.000 --> 00:19:46.000 Quinn's are actually like surprising. Like very like bright, almost like clear, like clear colored eyes. 109 00:19:46.000 --> 00:19:52.000 Interesting. So it's like a very, very light blue or like almost grayish. 110 00:19:52.000 --> 00:19:59.000 It's like a very like a very light grayish blue. Like bordering on, like looking almost clear. 111 00:19:59.000 --> 00:20:13.000 Yeah. Okay. Ooh. Just like you're like trying to like, manipulate my face so I like look up to do my eyeliner, but I just keep looking at your eyes like, you're beautiful. 112 00:20:13.000 --> 00:20:34.000 Thank you. Now hold still. And he's gonna, I think once he's done finishing up with the eyeliner, he's gonna take like some like brick red or like some brick or like like almost mauve colored eyeshadow shadow. Just sort of set the set the rest of your eyes to sort of lock in that. Lock it in, essentially. So sort of looking around. 113 00:20:34.000 --> 00:20:35.000 Let's see. 114 00:20:34.000 --> 00:20:41.000 Eyes look pretty good. Any thoughts on a lip color or. You want me to surprise you? 115 00:20:41.000 --> 00:20:43.000 Surprise me. 116 00:20:43.000 --> 00:20:48.000 Just look. Peruse through melodies and vast collection 117 00:20:48.000 --> 00:20:49.000 that is. 118 00:20:49.000 --> 00:21:02.000 Is they're doing that. I think. Think, Daisy. This is enough to. Enough time spent with someone to trigger one of your moves. Crawl inside your head specifically. 119 00:21:02.000 --> 00:21:06.000 I'll make a note in my. My box here. 120 00:21:06.000 --> 00:21:07.000 Yeah. 121 00:21:07.000 --> 00:21:11.000 Quinn, you can continue deciding on a perfect lip shade for Daisy. 122 00:21:11.000 --> 00:21:34.000 Yeah, he'll sort of come out with like a sort of like very berry toned, like lip stain. So he's essentially going to mainly just apply it to the center of her lips and then sort of start blotting it out with like a paper just to sort of give her that little, little bit of flush as opposed to like, oh, I just drink like a cherry cola or almost very like almost a little bit of a vampire type look. A little bit. 123 00:21:34.000 --> 00:21:40.000 Ooh, there. You calling me the undead. 124 00:21:40.000 --> 00:21:47.000 Well, not in any specific words, but Fernanda, you look pretty good. 125 00:21:47.000 --> 00:21:52.000 Thank you. Maybe it'll suck your blood later. 126 00:21:52.000 --> 00:21:54.000 We'll see. 127 00:21:54.000 --> 00:22:00.000 I feel like I have to ask for another turn someone on roll at this point. 128 00:22:00.000 --> 00:22:04.000 That is a six. 129 00:22:04.000 --> 00:22:40.000 Yeah, it's. It just it. It doesn't land. Quinn, you. You were very aware that. That this doesn't feel like a kind of line that Daisy would have used. Something is weird about that. And you never known Daisy to be incredibly forward. But yeah, something about that sticks in your brain and it unfortunately doesn't do as intended. But hey, remember, if you ever fail a role, Mark experience. Cuz. Oh yeah, you can level up. 130 00:22:40.000 --> 00:22:43.000 Yes. 131 00:22:43.000 --> 00:23:26.000 Okay. I would like to finish Riley's makeup and assuming it looks up to par. It's probably not even a lot, honestly. The. The point of this is to keep out the physical contact and be the hottest in the room. But finishing the makeup and it looks decent. Probably exactly what you would probably like. Riley. So you can. What Riley would like so you can decide kind of how that looks. But I think onto her next victim of beauty. She looks over to Verity. So, dear, do you want to do a nude makeup kind of not makeup look, makeup, no makeup look. 132 00:23:26.000 --> 00:23:45.000 Gonna pull out of her. She's gonna pull out like a proper, like little makeup kit and say. I mean, sure, yeah, okay. I was gonna do it myself, but I appreciate the help. 133 00:23:45.000 --> 00:23:56.000 Well, you can't do it yourself. I just. You're driving us tonight, so I don't want you to lift a finger other than to steer that wheel. 134 00:23:56.000 --> 00:23:59.000 Okay, Sounds good. 135 00:23:59.000 --> 00:24:17.000 She gotta raise an eyebrow. Okay. She just come here and is gonna grab the brush and it's so little. It's just going to do a little bit of a foundation to kind of match what's already going on with your face. And are we doing eyes today? 136 00:24:17.000 --> 00:24:22.000 I mean, we're going out, so I mean, might as well. 137 00:24:22.000 --> 00:24:28.000 Sure. And I can make sure to have makeup wipes so you can take it off before you go home. 138 00:24:28.000 --> 00:24:30.000 Oh, I already have some of those. Don't worry. 139 00:24:30.000 --> 00:25:09.000 Okay. And completely unlike the way she straddled Riley is truly just kind of reaching over the middle distance between the two of them. And it's just going to. To kind of brush that little bit. And it's genuinely almost like. Like a. Like the word I'm looking for is like store worker, but I don't have a word for that. Genuinely making sure that the art is completely perfect in the way that she would assume that Verity likes and keeps handing you a mirror and just let me know when it's out of your comfort zone. 140 00:25:09.000 --> 00:25:12.000 I like that. Cute. 141 00:25:12.000 --> 00:26:00.000 And I think she kind of gets up and looks at everyone who is at least probably wearing clothes at this point. And now time for a dance party. And it's gonna run over to whatever musical, likely a radio, and is going to like, click the buttons to find a good radio station. What. Whatever pop radio we have. And it's gonna start doing a little, like, doing a little J. Doing a dance. Moving the hips, moving that body. Kind of like taking the. What? I. I'm assuming there's like a coat action going on out of Riley's closet and kind of like trying on a few things, but lightly silly. It is performing for everyone. 142 00:26:00.000 --> 00:26:04.000 Please tell me it's Britney Spears for Christina Aguiler. 143 00:26:04.000 --> 00:26:06.000 It has to be. It has to be one of those. 144 00:26:06.000 --> 00:26:07.000 Definitely. 145 00:26:07.000 --> 00:26:08.000 Yeah. 146 00:26:08.000 --> 00:26:14.000 And gm, I would like to use my move. Haunting melody. 147 00:26:14.000 --> 00:26:17.000 Okay, what does it do and what do you need to roll for it 148 00:26:17.000 --> 00:26:59.000 when you perform for a crowd? Roll with hots plus. And if it's a 10 plus, I get to choose a bunch of stuff. Oh, thank God I got that bonus on the 10 up. I got a 10. Choose three. Someone in the crowd gives you a gift. The crowd brings you. The crowd brings someone you name to you. That's probably not happening. The crowd goes where you tell them to afterward, which I'm gonna definitely use that. And someone in the crowd gives you a string. So I would like a string. I would like to move the party to the car to get us to this bumping ass party. And if anyone would like to give 149 00:26:59.000 --> 00:27:44.000 me a gift, Ver, who is normally very like even keeled and very like, can get like, awkward and. And. And stuff, is usually very like, subdued, is like in like raptured awe at melodies, like performance. And she probably has like, like a little like a keychain kind of thing with like, probably. It's probably like a Rosedale High, like keychain kind of thing. It's like kind of clicky and just kind of like awkwardly pass it over to Melody and sort of. 150 00:27:44.000 --> 00:28:47.000 I think she's kind of like, she's dancing around everyone and it's like picking you up off the floor, which kind of lets you get out of your body and it's gonna do this for everyone in the room and kind of gets that gift from you. And kind of like spins and comes over to Daisy and it's like, like doing a little back shimmy and the two of them dance a little bit. And then like hers a little Riley and just like, assuming you're still in the bed is trying to get you up. Basically, she's like, we're moving this party. And then lastly gets to Quinn and almost in a shift, like, to the tune changes from like a fun, like, beat tempo and goes to a much more slow and seductive sort of beats and places a hand out towards you, gesturing you forward, kind of inviting you into the dance rather than just dancing around you. 151 00:28:47.000 --> 00:28:55.000 Seeing as how he has a feeling Melody will not stop until he accepts. So he will accept the invitation. 152 00:28:55.000 --> 00:29:16.000 Yeah. And she pulls you in and almost kind of like almost briefly, like kind of a salsa sort of of like swing sort of action, kind of spins you around, makes you a little princess briefly, until we're all standing up and then the song ends. And then kind of we all kind of come back to reality and it's like, all right, are we all ready to go? 153 00:29:16.000 --> 00:29:19.000 So who did you want a string on? 154 00:29:19.000 --> 00:29:26.000 I would love a string on Quinn, if you would be so sweet. 155 00:29:26.000 --> 00:29:29.000 Yeah, I'd say that's enough to get a string on Quinn probably. Wouldn't you? 156 00:29:29.000 --> 00:29:31.000 Tell me. 157 00:29:31.000 --> 00:29:33.000 Yeah, I think so. 158 00:29:33.000 --> 00:29:39.000 And Quinn, are you just gonna keep everything you learned to yourself, seeing as how it's not. 159 00:29:39.000 --> 00:29:54.000 We're already kind of already swept him in? The quote unquote party atmosphere may not be the best time to say it. He has a feeling he might be able to say something either on the drive over or when we're at the party altogether. 160 00:29:54.000 --> 00:30:04.000 You can do that it's, you know, buying Melody sort of herded to Verity's car. What kind of car does Verity have? 161 00:30:04.000 --> 00:30:51.000 I think Verity has a BMW 3 Series. She got it brand new for 16th birthday. It's a couple years old, but it's still. I mean it's a very nice car and taking. For taking very well care of as well. It's probably like a. It's like a bright. It's probably bright yellow, which is not normally her color. But I think her parents got her the car and like that's a. That's a color that teenage girls like for some reason and she has not had the guts to be like, that is not the right color for me. 162 00:30:51.000 --> 00:30:54.000 But it drives. And that's kind of the important part. 163 00:30:54.000 --> 00:30:57.000 I mean, it drives very well. Yes. 164 00:30:57.000 --> 00:31:10.000 You all get into the car and unless there's anything anybody wants to talk about, it'll only take you like 20 minutes to get to the mansion. 165 00:31:10.000 --> 00:31:27.000 While we're driving, I imagine Daisy is a very petite person, so I imagine she got put center back. If there's five people in this vehicle at some point during the drive, she's gonna ask Quinn. So did you add anything else to that drawing you were working on? 166 00:31:27.000 --> 00:31:42.000 He does actually pull out a sketchbook. He would have probably added at least something there. Would have there instead of. Now it was just the mask before. Now there's actually a figure. At least a silhouette of a figure wearing a mask. Very shadowed. You don't really tell any features on the person itself. 167 00:31:42.000 --> 00:31:43.000 Really. 168 00:31:43.000 --> 00:31:47.000 The mask is the only detailed thing on it. Just this. 169 00:31:47.000 --> 00:31:53.000 Call me crazy, but this kind of looks like my front foyer. 170 00:31:53.000 --> 00:31:56.000 This is a little weird. 171 00:31:56.000 --> 00:31:59.000 We haven't done any school projects, right? 172 00:31:59.000 --> 00:32:04.000 No. At least I don't recall ever being to your house before. 173 00:32:04.000 --> 00:32:06.000 Are you sure? 174 00:32:06.000 --> 00:32:08.000 Pretty sure. 175 00:32:08.000 --> 00:32:12.000 I was just making conversation. You seem to be very engrossed with it earlier. 176 00:32:12.000 --> 00:32:16.000 So you know how it is with artistic inspiration. 177 00:32:16.000 --> 00:32:19.000 Actually, I don't. Tell me. 178 00:32:19.000 --> 00:32:28.000 Yeah, just something comes out of. Comes out of the blue. Strikes you me Usually ends up with me getting a headache, but, you know. 179 00:32:28.000 --> 00:32:30.000 Yeah. How's your head doing? 180 00:32:30.000 --> 00:32:44.000 Better. The ibuprofen helped. You mind if I ask what you're. You seem to be very obsessed about the mask too. That's the second time you've asked me about it all day. Which is rare. 181 00:32:44.000 --> 00:32:50.000 Rare for me to ask you about your artwork a little bit. 182 00:32:50.000 --> 00:32:55.000 You might think that's like the first time you've asked me about artwork in like a little while. 183 00:32:55.000 --> 00:32:58.000 Oh, no. Just curious. 184 00:32:58.000 --> 00:33:06.000 Hey, Aubrey, would That. Oh, wait. Check if that would trigger. Can't lie to me. 185 00:33:06.000 --> 00:33:07.000 Yep. 186 00:33:07.000 --> 00:33:10.000 Yeah, I'd say so. 187 00:33:10.000 --> 00:33:11.000 Okay. 188 00:33:10.000 --> 00:33:12.000 Yeah. 189 00:33:12.000 --> 00:33:14.000 Can I spend a fate for that second part? 190 00:33:14.000 --> 00:33:15.000 Yeah. 191 00:33:15.000 --> 00:33:16.000 Yeah. 192 00:33:15.000 --> 00:33:16.000 And what. 193 00:33:15.000 --> 00:33:18.000 What happens when you spend that fate? 194 00:33:18.000 --> 00:33:29.000 There seems to be a little bit of a switch swirl in Quinn's clear eyes. I guess Daisy, if she's looking directly at Quinn, she might see, like, a little bit of a strange swirl, 195 00:33:29.000 --> 00:33:30.000 like, 196 00:33:29.000 --> 00:33:36.000 happening in Quinn's eyes for a brief moment in case she's thinking about anything. I don't know, because I think this. 197 00:33:36.000 --> 00:33:37.000 This. 198 00:33:36.000 --> 00:33:47.000 It lets me so. It lets me spend fate to read someone's thoughts for a moment. So since I'm looking at Daisy, I'm assuming she would be my target. 199 00:33:47.000 --> 00:33:54.000 I mean, the. The thought you probably get in her head is like, I gotta be more aloof. 200 00:33:54.000 --> 00:34:01.000 Yeah, you. You get that thought. And whatever you want to do with it is what you do with it. 201 00:34:01.000 --> 00:34:09.000 For now, I'll hold on to that. But that's a key piece of information, so that's a nifty little mouse tool. That'll come in handy later. 202 00:34:09.000 --> 00:34:21.000 How the is going on there? I think Melody is whispering over to Verity, and it's like, you think these two like each other. 203 00:34:21.000 --> 00:34:47.000 Verity's face stays completely impassed and just does a quick, like, eye towards, like, a side eye towards Melody. Just like, knowing, knowing, knowing, knowing look, but doesn't say anything outwardly. Outwardly, no reaction, but it's all in the eyes. 204 00:34:47.000 --> 00:35:37.000 Mellie just, like, smiles, like, so happily and is like, I feel like a little cupid today. I think she's up in the front, actually, because you're driving. I think she's. No, absolutely. I didn't even think about it. I think I thought, like, in this room, and I'm like, oh, she definitely sitting in the front as the third. The three in the back are kind of, like, not doing much. And she's kind of like. She whispers and she's like, so what do you got any sick plans after college or for college after school? We're graduating in place the first at the. We're graduating this summer if my grades hold up. 205 00:35:37.000 --> 00:36:14.000 I mean, obviously, you know, I'd love to go to one of the big schools, but I really want to go to the east coast, but my dad really wants me to, you know, to stay in the UC system. You know, that's. That's where he. That's where he got his degree and. And, you know, just wants to, I guess, kind of keep it and, you know, stay. Stay part of that system. But I think. I think he. You know, obviously, he. He knows that kind of stuff, so I guess I'll trust his judgment. 206 00:36:14.000 --> 00:36:48.000 But she has a very visible, almost cartoonish, like, frown on her face when you say that. And she kind of turns her body and leans her left elbow onto the headrest to kind of face you as you're driving. Well, if you want to go to the east coast, you should go. I mean, you're the one that's doing the applications, and you're the one that has to go after. You know, I'm going to the East Coast. 207 00:36:48.000 --> 00:37:08.000 My parents would be paying for college, so I don't know if they would pay to, you know. Even if I got into, like, a knifey league, I don't know if they would, you know, they'd want to pay for that. You know, they want to make sure that I'm close to home if I need anything or anything like that. 208 00:37:08.000 --> 00:37:09.000 Sure. 209 00:37:08.000 --> 00:37:58.000 Yeah. Yeah, yeah. I mean, you know, I think you're. Your dad's not even from this coast. I mean, he had that sort of experience. So I don't know. I just think if you. If you just, you know, show a little bit of. And she kind of, like, pops her hands out to kind of, like, almost like. Like flashing them. And then, like, does a gesture that goes up, up, and up. It's very vague. No idea what the. She's talking about. And it's like, you know, like, be you for, like, five minutes. I'm sure they'll. They'll. They'll be. They'll be like, whoa. And then they'll. They'll do what you like. Okay. Can I tell you something weird? 210 00:37:58.000 --> 00:37:59.000 Sure. 211 00:37:59.000 --> 00:38:01.000 Yeah. Absolutely. 212 00:38:01.000 --> 00:38:04.000 And she looks kind of left and looks right. Conspiratorial. 213 00:38:04.000 --> 00:38:06.000 And 214 00:38:06.000 --> 00:38:12.000 I heard there's a college for people like us. 215 00:38:12.000 --> 00:38:15.000 Maybe. I'll think. I'll think about it. 216 00:38:15.000 --> 00:38:46.000 I'll send you the information. I think it would be really nice if, you know, we both went to the East Coast. And she. At that sentence, she kind of looks away awkwardly, actually, almost very rare. And kind of looks to the window and turns her ear to continue listening to whatever the fuck is going on in the backseat. 217 00:38:46.000 --> 00:38:51.000 So, Radley, what are you looking to do after high school? 218 00:38:51.000 --> 00:39:10.000 Nothing really planned, did. I was gonna take, like, some time away from school, I think, and just, like, hang out with my grandmother for a little bit and then figure it out from there. 219 00:39:10.000 --> 00:39:12.000 Tell me about your grandma. 220 00:39:12.000 --> 00:39:48.000 I mean, she. She's my grandma. She. She loves herbs and stuff, like a normal grandmother. In my opinion, I don't. But they don't really have like a comparison I guess I don't hang out with other people's grandmothers that often, but to me it seems like you know what someone would think a normal grandmother does. She's very particular about time, which is interesting. 6am every morning she wakes me up. So I wake up at five so I can relax for a little bit. 221 00:39:48.000 --> 00:39:49.000 Are you guys close? 222 00:39:49.000 --> 00:40:00.000 Oh yeah, yeah. I had to move here from where I lived and start living with her. So yeah, we're pretty close. 223 00:40:00.000 --> 00:40:03.000 Maybe. Maybe I'll get to meet your grandma someday. 224 00:40:03.000 --> 00:40:14.000 Yeah, I'm surprised we didn't run into her while we were at my house because she's usually around. But not today, I guess. 225 00:40:14.000 --> 00:40:16.000 You're really cool. 226 00:40:16.000 --> 00:40:17.000 I appreciate that. 227 00:40:17.000 --> 00:40:18.000 I. 228 00:40:18.000 --> 00:40:25.000 That I well know I don't try to be cool, but I appreciate it when it's acknowledged. 229 00:40:25.000 --> 00:41:18.000 So it's about this time you pull up outside of the mansion. It belongs to the Rose family of Rosedale. They established the town and it is massive. There are cars already parked all over the lawn out here. So you just find an empty spot and you park your car. You can hear the music coming from the house. You can see people hanging out on the porch, you know, moving through the windows. It is. Party is already underway, new strings in tow. You get out of the car and head towards the party. And here is I. Here's where I ask how, how hard do you plan to party? 230 00:41:18.000 --> 00:41:22.000 Pretty hard. 231 00:41:22.000 --> 00:41:27.000 Not hard at all. 232 00:41:27.000 --> 00:41:29.000 I was gonna say a fair bit. 233 00:41:29.000 --> 00:41:36.000 If by hard you mean to throw herself at her next boyfriend, then yes. 234 00:41:36.000 --> 00:41:44.000 Yeah, exactly. And Quinn, since you didn't get to describe your outfit, what does he. What are you wearing to go to this party? 235 00:41:44.000 --> 00:42:46.000 Yeah, I think as he steps out of the car he sort of is like readjusting his outfit, sort of brushing off any dust, anything. But he's gonna be wearing a essentially what's like a muscle tank top, like a black muscle tank. And over it is gonna gonna be like an unbuttoned. I literally had it written down like an unbuttoned like like a black or like a very dark green like plaid flannel shirt. He's gonna wear like some like almost like skinny distressed black jeans and some very beat up looking Converse chucks. On his hands he's got a lot of his hands basically covered in like silver rings, especially his drawing hand. He's also wearing like a, like a ball chain choker necklace and like just another like silver loop multiple necklaces basically. And makeup wise, he's also doing very guy liner, a little bit of eyeshadow. Ironically enough, a very simple, very identical lip look to what he did for Daisy. So, yeah. 236 00:42:46.000 --> 00:43:13.000 So, yeah, you all wander into the party, drinks are plentiful and I think I'm going to ask. It's a little bit. We're gonna play fast and loose. I'm gonna ask for keep your cool roll from everyone waiting to handle your shit. 237 00:43:13.000 --> 00:43:15.000 Quinn got a nine. 238 00:43:15.000 --> 00:43:18.000 I also got a nine. 239 00:43:18.000 --> 00:43:22.000 Verity got a strong five. 240 00:43:22.000 --> 00:43:24.000 What did Melody get? 241 00:43:24.000 --> 00:43:26.000 I got an eight. 242 00:43:26.000 --> 00:43:57.000 Yeah. Verity, you did say you're not going to drink and no one is going to force you to drink. But there are other ways to lose yourself at a party. Just getting lost in the crowd. There's a lot of music and it. Can you kind of just get drawn into it and kind of lose yourself in everything. Just the being close to people. And Daisy, unfortunately you are a lightweight, 243 00:43:57.000 --> 00:44:06.000 small frame, small frame cheerleader. I got a fast metabolism. That thing has hit me like a truck. 244 00:44:06.000 --> 00:44:20.000 Yeah, it's. Nobody's cutting, cutting these drinks, so it's just you're handed, you're handed cups of like just beer or, you know, mixed drinks and juice. 245 00:44:20.000 --> 00:44:24.000 Yeah, pretty much, yeah. 246 00:44:24.000 --> 00:44:28.000 One Long Island Iced tea and I'm shit faced. 247 00:44:28.000 --> 00:44:29.000 Vodka and volt. 248 00:44:29.000 --> 00:44:30.000 Yep. 249 00:44:30.000 --> 00:44:33.000 Vodka 250 00:44:33.000 --> 00:44:39.000 instead of a red bullet. 251 00:44:39.000 --> 00:44:54.000 But everyone else, you're. You're handling things pretty well. And the, the party, you all get swept up into the party and what are you trying to do? 252 00:44:54.000 --> 00:45:00.000 Daisy is trying to lose herself, if that makes sense. 253 00:45:00.000 --> 00:45:01.000 No, it does. 254 00:45:01.000 --> 00:45:17.000 Are you using the party to just get lost for a little bit? Are you going to investigate anything? Are you? Because Quinn, you know who's going to be at this party. 255 00:45:17.000 --> 00:45:49.000 Yeah, definitely. I think seeing as how I don't want to run into Cal alone again, I'm gonna sort of look at the group. Well, whoever is still with us. Because I have no idea where Verite went anymore. I just look around, look back, Verite is just gone. I look at Daisy, she is shitfaced. And that just leaves Melody or Riley. Okay, never mind. That just leaves Riley. 256 00:45:49.000 --> 00:46:12.000 I think Riley is like trying to hang sort of close to the group. But as the group sort of separates, it ends up. Yeah, just being the three of us. I'm like, Riley will look at Quinn. I think we should keep track of Daisy at least because I don't know where Melody or Verite are. 257 00:46:12.000 --> 00:46:23.000 Yeah, that's probably a good idea. Although I do want to ask Melody something. Well, actually that can wait. But yeah, Definitely might be a good idea to keep track of Daisy. 258 00:46:23.000 --> 00:46:26.000 I'm going for a second drink. 259 00:46:26.000 --> 00:46:30.000 I think Quinn would grab her arm. Is like. Okay. Probably not a good idea. 260 00:46:30.000 --> 00:46:32.000 Oh, hi. 261 00:46:32.000 --> 00:46:34.000 Hi. 262 00:46:34.000 --> 00:46:39.000 Hey. Okay. Did you want this drink? 263 00:46:39.000 --> 00:46:40.000 In a little minute. 264 00:46:40.000 --> 00:46:42.000 I'll take it. 265 00:46:42.000 --> 00:46:43.000 Oh, okay. 266 00:46:43.000 --> 00:46:44.000 Yeah. Thank you. 267 00:46:44.000 --> 00:46:52.000 Okay. I think you look for somewhere private, like, well, as private as you can be in a giant ass house party. 268 00:46:52.000 --> 00:47:01.000 You can find a bedroom or an office or a study that doesn't have people in it and just kind of click the lock. Flip the lock on the door. 269 00:47:01.000 --> 00:47:14.000 Yeah. So he'll probably just do that. Click the lock. Just make sure no one's coming. Okay, good. Okay, I want you to listen to me very carefully. Daisy. 270 00:47:14.000 --> 00:47:15.000 Yes? 271 00:47:14.000 --> 00:47:18.000 Remember that thing you saw in my sketchbook? 272 00:47:18.000 --> 00:47:20.000 Yes. 273 00:47:20.000 --> 00:47:26.000 Did you happen to see that anytime before you saw it in my sketchbook at all? 274 00:47:26.000 --> 00:47:29.000 Oh, yeah. Oh, yeah, I have. 275 00:47:29.000 --> 00:47:37.000 Oh, okay. Okay. Looks over at Riley. Did not expect an answer to that, if I'm being honest. 276 00:47:37.000 --> 00:47:43.000 Well, I, I, I, I think most questions are going to get answered in this state. 277 00:47:43.000 --> 00:47:48.000 Fair enough. But I wasn't expecting a yes to that question. 278 00:47:48.000 --> 00:48:03.000 That's, yeah. Odd to remember a drawing that you drew in your notebook. Is there something more to this that I'm not knowing? Because. Okay, yeah, I need to. Yeah, you're have to cue me in. 279 00:48:03.000 --> 00:48:07.000 Look, long story short, it's a long, long ass story. 280 00:48:07.000 --> 00:48:08.000 Actually. 281 00:48:07.000 --> 00:48:15.000 No. I wonder because considering Riley and Quinn used to be together, I think Riley would be the one person who know about Quinn's visions. I think. 282 00:48:15.000 --> 00:48:18.000 Okay, 283 00:48:18.000 --> 00:48:22.000 look, long story short, I had a vision during lunch today. 284 00:48:22.000 --> 00:48:31.000 Oh, that was the headache. I thought you were like doing some weird get Daisy to get you medicine nonsense. 285 00:48:31.000 --> 00:48:42.000 No. God. Oh, no. What the hell did you just say? Ew, I, I meant that I wouldn't do that. I'd have a little bit more class than that. Damn. 286 00:48:42.000 --> 00:48:45.000 I'll live to see it. 287 00:48:45.000 --> 00:48:59.000 Yeah, Rich. Anyway, look, I had a vision. I had a vision during lunch and then what I saw was an old fashioned flip to the sketchbook page of the mask and show quit and show Riley this. 288 00:48:59.000 --> 00:49:08.000 That's very odd. And yeah, Daisy, having seen it before is also very odd. 289 00:49:08.000 --> 00:49:09.000 Yeah. 290 00:49:09.000 --> 00:49:10.000 Yeah. 291 00:49:10.000 --> 00:49:23.000 Here's the kicker, though. After school, I saw Cal being a little odd and he bumped into someone and guess what fell out of his bag? 292 00:49:23.000 --> 00:49:26.000 I'm guessing the mask. 293 00:49:26.000 --> 00:49:27.000 Bingo. 294 00:49:26.000 --> 00:49:29.000 The only thing that really makes sense here. 295 00:49:29.000 --> 00:49:46.000 Bingo. I followed him to the, to the dark room and I overheard him talking, muttering a lot to himself and saying, I don't even know what exactly he meant by it, but he's saying that she shouldn't be here. 296 00:49:46.000 --> 00:49:47.000 Are we? 297 00:49:47.000 --> 00:49:56.000 All right, so if. Are we assuming that this is Daisy that he's talking about? Is that why we're here in a room with Daisy? 298 00:49:56.000 --> 00:50:04.000 Well, I brought her here because she might have, you know, seen the mask again. But now that you say it. He looks over Daisy. 299 00:50:04.000 --> 00:50:09.000 She's dancing to the music, fully not listening. 300 00:50:09.000 --> 00:50:13.000 Might be onto something here. 301 00:50:13.000 --> 00:50:23.000 That or she's, like, run into Cal. The same as you ran into Cal and seen the mask. It's nothing concrete. 302 00:50:23.000 --> 00:50:29.000 Well, all we need to do is just ask, I guess. Hey, Daisy. 303 00:50:29.000 --> 00:50:34.000 Yes. 304 00:50:34.000 --> 00:50:44.000 He'll gently take her hand off of his chin. When exactly did you last see this Points of the Mask sketch? 305 00:50:44.000 --> 00:50:47.000 Last night. 306 00:50:47.000 --> 00:50:50.000 What happened when you saw this mask? 307 00:50:50.000 --> 00:50:53.000 Yeah. What? Yeah. 308 00:50:53.000 --> 00:50:58.000 Okay, she's gonna take both of you and just, like, put you on the bed. 309 00:50:58.000 --> 00:50:59.000 Oh, okay. 310 00:50:59.000 --> 00:51:19.000 Just, like, sit so she can talk. This is gonna be a lot of information at once. I'm sorry. I am not Daisy. And I saw someone in that mask kill Daisy. 311 00:51:19.000 --> 00:51:20.000 Who. 312 00:51:19.000 --> 00:51:22.000 Who are you, then? 313 00:51:22.000 --> 00:51:36.000 My name's Putnam. Okay, this. This, mate, explain it a little bit better. And Putnam's going to de. Transform. 314 00:51:36.000 --> 00:51:37.000 What do they say? 315 00:51:37.000 --> 00:52:22.000 It's. It's just, like a very general outline. Like a very general human form that's just gray. I. I ran away from home, and I've been trying to, like, stay away from my father. And, like, the way that I've been doing that is, like, kind of filling in for kids when they're sick from school. And I saw this happen last night, and I thought I could, like, you know, tuck away for a few days before they find her body, but apparently things are moving a lot faster. And I don't know. And she's like. Well, Putnam is just, like, clearly drunk still and is, like, crying, just sort 316 00:52:22.000 --> 00:52:27.000 of looking at Riley like. Like, how do we handle this? 317 00:52:27.000 --> 00:52:32.000 Like, I didn't have this in my bingo card, 318 00:52:32.000 --> 00:52:40.000 so. What? Wait, there's. Am I still sitting? Why is the room spinning? 319 00:52:40.000 --> 00:52:51.000 Quinn? I've seen that before. I saw someone wearing it to kill Daisy at her house on her front stoop last night. 320 00:52:51.000 --> 00:52:56.000 Okay, well, I think I might know who it was. 321 00:52:56.000 --> 00:53:03.000 Which, I mean, if it's Cal, I think Melody's in danger. 322 00:53:03.000 --> 00:53:06.000 Yeah, no kidding. 323 00:53:06.000 --> 00:53:15.000 Okay, I gotta. I can't let people see me like this. I gotta lock back in. Give me a minute here. I'm gonna try to transform back into Daisy. 324 00:53:15.000 --> 00:53:16.000 Yeah, give me that. 325 00:53:16.000 --> 00:53:18.000 Rule 12. 326 00:53:18.000 --> 00:53:19.000 12. 327 00:53:19.000 --> 00:53:20.000 Yeah. 328 00:53:19.000 --> 00:53:20.000 No, you. 329 00:53:20.000 --> 00:53:24.000 You can. You've got it just right, and you can do it for as long as you want. 330 00:53:24.000 --> 00:53:30.000 So. Should probably sober up, huh? 331 00:53:30.000 --> 00:53:34.000 Yeah, probably a good idea. 332 00:53:34.000 --> 00:53:38.000 Is there an ensuite in this bathroom or in this bedroom? 333 00:53:38.000 --> 00:53:39.000 Probably. 334 00:53:39.000 --> 00:53:40.000 Yeah. 335 00:53:39.000 --> 00:53:40.000 Yeah, yeah. 336 00:53:40.000 --> 00:53:47.000 I'm gonna go get a washcloth and put. Put like a hot water, like a hot washcloth on the back of my neck. 337 00:53:47.000 --> 00:54:00.000 So as you do this, we cut away to Verity kind of navigating out of this, like, giant, just pile of people dancing. 338 00:54:00.000 --> 00:54:31.000 Freddy's gonna go to the bathroom for a second and she's going to pull out some Adderall from her bag and take a few, soak them down and then go back out because it's a bit. It's been a lot and she wants to feel a bit better if she's going to be in this environment. 339 00:54:31.000 --> 00:54:34.000 Prescription drugs. The great. 340 00:54:34.000 --> 00:54:37.000 Yes, prescription. That's what. That's. Yes, prescription. 341 00:54:37.000 --> 00:54:40.000 It's totally. That's. That's the name of the bottle. Verity. 342 00:54:40.000 --> 00:54:43.000 Yep. Absolutely. 343 00:54:43.000 --> 00:54:52.000 Say it. You. You do. And you. You kind of like, realize that you've completely lost track of everyone else. 344 00:54:52.000 --> 00:55:15.000 Just get on our. On our tiptoes and kind of look all over. But I mean, obviously people are jumping and. And pumping and stuff, so it's a bit. Bit difficult either way. And she's gonna start sort of stumbling around just trying to find someone she. She recognizes, I guess. 345 00:55:15.000 --> 00:55:38.000 Yeah. No, and like, as. As you. As you. As you're doing this and like, looking around, like, you can kind of see, like, up the stairs. There's, like, one of the doors open and you see Daisy, Quinn and Riley, like, exit this room. I don't think they look the most excited at the moment. Maybe a little bit morose. 346 00:55:38.000 --> 00:55:58.000 I just. Can I walk up to them or. It's almost a trot. There is a. A little bit more focus in her eyes than normal. It's a bit more there than she probably normally would be at a party, knowing her. 347 00:55:58.000 --> 00:56:00.000 Oh, I'm. 348 00:56:00.000 --> 00:56:12.000 I'm. I'm so glad. I. I'm sorry. I got distracted and then I turned around and everyone was gone. And. And. Well, I'm. I'm glad you're all. 349 00:56:12.000 --> 00:56:13.000 Is. 350 00:56:12.000 --> 00:56:15.000 Is everything okay? 351 00:56:15.000 --> 00:56:16.000 Yep. 352 00:56:16.000 --> 00:56:21.000 Long story short, have you seen Cal anywhere or Melody by any chance? 353 00:56:21.000 --> 00:56:31.000 I. I don't. Not since we arrived. I didn't see. I haven't seen Cal. I don't. Maybe they're like. If they've gone to, like, make out or something, I don't know. 354 00:56:31.000 --> 00:56:34.000 Okay, we need to find them. Now. 355 00:56:34.000 --> 00:56:39.000 Okay, Is there. Is there a reason for that? 356 00:56:39.000 --> 00:56:48.000 Look, it's just really, really long story. Then I promise we will fill you in. But like, right now it is very important that we find them. 357 00:56:48.000 --> 00:56:51.000 Okay, sure. 358 00:56:51.000 --> 00:57:07.000 Stay back in the room and kind of say, I need to gather myself. This is a lot. And like, kind of just close the door and do a tiny little scream. You know, not loud, but just like frustrated shout. And like, just close the door behind me. 359 00:57:07.000 --> 00:57:10.000 Yeah, yeah, you can do that. 360 00:57:10.000 --> 00:57:18.000 If I feel like everyone is gonna start moving to find Melody, I want. I want to do some. I want to do some magic here. 361 00:57:18.000 --> 00:57:21.000 Yeah, yeah, yeah. Let's do some magic. 362 00:57:21.000 --> 00:57:22.000 Some. 363 00:57:22.000 --> 00:57:46.000 I have something and I'm going to. I'm going to use this magic to. To do my hex that is watching. I can essentially see what Melody sees. That's a six and a five plus two for 13. 364 00:57:46.000 --> 00:57:47.000 Thirteen. 365 00:57:47.000 --> 00:58:18.000 Yeah. It works and can easily be reversed. So, yeah, as you expend this. This token and magically see through Melody's eyes, like, the camera shifts and moves and we're in Melody's pov. And you are walking through this hallway. And as you're walking, a hand reaches out and grabs you and pulls you into one of the side rooms. Do you fight back? 366 00:58:18.000 --> 00:58:26.000 I was going to go get my new boyfriend. It depends on who's grabbing me. 367 00:58:26.000 --> 00:58:27.000 I. 368 00:58:27.000 --> 00:58:28.000 Can I look? 369 00:58:28.000 --> 00:58:29.000 Yeah. 370 00:58:28.000 --> 00:58:33.000 No, as you. As you turn, you see Cal. 371 00:58:33.000 --> 00:58:34.000 Yeah. 372 00:58:34.000 --> 00:58:36.000 You know that's my current boyfriend, so. 373 00:58:36.000 --> 00:58:37.000 Yes, it is. 374 00:58:37.000 --> 00:58:42.000 I think I turn and I. I like, jump a little bit. 375 00:58:42.000 --> 00:58:46.000 Oh. 376 00:58:46.000 --> 00:59:14.000 Can't hear anything. So, yeah, you see, I think for now, actually, I'm going to. What you're gonna see. Cause you're pov' ing me right now, Riley, is you're gonna see Melody's eyes close. And then like, I guess you don't see for a minute and then they open up and you see Cal's face, bright and glorious in this dark ass hallway. She was giving him a kiss for the audience. She reached into. 377 00:59:14.000 --> 00:59:16.000 Mwah. 378 00:59:16.000 --> 00:59:20.000 And she's just gonna stand at a pretty close distance and just talk to him. 379 00:59:20.000 --> 00:59:23.000 Yeah, you. As you're. 380 00:59:23.000 --> 00:59:24.000 As you're. 381 00:59:23.000 --> 00:59:44.000 You're doing this. He's. He's kind of. His eyes are a little wild as if, you know, he's. He's a little hopped up on something and he's smiling at you and you know, after you've kissed him, he kind of like puts his hands on the sides of your face and just says, are you ready for tonight? 382 00:59:44.000 --> 01:00:38.000 Almost nervous, but very feigning. Excitement because she was. She was. She was on our way to do something else. Whatever he's got going on is, like, secondary. But she's gonna go, yeah, yeah, yeah, yeah, sweetie, do you. How's your day? And I think she's going to just like, touch him very gently on the side of the face and take a deep breath. And she's gonna pull out a granola bar. The same one, the. The glorious kind that we're eating earlier. Because she's got a fanny pack and she's got like six of them. Because when you don't eat full meals, you gotta have some fiber on you. 383 01:00:38.000 --> 01:00:39.000 This is true. 384 01:00:39.000 --> 01:01:13.000 And she's gonna, like, with a hand, like, on his cheek, is gonna open it up with her teeth. Like, put one side, hold the other side, open it up with the teeth. And Riley, you see all this, and she's like putting a granola bar. She opens up his mouth, puts the granola bar in it, closes it, and just kind of like massages his jaw so that he chews it and. Yeah. I'm so excited, baby. Now go. I don't know. I was busy. 385 01:01:13.000 --> 01:01:15.000 I know. There's so much we have to get 386 01:01:15.000 --> 01:01:27.000 done while I have a hot dance with a friend. Just a friend, 387 01:01:27.000 --> 01:01:41.000 you know, as. As this is happening. He holds your hand, and you can kind of feel he's putting something that he has in his hand in your hand. And he says, keep that close just in case. 388 01:01:41.000 --> 01:02:40.000 Yeah. I don't look at it, whatever the fuck it is. I just close my hand and I smile awkwardly and I pray that it's not anything weird. And I put it in my pocket. Pocket. Without breaking eye contact with him. And this time she reaches up to kiss him, like, full, deep, heady. But she does not close her eyes. And so, Riley, you would see, like in 4K Human Vision, Cal's face. And I don't think he closes his eyes either. So we kind of are staring at each other as we're like, open mouth kissing, whatever this energized energy is. And Melody pulls away. Okay. And she's gonna skip down the hallway and go find her next boyfriend like she was supposed to. 389 01:02:40.000 --> 01:02:41.000 Yeah. 390 01:02:40.000 --> 01:03:04.000 No. And like the Riley. Out of, like, the corner of Melody's eye as Melody is turning and leaving, you can kind of see that Cal is lifting the mask up to his face and Melody, why don't you give me a. Turn someone on for the quarterback. 391 01:03:04.000 --> 01:03:08.000 Oh, God. I always roll really good for this. I got a 13. 392 01:03:08.000 --> 01:03:09.000 A 13? Yeah. 393 01:03:09.000 --> 01:03:22.000 No, it does not take you long at all to find Tommy Thorne the quarterback and to put the moves on him. 394 01:03:22.000 --> 01:04:06.000 There is a. Depending on how long Riley decides to watch whatever this freak is. Melody, there's. It's a whole thing. It's like a whole like little seduction ritual. She dances grooving to the music and is going to go to the cooler of wherever the. The jungle juice is. Heavy on the jungle, light on the juice and it's going to pour some into a cup and it's going to like assuming that everyone loves a quarterback and he's a star, whatever. She's going to cut right into the middle of this group that is probably surrounding him and is going to sit on his lap, plop right on down as if they're good friends, hand him a juice and. 395 01:04:06.000 --> 01:04:07.000 And that's. 396 01:04:06.000 --> 01:04:08.000 That's her whole thing. 397 01:04:08.000 --> 01:04:09.000 Yeah. 398 01:04:09.000 --> 01:04:17.000 I imagine that's probably around the point where Riley, your spell ends and yeah, you've just seen all of that happen. 399 01:04:17.000 --> 01:04:30.000 Yeah. So I think Riley's doing this and then we'll like come out of the room and like do like a deep breath. Like they were like really like stressing out in the room. 400 01:04:30.000 --> 01:04:31.000 Room. 401 01:04:31.000 --> 01:04:40.000 And then kind of walk out and like try to find Quinn and Daisy and Faraday and explain that. 402 01:04:40.000 --> 01:04:41.000 Like. 403 01:04:41.000 --> 01:05:01.000 Yeah, I. I think sort of just like. I think we should go and like look for the quarterback that Melody was looking for. I think that's a good place to start as just like a. I've cleared my head and I'm clearly thinking and I think this Melody's probably there, right? 404 01:05:01.000 --> 01:05:02.000 Yeah. So that's. 405 01:05:02.000 --> 01:05:05.000 That's the plan. Go find Melody take. 406 01:05:05.000 --> 01:05:08.000 So. Yeah. 407 01:05:08.000 --> 01:05:09.000 Yeah. 408 01:05:09.000 --> 01:05:10.000 No. 409 01:05:10.000 --> 01:05:38.000 So you all are trying to navigate the almost amaz like corridors in this mansion and you know, you're kind of. You kind of know where Melody is, but kind of. So you're just kind of hoping to spot her and you go down a hallway and then suddenly whoever's in front, whoever who's leading this group, I think 410 01:05:38.000 --> 01:06:02.000 Riley is going to kind of take the lead as like just trying to use like surface level memory of what saw from Melody's vision, but not making it obvious. So just like I'm just walking in front because I don't want to get like stuck in crowds of people. Just like, I'm just moving faster because I don't really want to get trapped in crowds of people, but kind of lead that way. 411 01:06:02.000 --> 01:06:03.000 Yeah, you. 412 01:06:03.000 --> 01:06:04.000 You do. 413 01:06:04.000 --> 01:07:07.000 And as you're like cutting through a hall, someone is also cutting across and you just kind of run directly into them. And then there's that moment where you're both going to, like, stand, like, there, and you turn around and this person turns around and you find yourself staring directly at the mask. You see Cal wearing the mask, and I feel like that's a pretty good point to end things for now. And we'll pick it up next time and see what happens. And I hope you all enjoyed the second part of Haunted in the Glow. We are goblins and gaze. You can check us out everywhere on social media. Oblitzngays. We have a Patreon where you can get access to bonus content, a Discord where you can talk with people about the episodes and all of that. So, yeah, we will see you all next time. For the penultimate episode, 414 01:07:07.000 --> 01:07:34.000 have drills. 415 01:07:34.000 --> 01:07:38.000 Sam.