WEBVTT

1
00:00:00.000 --> 00:00:01.000
<v Speaker A>Are you ready? Yeah.

2
00:00:01.000 --> 00:01:10.000
<v Speaker B>Are you with it? Yeah. Okay, let's go. You know what to do. The whole world's watching and counting on you. And all you people listening out there. Everybody everywhere. Hang on, hang on, hang on. Welcome to Checkered Past, a loving postmodern examination of the. Go. Go. Check. Branded comic magazines published by DC Comics between February 1966 and August 1967. I'm Dr. Bob and each week I'll be your guide on this trippy tour through 535 mid century masterpieces of graphic noveldom. This week, Tomahawk 110 cover date May 1967 cover price $0.12. Cover artist Bob Brown Edited by Murray Boltanoff Featuring Tomahawk Must Die Written by Bill Finger. Art by Bob Brown. Are you ready? Are you with it? Then away we go. Go. Open up your eyes Take a look

3
00:01:10.000 --> 00:01:12.000
<v Speaker A>at the world around you.

4
00:01:12.000 --> 00:01:16.000
<v Speaker B>Don't you want to lend a helping hand?

5
00:01:16.000 --> 00:01:19.000
<v Speaker A>Try it on for size.

6
00:01:19.000 --> 00:01:21.000
<v Speaker B>You can have the feeling about you.

7
00:01:21.000 --> 00:01:23.000
<v Speaker A>Come along and join in with the

8
00:01:23.000 --> 00:01:59.000
<v Speaker B>band Tomahawk get amnesia. And joins forces with the dastardly Lady Schilling to threaten the success of Operation Beaver. But never fear, it's the lovelorn Miss Liberty and the Rip Roaring Rangers to the rescue. Confused? Don't worry, I'll be right back with doctor Husband to explain everything. If you ask me, I'll tell you what you want to know. If you're crying I will try to

9
00:01:59.000 --> 00:02:03.000
<v Speaker A>make the tears go.

10
00:02:03.000 --> 00:02:14.000
<v Speaker B>But if you're lying and trying to make me blue you'll never find

11
00:02:14.000 --> 00:02:20.000
<v Speaker A>a love that's true. Well, happy birthday. Yeah.

12
00:02:20.000 --> 00:02:26.000
<v Speaker B>Was that Sunny? You have to speak up. I'm deef.

13
00:02:26.000 --> 00:02:28.000
<v Speaker A>This is a very important birthday for.

14
00:02:28.000 --> 00:02:32.000
<v Speaker B>I don't know how important I'd say it is.

15
00:02:32.000 --> 00:02:33.000
<v Speaker A>It's a milestone birthday.

16
00:02:33.000 --> 00:02:34.000
<v Speaker B>It ends in a zero.

17
00:02:34.000 --> 00:02:35.000
<v Speaker A>Yes, indeed.

18
00:02:35.000 --> 00:02:36.000
<v Speaker B>Just another day.

19
00:02:36.000 --> 00:02:40.000
<v Speaker A>Yeah. Okay. Well, happy birthday.

20
00:02:40.000 --> 00:02:41.000
<v Speaker B>Thank you.

21
00:02:41.000 --> 00:02:47.000
<v Speaker A>Well, we didn't do anything really special for your birthday. No, no. You didn't want anything special for your birthday.

22
00:02:47.000 --> 00:02:49.000
<v Speaker B>I have so much.

23
00:02:49.000 --> 00:03:33.000
<v Speaker A>But I did get you a couple of gifts. Yes. One of which was very funny. I had purchased, or I had. I had AI do a really cool photograph of our two dogs and cat. And it generated an image that I'd asked for of them bowling in a bowling alley, which was really funny. And because I can only do. I was only looking at it on my phone, I didn't notice that the photograph or the piece of art that it generated had a second tail growing out of the butler's back and upwards into the Air, which I didn't catch, and sent it to a company and had it printed on a T shirt, which you unwrapped on your birthday, didn't you?

24
00:03:33.000 --> 00:03:38.000
<v Speaker B>I did. Also, his tail had a sleeve of the bowling shirt. Its own sleeve?

25
00:03:38.000 --> 00:03:55.000
<v Speaker A>Yes, it had its own sleeve. So I thought that was funny. And so our good friend Chuck helped me and created a new photograph. And it is on its way. It was printed already.

26
00:03:55.000 --> 00:03:56.000
<v Speaker B>Wow.

27
00:03:56.000 --> 00:04:06.000
<v Speaker A>Yeah, they're pretty prompt. It's called Uber Prints. So anyway, there's that. And then you have a couple of collectible, very nice collectible marionettes, don't you?

28
00:04:06.000 --> 00:04:15.000
<v Speaker B>Well, I have a Pelham marionette of a frog, which I had as a child. It's not the same one that I had as a child, but I found it on eBay and doctor husband bought it for me sometime or other.

29
00:04:15.000 --> 00:04:18.000
<v Speaker A>Yes. Some time ago. And then we just recently found a

30
00:04:18.000 --> 00:04:29.000
<v Speaker B>Howdy Doody original manufacturer. Not a television version of Howdy Doody, but the mass production that they made in the 50s for children to take home.

31
00:04:29.000 --> 00:04:42.000
<v Speaker A>So they have been. One's been hanging on the wall for years and the other Howdy Doody was just laying like a corpse on top of a piece of furniture. And so I made you some marionette stands, didn't I?

32
00:04:42.000 --> 00:04:44.000
<v Speaker B>You sure did. You're so clever.

33
00:04:44.000 --> 00:04:59.000
<v Speaker A>I know. I just. And so that was nice to make. I made those out of wood and got the tools in here and made a little shop and made out some stands. So. Yes. And then. So we're going to go and celebrate your birthday tomorrow.

34
00:04:59.000 --> 00:05:09.000
<v Speaker B>Yes, we'll have a fancy dinner at the Nice restaurant in town. And that's all I have. I guess we'll see you next week.

35
00:05:09.000 --> 00:05:28.000
<v Speaker A>Well, yes, me, I've just been keeping busy with my projects, getting ready for classes to start, also doing my administrative responsibilities. And then on top of that, trying to keep my music going. So there you go. Oh, and my Spanish as well.

36
00:05:28.000 --> 00:05:34.000
<v Speaker B>You're so busy. I guess I ought to brush up my French since we're going to France for Thanksgiving.

37
00:05:34.000 --> 00:05:41.000
<v Speaker A>That's right. I need to do that. I wonder if I can do that with. I have a subscription to Babel. I guess I can just add another language.

38
00:05:41.000 --> 00:05:52.000
<v Speaker B>Although while we're going to Strasbourg, I wonder if they speak equally German as well as French. Maybe we should. Listener, if you know anything about Strasbourg, France, let us know. I could get by in German.

39
00:05:52.000 --> 00:06:07.000
<v Speaker A>Pretty sure their principal language is French. There are probably German influences in. In the language. I know the cuisine reflects both the German and French. Influence. Because it changed hands between Germany and France, like four times over the years.

40
00:06:07.000 --> 00:06:08.000
<v Speaker B>Yes.

41
00:06:08.000 --> 00:06:09.000
<v Speaker A>So.

42
00:06:08.000 --> 00:06:11.000
<v Speaker B>Yeah, well, who knows? Somebody will let us know.

43
00:06:11.000 --> 00:06:16.000
<v Speaker A>I mean, I doubt it's like the Basque region, you know, which doesn't speak Spanish.

44
00:06:16.000 --> 00:06:20.000
<v Speaker B>Right, Right. And then we're going to Zurich. They speak German for sure.

45
00:06:20.000 --> 00:06:24.000
<v Speaker A>Yes. Oh, we should probably just brush up on. I'll brush up on the French.

46
00:06:24.000 --> 00:06:25.000
<v Speaker B>Okay. I'll do German.

47
00:06:25.000 --> 00:06:27.000
<v Speaker A>Yes. Yeah.

48
00:06:27.000 --> 00:06:35.000
<v Speaker B>Everyone knows from listening to this podcast how great my German Inflection is. Dr. Husband.

49
00:06:35.000 --> 00:06:36.000
<v Speaker A>Yes?

50
00:06:36.000 --> 00:06:41.000
<v Speaker B>What makes a Ranger

51
00:06:41.000 --> 00:06:45.000
<v Speaker A>being printed in this thing?

52
00:06:45.000 --> 00:06:48.000
<v Speaker B>Well, you'd think so, but there's more to it than that.

53
00:06:48.000 --> 00:06:49.000
<v Speaker A>Okay.

54
00:06:49.000 --> 00:06:56.000
<v Speaker B>They come from all points of the compass, Dr. Husband out of the cities and country, leaving their families, shops and plowshares.

55
00:06:56.000 --> 00:06:57.000
<v Speaker A>What the hell?

56
00:06:57.000 --> 00:07:01.000
<v Speaker B>Are you reading the text piece in the middle of the issue.

57
00:07:01.000 --> 00:07:03.000
<v Speaker A>Oh, okay. Thank you.

58
00:07:03.000 --> 00:07:52.000
<v Speaker B>Each was a battle tested veteran, the cream of the crop, who quit his outfit to volunteer for Tomahawk's killer commandos, the rough ever ready Rangers, and became half Indian, half pale face, yet better than either. I don't know why that was in there. Who are the Rangers? Tomahawk learned how to fight redskin and redcoat alike, when as a youthful Tom Hawk, he was taken in by a friendly Indian tribe. Ellipsis was taught the lore of the woods and how to hurl the weapon on, which earned him his famed name. With unerring skill, he could split a June bug at 30 paces. His body moves like a coiled spring and his brain works as quick as a trigger. Ellipsis.

59
00:07:52.000 --> 00:07:53.000
<v Speaker A>Oh, God, you're gonna say that for a long time.

60
00:07:53.000 --> 00:08:17.000
<v Speaker B>Skilled, brilliant, daring, organizer and leader of the best battling team in the world. No, I'm not. I just wondered why they. Maybe it's just like they're too much information to get out. They have to just use these phrases separated by ellipses. Dan Hunter, his young ally, whom he adopted after he was left orphaned by an Indian raid. Not always with the Rangers on their dangerous missions. Yeah, I don't think we've seen him at all.

61
00:08:17.000 --> 00:08:18.000
<v Speaker A>No, no.

62
00:08:18.000 --> 00:08:32.000
<v Speaker B>His age belies his experience. The forest was his school where he learned how to survive in fighting the enemy, whether it was human, animal or nature. See, it used to be Tomahawk. It was just Tomahawk and Dan Hunter. Like Batman and Robin.

63
00:08:32.000 --> 00:08:33.000
<v Speaker A>Yeah.

64
00:08:32.000 --> 00:08:34.000
<v Speaker B>I don't know. When these Rangers come along.

65
00:08:34.000 --> 00:08:58.000
<v Speaker A>Cannonball, a jut jawed sergeant from Connecticut, Leather Lunged. Is that right? Leather Lunged, but with a voice as big as his heart, won his nickname after lobbing cannonballs at the enemy when his artillery unit ran out of ammunition. Hard as nails with a mind to match. Impatient with indecision and indifference. Who follows as Tomahawk's aid and is followed without hesitation.

66
00:08:58.000 --> 00:09:22.000
<v Speaker B>Frenchy. A former sailor. He came here when his ship brought Lafayette's forces and stayed when his desire for action was more fully satisfied on than on a dick. I mean death. Agile as a monkey, he could shinny up a master a towering tree with equal ease. To be a one man observation post. Fancies himself to be a ladies man but he's a man's man too.

67
00:09:22.000 --> 00:09:55.000
<v Speaker A>Oh dear. Okay. Big anvil. The big my favorite. The big burly bewhiskered boastful ex blacksmith from Maine. Once pulled the massive double gates of an enemy fort right off its hinges. Allowing his company of foot sloggers to to barrel inside the shock of the and shock the gaping enemy into surrender. Has the strength of a dozen men, but the innocence and naivety of a child. His muscles on his muscles as it was claimed could punch a hole in a brick wall. Before karate was known.

68
00:09:55.000 --> 00:10:24.000
<v Speaker B>Wildcat. When the rangers had to trespass the land belonging to his peace loving Pennsylvania sect that abhorred war and violence. Talking about the Amish, I don't know why they don't just say that. He joined his fellow villagers in their stubborn resistance until he learned one sometimes had to fight to preserve that precious piece. Now a go go go gung ho soldier. Always spoiling for a scrap. Never stopping until the enemy cries uncle. Uncle Sam.

69
00:10:24.000 --> 00:10:53.000
<v Speaker A>That is long rifle from Pennsylvania. When his outfit had to flee an enemy trap, he stayed behind to fight a delaying action. To protect them, he tied a rifle and string to each spoke of a wheel. As the enemy closed in, he pulled the main string, spinning the wheel, letting loose a machine gun like barrage that blasted every soldier. The best of the crack shots in the army. A sharpshooter whose eyes someone once said really were twin targets. Now I don't understand that.

70
00:10:53.000 --> 00:10:55.000
<v Speaker B>What the machine gunning?

71
00:10:55.000 --> 00:10:56.000
<v Speaker A>Yeah, yeah.

72
00:10:56.000 --> 00:11:00.000
<v Speaker B>Aren't they using muskets now in the revolution?

73
00:11:00.000 --> 00:11:01.000
<v Speaker A>I don't.

74
00:11:01.000 --> 00:11:09.000
<v Speaker B>And don't you have to hold the musket upright because if you tip it over the ball will just fall out.

75
00:11:09.000 --> 00:11:11.000
<v Speaker A>I don't know.

76
00:11:11.000 --> 00:11:42.000
<v Speaker B>I don't know how they could make any musket act like a machine gun. Even a number of them altogether. Kain Tuck, he came out of the hills with a trust for his fellow man. Until he learned you had to fight for anything you wanted. He went on a turkey shoot with a friend when they were ambushed by some enemy soldiers. His pal urged him to escape while he held them off. But Cane Tuck refused, and together they beat off their attackers.

77
00:11:42.000 --> 00:11:44.000
<v Speaker A>Stovepipe. I would get this one. I hate this one the most.

78
00:11:44.000 --> 00:11:45.000
<v Speaker B>Why?

79
00:11:45.000 --> 00:12:04.000
<v Speaker A>Just a stupid hat. Teenage son of a general who scorned a back seat in the Scored a score. It looks like scorned, but it must be no scorn. Okay, okay. Teenage son of a general who scorned a backseat in the war safety safely back at the rear headquarters to prove he was a good man.

80
00:12:04.000 --> 00:12:05.000
<v Speaker B>Do you want me to read this?

81
00:12:05.000 --> 00:12:07.000
<v Speaker A>I do. I'm having a really hard time reading this print.

82
00:12:07.000 --> 00:12:15.000
<v Speaker B>Stovepipe. Teenage son of a general who scorned a backseat in the war safely back at rear headquarters to prove he was as good as any man.

83
00:12:15.000 --> 00:12:30.000
<v Speaker A>His hat was a birthday present and now has become the most treasured possession because it's a hat full of tricks. He could do better than pull a rabbit out of it. It's a veritable arsenal of small weapons, explosives, chemicals, all sorts of thingamajigs that could help a feller out of a tight situation.

84
00:12:30.000 --> 00:12:34.000
<v Speaker B>Back at the camp, they call him Trixie.

85
00:12:34.000 --> 00:12:56.000
<v Speaker A>Trixie Brass Buttons prides himself in being a former member of the third Virginia, a crack infantry unit, and proudly wears his former uniform, which he keeps immaculate at all times, despite the wear and tear of fighting the bleaching sun, rain, snow and slime. He's forever shining the brass buttons lining his tunic, despite Cannonball's demands that he stop that unnecessary frivolity. Well, maybe he's a dandy.

86
00:12:56.000 --> 00:14:29.000
<v Speaker B>There's a lot of innuendo in this issue, which, of course, I'm prepared to point out at every turn. Also, not counting Dan Hunter, there are nine Rangers. That's two too many. Either Cannonball and Long Rifle could have been combined into one character, or Long Rifle and Cane Tuck. Or Cannonball and Cane Tuck. Or just get rid of Stovepipe and Brass Buttons altogether. So if you're listening, 1967 D.C. writers and editors and can hear my pleas to you through time, please eliminate two of these characters. Tomahawk and his Rip roaring Rangers. Number 110. Cover date, June. Well, official cover date, May. June 1967. The glowering head of Tomahawk is floating over the logo there at the top on the COVID we have Tomahawk strung up to a giant one shilling piece. Ms. Liberty Sword fighting with a hooded character who, we learn from the text box is named the Hood. And a band of Indians in the background coming to murder everyone. Apparently Ready?

87
00:14:29.000 --> 00:14:30.000
<v Speaker A>Yeah.

88
00:14:29.000 --> 00:14:33.000
<v Speaker B>It's a very muddy colored cover.

89
00:14:33.000 --> 00:14:36.000
<v Speaker A>Why does Ms. Liberty have on so many stars and stripes?

90
00:14:36.000 --> 00:14:41.000
<v Speaker B>Well, because she's an American galaxy. She's head of the.

91
00:14:41.000 --> 00:14:45.000
<v Speaker A>Is this post. This is during the American Revolution?

92
00:14:45.000 --> 00:14:48.000
<v Speaker B>Yes.

93
00:14:48.000 --> 00:14:49.000
<v Speaker A>Okay.

94
00:14:49.000 --> 00:14:57.000
<v Speaker B>You know, Ms. Liberty was in one of the very first superhero comics that I ever bought and read.

95
00:14:57.000 --> 00:14:58.000
<v Speaker A>You don't say.

96
00:14:58.000 --> 00:15:28.000
<v Speaker B>Justice League number. I want to say, like, 148, 149. I can't remember. That's the one where they. Jonah Hex, Miss Liberty. I'm talking to the listener now. You have no idea what I'm talking about. Jonah Hex, Miss Liberty, Viking Prince, Lord of Time, brought them all into the future to fight the Justice League and to destroy the supercomputer that he had built because it was out of control. And then in the end, who do you think destroyed it? Elongated man.

97
00:15:28.000 --> 00:15:30.000
<v Speaker A>Okay.

98
00:15:30.000 --> 00:15:41.000
<v Speaker B>But Ms. Liberty was featured on the COVID and I had no idea who any of these people were, so I thought that she was a much bigger deal than she was. I thought she had her own series

99
00:15:41.000 --> 00:15:43.000
<v Speaker A>and her own comic.

100
00:15:43.000 --> 00:16:29.000
<v Speaker B>Just a guest here in Tomahawk. All right. Tomahawk, marked for death by his own Rangers. Why would the Rangers have no choice but to execute their own leader? And what was the chain of events that led to the explosive duel between the hood and. And Ms. Liberty that promised Tomahawk must die? Dawn and the morning sun tints the anxious faces of America's most famed fighting men. Tomahawk's Rangers. It seems Tomahawk has gone out scouting. Scouting the terrain. Yeah. By himself. Because that makes sense.

101
00:16:29.000 --> 00:16:31.000
<v Speaker A>They can do that, huh? He can do that.

102
00:16:31.000 --> 00:16:37.000
<v Speaker B>Well, why didn't he take somebody with him? Cane Tuck or somebody Quiet. Brass buttons. He's small.

103
00:16:37.000 --> 00:16:41.000
<v Speaker A>They're very clever people. They can go out and do scouting things.

104
00:16:41.000 --> 00:17:28.000
<v Speaker B>Well, I'm just saying, I'm not a military expert, but it doesn't seem wise to go out on your own. What if you get ambushed? Which is exactly what they think has happened. So these nine other gentlemen have to go out scouting to find him. And suddenly the woods erupt with the sound of gunfire. Its engines. Native Americans, as we call them in modern times. You know how in Sergeant Rock and Haunted Tank and whatnot, they very often don't fire on the enemy, they just punch them. Yes, I see. We have no such compunction about firing weapons at Native Americans.

105
00:17:28.000 --> 00:17:31.000
<v Speaker A>Oh, no. Yeah, yeah, there's a lot of that throughout the film.

106
00:17:31.000 --> 00:17:54.000
<v Speaker B>Full on gunfire and showing them dying in the background. Sure. All right. The Rangers rip Open a hole in the Indian curtain of fire. They are coming upon a hill upon which is a cabin. And just then, who do you think they see running out of the cabin?

107
00:17:54.000 --> 00:17:55.000
<v Speaker A>Tomahawk.

108
00:17:55.000 --> 00:17:56.000
<v Speaker B>He made it out.

109
00:17:56.000 --> 00:17:59.000
<v Speaker A>He made it. Suddenly, another figure races to Tomahawk's side.

110
00:17:59.000 --> 00:18:01.000
<v Speaker B>Gasp.

111
00:18:01.000 --> 00:18:11.000
<v Speaker A>Oh, no, it's the Hood. They don't understand. Stovepipe's like, ah. But the Hood is really Lady Schilling in disguise, and she's sworn to kill every last one of us.

112
00:18:11.000 --> 00:18:31.000
<v Speaker B>Now, the Hood was a new character to me. I had heard of Lord Schilling because he is in the who's who in the DC universe, but this is his sister, Lady Schilling, who disguises herself as the Hood to fight the American revolutionaries.

113
00:18:31.000 --> 00:18:32.000
<v Speaker A>Okay.

114
00:18:32.000 --> 00:18:36.000
<v Speaker B>As some sort of revenge for, I guess her brother's in jail or something.

115
00:18:36.000 --> 00:18:38.000
<v Speaker A>Okay.

116
00:18:38.000 --> 00:19:00.000
<v Speaker B>And why is he called Lord Schilling? Because he would leave a Schilling with a hole in the middle at the scene of his war crimes. Oh, okay, I read that. And who's who. Now, why in Tarnasia would Tomahawk be with the Hood? She's our enemy.

117
00:19:00.000 --> 00:19:03.000
<v Speaker A>I don't know.

118
00:19:03.000 --> 00:19:09.000
<v Speaker B>Cannonball seems to think that Tomahawk has taken the Hood prisoner.

119
00:19:09.000 --> 00:19:10.000
<v Speaker A>That must be it.

120
00:19:10.000 --> 00:19:16.000
<v Speaker B>Until Tomahawk orders the band of Indians to start firing on their rangers. And they have to escape.

121
00:19:16.000 --> 00:19:19.000
<v Speaker A>Yeah.

122
00:19:19.000 --> 00:19:32.000
<v Speaker B>And their spirit is broken. They're gonna fall back. Big Anvil's gonna have a good cry. And they've had the fight knocked right out of them.

123
00:19:32.000 --> 00:19:58.000
<v Speaker A>Yeah. But on their way out, the Hood points at them and says, they're starting to escape. You know, I'm worried we're not gonna be able to track them down. And Tomahawk says, don't worry. And he picks up a giant barrel and throws it down the mountain after them. It explodes as it bounces down the mountain and splashes all of them with molasses.

124
00:19:58.000 --> 00:20:00.000
<v Speaker B>Yeah. They think it's gonna be full of gunpowder.

125
00:20:00.000 --> 00:20:03.000
<v Speaker A>Right. And it turns out to be molasses now.

126
00:20:03.000 --> 00:20:04.000
<v Speaker B>Yeah.

127
00:20:04.000 --> 00:20:08.000
<v Speaker A>Have you ever worked with molasses?

128
00:20:08.000 --> 00:20:09.000
<v Speaker B>I mean, I've baked with it.

129
00:20:09.000 --> 00:20:12.000
<v Speaker A>Yes. It's very messy.

130
00:20:12.000 --> 00:20:13.000
<v Speaker B>Yeah, sure.

131
00:20:13.000 --> 00:20:18.000
<v Speaker A>It's very thick and messy. And it's also notoriously, not very sweet.

132
00:20:18.000 --> 00:20:19.000
<v Speaker B>Right.

133
00:20:18.000 --> 00:20:21.000
<v Speaker A>It's both sweet and bitter.

134
00:20:21.000 --> 00:20:31.000
<v Speaker B>Well, I suppose if you didn't have sugar readily available, which these gentlemen wouldn't have, it's a fine substitute.

135
00:20:31.000 --> 00:20:34.000
<v Speaker A>I can go for a Guinness.

136
00:20:34.000 --> 00:20:35.000
<v Speaker B>Okay.

137
00:20:34.000 --> 00:20:42.000
<v Speaker A>Yeah. Somebody drank a Guinness last night on Ted Lasso. And I was like, mmm, I haven't had a Guinness in so Long. I do enjoy a good Guinness.

138
00:20:42.000 --> 00:20:44.000
<v Speaker B>Does it have molasses in it?

139
00:20:44.000 --> 00:20:52.000
<v Speaker A>Well, it would. No. Well, I don't. I don't actually. I don't know. I don't know why it's so dark and bitter, but it.

140
00:20:52.000 --> 00:20:53.000
<v Speaker B>It.

141
00:20:52.000 --> 00:20:55.000
<v Speaker A>There's a little bit of that molasses taste in it.

142
00:20:55.000 --> 00:20:56.000
<v Speaker B>Okay.

143
00:20:56.000 --> 00:20:57.000
<v Speaker A>Yeah.

144
00:20:56.000 --> 00:21:01.000
<v Speaker B>Yeah. Well, I'm going to the grocery later. I can get you some Guinness.

145
00:21:01.000 --> 00:21:02.000
<v Speaker A>A little four pack.

146
00:21:02.000 --> 00:21:03.000
<v Speaker B>Sure.

147
00:21:03.000 --> 00:21:05.000
<v Speaker A>They. I think they just sell them in four packs.

148
00:21:05.000 --> 00:21:06.000
<v Speaker B>I don't know.

149
00:21:06.000 --> 00:21:15.000
<v Speaker A>There's a little. Usually a little gas canister inside that you chill them and then you pop them into a glass. And that when you open it, it pops and really makes it nice and foamy.

150
00:21:15.000 --> 00:21:16.000
<v Speaker B>Okay.

151
00:21:16.000 --> 00:21:20.000
<v Speaker A>Nice. Oh, that's nice.

152
00:21:20.000 --> 00:21:28.000
<v Speaker B>Peppering the Indian horde with rifle bursts, the Rangers steamroll through the ambush and race for shelter in the deep woods.

153
00:21:28.000 --> 00:21:30.000
<v Speaker A>Yeah.

154
00:21:30.000 --> 00:21:44.000
<v Speaker B>They finally get away from the gunfire and collapse down, panting and worn. And the spirit's still broken.

155
00:21:44.000 --> 00:21:45.000
<v Speaker A>Oh, they're all so sad.

156
00:21:45.000 --> 00:21:49.000
<v Speaker B>They can't figure how Tomahawk turned against them.

157
00:21:49.000 --> 00:21:50.000
<v Speaker A>No.

158
00:21:50.000 --> 00:22:19.000
<v Speaker B>So let's have a flashback. It all began weeks before when Tomahawk was consulting with a general. I'm assuming this is General Washington. They have a shrewd American plan. Operation Beaver. They are building a dam across a river. And of course, the way the dams work is the water level in front of the dam will sink mighty fast.

159
00:22:19.000 --> 00:22:22.000
<v Speaker A>And then it's called Beaver because beavers build dams.

160
00:22:22.000 --> 00:22:24.000
<v Speaker B>Yeah, I got that much.

161
00:22:24.000 --> 00:22:26.000
<v Speaker A>Wow. So clever.

162
00:22:26.000 --> 00:22:41.000
<v Speaker B>Now, apparently, there's a sunken British warship on the low side down river side of the low side. So they want to be able to get the cargo full of gold, which was supposed to pay off British troops, but now they can use it for the American war effort.

163
00:22:41.000 --> 00:22:43.000
<v Speaker A>Yay, war.

164
00:22:43.000 --> 00:22:53.000
<v Speaker B>They'll be able to buy more supplies and cannons from France. Operation Beaver could be a pivotal point in the war, which is why your Rangers Tomahawk must make sure it doesn't fail.

165
00:22:53.000 --> 00:22:54.000
<v Speaker A>Right.

166
00:22:54.000 --> 00:23:13.000
<v Speaker B>Because our regular troops are busy on other fronts. The Rangers must keep the enemy from getting through and sabotaging the dam and. Right. That's why one night, Tomahawk slipped out to scout for enemy saboteurs, but was caught off guard by a sniper, which

167
00:23:13.000 --> 00:23:25.000
<v Speaker A>was a Native American. He says now I've truly earned an eagle feather. I have killed the mighty Tomahawk because I guess the. The Native Americans are working with the British now.

168
00:23:25.000 --> 00:23:26.000
<v Speaker B>Oh, yeah.

169
00:23:26.000 --> 00:23:34.000
<v Speaker A>Well, yeah, I mean, we knew that they work with both British and Americans and French. Yes. Anything to keep us out.

170
00:23:34.000 --> 00:24:00.000
<v Speaker B>But the bullet had only creased his temple and he was carried back to a British base hospital where Lady Schilling is waiting. It's a miracle he's still alive. A miracle I'm thankful for. Oh, what's wrong with me? Why should I feel so tender towards him? He's my enemy. I should hate him. Hate, love. Sometimes they get all mixed up.

171
00:24:00.000 --> 00:24:03.000
<v Speaker A>You sound like one of those 1940s actresses.

172
00:24:03.000 --> 00:24:05.000
<v Speaker B>Welsh is British. I'm doing my best.

173
00:24:05.000 --> 00:24:12.000
<v Speaker A>Okay. So he wakes up, he doesn't remember who he is, who he is or what he's doing there, Right?

174
00:24:12.000 --> 00:24:13.000
<v Speaker B>Right.

175
00:24:12.000 --> 00:24:17.000
<v Speaker A>Clearly he's in a British hospital because there's a Union Jack flying.

176
00:24:17.000 --> 00:24:25.000
<v Speaker B>Yes. Now, the doctor explains to the little lady that he has amnesia. Loss of memory.

177
00:24:25.000 --> 00:24:31.000
<v Speaker A>Really? What a fantastic opportunity. Only a brain as cunning as mine could perceive such a thing.

178
00:24:31.000 --> 00:24:34.000
<v Speaker B>What?

179
00:24:34.000 --> 00:24:35.000
<v Speaker A>Sorry.

180
00:24:35.000 --> 00:24:47.000
<v Speaker B>Use my inner voice. Tomahawk wakes up and doesn't know who this lady is. And she says, are you sure you don't know? You're Tom Hawkins. Captain Tom Hawkins of the British Army.

181
00:24:47.000 --> 00:24:55.000
<v Speaker A>I don't remember that at all. Who are you? Oh, why, Tom, darling. I'm your fiance. We're to be married next month.

182
00:24:55.000 --> 00:25:04.000
<v Speaker B>Oh, the nut. And following morning, the foxy female agent returns in a strange costume. Why are you in that strange costume?

183
00:25:04.000 --> 00:25:21.000
<v Speaker A>Men, especially Indians, hate to take orders from a woman. So. Excuse me, after yarn. Thank you. Oh. So I designed this head mask with a voice filter to hide my identity and become the hood in my war against the Yang.

184
00:25:21.000 --> 00:25:28.000
<v Speaker B>A hood with a voice filter in the 1700?

185
00:25:28.000 --> 00:25:30.000
<v Speaker A>Yes.

186
00:25:30.000 --> 00:25:39.000
<v Speaker B>Did they have Kleenex in the Revolutionary War? Maybe. It's like a Kleenex over a comb that she hides inside the mouth of the mask.

187
00:25:39.000 --> 00:25:54.000
<v Speaker A>It could be a very small box with a mouth harp in it. So that the mouth harp picks up the resonances of the voice as it comes through, and it's amplified in the thin wooden box. And this will all be hidden inside the apparatus of the mask.

188
00:25:54.000 --> 00:25:57.000
<v Speaker B>What about a harmonica? Do they have harmonic?

189
00:25:57.000 --> 00:26:06.000
<v Speaker A>Every time she breathes as she speaks, and she breathes in, and then you have to do. Then you have to speak on top of that. Yeah.

190
00:26:06.000 --> 00:26:07.000
<v Speaker B>Oh.

191
00:26:07.000 --> 00:26:11.000
<v Speaker A>I came from Alabama. I can't do it.

192
00:26:11.000 --> 00:26:25.000
<v Speaker B>I can't either. It'll make me cough. Also, I'm. I feel like Native Americans would be more apt to take orders from a woman than British men,

193
00:26:25.000 --> 00:26:28.000
<v Speaker A>I trust. Why would she lie?

194
00:26:28.000 --> 00:26:31.000
<v Speaker B>Because she's villainous, that's why.

195
00:26:31.000 --> 00:26:33.000
<v Speaker A>Okay.

196
00:26:33.000 --> 00:26:36.000
<v Speaker B>And man hungry to boot.

197
00:26:36.000 --> 00:26:45.000
<v Speaker A>Those are the men we must destroy. The Rangers with Them out of the way, we can get through the. And blow them up. Blow up the dam. So I don't know why.

198
00:26:45.000 --> 00:26:46.000
<v Speaker B>My eyes.

199
00:26:46.000 --> 00:26:47.000
<v Speaker A>It's not my eyes.

200
00:26:47.000 --> 00:26:48.000
<v Speaker B>Do you have the wrong glasses?

201
00:26:48.000 --> 00:26:52.000
<v Speaker A>No, it's my brain. It's just not working.

202
00:26:52.000 --> 00:27:15.000
<v Speaker B>Well, that brings us up to the president, and if you're wondering, as I was, why Tomahawk threw a barrel of molasses at the rangers, now we find out. Molasses, as everyone knows, attracts ants. And now he can track their molasses y footprints through the forest because every footprint's going to be swarming with ants. It'll lead him right to the rangers.

203
00:27:15.000 --> 00:27:22.000
<v Speaker A>Yay. Meanwhile, them rangers are still crying,

204
00:27:22.000 --> 00:27:25.000
<v Speaker B>trying hard to forget the loss of their leaders and get the.

205
00:27:25.000 --> 00:27:27.000
<v Speaker A>The molasses off their.

206
00:27:27.000 --> 00:27:40.000
<v Speaker B>Yeah, Brass buttons got to clean his buttons, and Stovepipe's got to clean his hat. And Big Anvil wonders if anybody wants a manicure. Well, this struck me.

207
00:27:40.000 --> 00:27:43.000
<v Speaker A>What?

208
00:27:43.000 --> 00:27:49.000
<v Speaker B>The term manicure was not adopted until the 1860s, so that's an anachronism.

209
00:27:49.000 --> 00:27:51.000
<v Speaker A>Yeah,

210
00:27:51.000 --> 00:27:59.000
<v Speaker B>I guess we had to have something this issue, because last issue, didn't we have a robot dinosaur or Frankenstein coming out of a cave or something?

211
00:27:59.000 --> 00:28:01.000
<v Speaker A>Yeah, something like that.

212
00:28:01.000 --> 00:28:07.000
<v Speaker B>All right. As if on signal the woods, wise rangers hit the ground because they hear something in the woods.

213
00:28:07.000 --> 00:28:10.000
<v Speaker A>I loved what big Anvil said.

214
00:28:10.000 --> 00:28:11.000
<v Speaker B>What?

215
00:28:10.000 --> 00:28:27.000
<v Speaker A>They said, do you hear something? He said, hear what? It's so quiet. I can hear my whiskers grow. Hear my whiskers grow. I love that. It's like that saying, like, it's scarce as hen's teeth. Something's scarce as hen's teeth.

216
00:28:27.000 --> 00:28:39.000
<v Speaker B>So not even the birds or insects are making noise. It's because they're about to be ambushed by Tomahawk and this band of Indians. All right,

217
00:28:39.000 --> 00:28:42.000
<v Speaker A>so you're trying to decide which panel you are.

218
00:28:42.000 --> 00:28:55.000
<v Speaker B>I'm trying to decide where to. I mean, Stovepipe is quoting his general father. In warfare, the best defense is an offense. Okay, that makes sense. Big Vanville rips up a tree by the roots.

219
00:28:55.000 --> 00:28:59.000
<v Speaker A>Who's the guy with the blonde hair? That's not Tomahawk.

220
00:28:59.000 --> 00:29:00.000
<v Speaker B>That is Tomahawk.

221
00:29:00.000 --> 00:29:04.000
<v Speaker A>No, with the rifle back. That's not Tomahawk. Oh, it is Tomahawk.

222
00:29:04.000 --> 00:29:10.000
<v Speaker B>Oh, no, wait. No, it's facing. It's the Amish guy. What's his name? Wildcat.

223
00:29:10.000 --> 00:29:14.000
<v Speaker A>Oh, Wildcat. Okay,

224
00:29:14.000 --> 00:29:24.000
<v Speaker B>now they're gonna give him the old ranger ram. So Big Anvil rips what?

225
00:29:24.000 --> 00:29:25.000
<v Speaker A>Nothing.

226
00:29:25.000 --> 00:29:29.000
<v Speaker B>Big anvil rips up a tree and bats a couple of Indians.

227
00:29:29.000 --> 00:29:30.000
<v Speaker A>Yep.

228
00:29:30.000 --> 00:29:36.000
<v Speaker B>Then everybody starts punching fisticuffs everywhere. Then Tomahawk punches Frenchie.

229
00:29:36.000 --> 00:29:38.000
<v Speaker A>Frenchie gets it in the chin, and

230
00:29:38.000 --> 00:29:46.000
<v Speaker B>the hood orders Tomahawk to finish him off. And Frenchie says, no, Tomahawk, no, don't shoot. I'm Frenchy, you're old friend. Frenchie don't remember.

231
00:29:46.000 --> 00:29:56.000
<v Speaker A>Well, that's a very, very good French American accent. Oh. He says, what kind of trick are you pulling? I never saw you before in my life. Is that. Is that Tomahawk's voice?

232
00:29:56.000 --> 00:29:57.000
<v Speaker B>That's Tomahawk.

233
00:29:57.000 --> 00:29:58.000
<v Speaker A>Sure.

234
00:29:58.000 --> 00:30:02.000
<v Speaker B>Finish him, Tom. Why are you waiting? Kill him. Drop him in his tracks.

235
00:30:02.000 --> 00:30:07.000
<v Speaker A>Oh, shucks. Tommy Hawk, why'd you have to go and turn so bad? Now I just gotta hit you.

236
00:30:07.000 --> 00:30:09.000
<v Speaker B>That's Big Anvil. He punches Tomahawk in the face.

237
00:30:09.000 --> 00:30:11.000
<v Speaker A>Yeah. Knocks him. Knocks him out.

238
00:30:11.000 --> 00:30:27.000
<v Speaker B>Right. And now the Rangers do their signature move, the Ranger ram. They bust out of there, then suddenly, Ms. Liberty. Yahoo. Now, I know a secret about Ms. Liberty.

239
00:30:27.000 --> 00:30:28.000
<v Speaker A>What?

240
00:30:27.000 --> 00:30:29.000
<v Speaker B>That's a wig. She's a natural blonde.

241
00:30:29.000 --> 00:30:38.000
<v Speaker A>Is she? Can you imagine wearing a wig in that hot American Civil War tie with no air conditioning whatsoever? Ugh.

242
00:30:38.000 --> 00:30:39.000
<v Speaker B>It was so popular in those days.

243
00:30:39.000 --> 00:30:42.000
<v Speaker A>Why don't you wear a bandana?

244
00:30:42.000 --> 00:30:47.000
<v Speaker B>Well, you know, everybody had lice, so maybe they just shaved their heads and wore wigs.

245
00:30:47.000 --> 00:31:02.000
<v Speaker A>True. So she says, you men keep going. I'll stir up some trouble for these devils. So she uses her whip and whips a paper hornet's nest out of the tree and into the crowd of the Native Americans.

246
00:31:02.000 --> 00:31:04.000
<v Speaker B>Yes. Good for her.

247
00:31:04.000 --> 00:31:23.000
<v Speaker A>Good for her. And they're all. Now, that reminds me of something. I spoke with my uncle last week who had been trimming up the bushes outside of the house and stumbled upon a giant hornet's nest on the ground and a big bush built inside the bush.

248
00:31:23.000 --> 00:31:24.000
<v Speaker B>Dear.

249
00:31:23.000 --> 00:31:34.000
<v Speaker A>I'm used to seeing them up in trees, pretty high up in trees. And they had to call an exterminator to come in full garb and remove the paper wasp nest.

250
00:31:34.000 --> 00:31:35.000
<v Speaker B>Did he get stung?

251
00:31:35.000 --> 00:31:36.000
<v Speaker A>Yes.

252
00:31:35.000 --> 00:31:36.000
<v Speaker B>Against them.

253
00:31:36.000 --> 00:31:50.000
<v Speaker A>Just once, luckily. Just once. Yeah. He said he dropped those trimmers and ran away. He was surprised by how big it was. Yeah. I mean, those things can get this. Larger than a football size larger than a football field.

254
00:31:50.000 --> 00:31:51.000
<v Speaker B>In some parts.

255
00:31:51.000 --> 00:31:56.000
<v Speaker A>They keep a lot of wasps. Or is it hornets or wasps? Hornets. I don't know.

256
00:31:56.000 --> 00:31:58.000
<v Speaker B>What's the difference? Honestly?

257
00:31:58.000 --> 00:32:00.000
<v Speaker A>Yeah.

258
00:32:00.000 --> 00:32:09.000
<v Speaker B>Now they tell Miss Liberty what's happened. No, it's not true. Not tomahawk. S.O.B. you must be mistaken.

259
00:32:09.000 --> 00:32:20.000
<v Speaker A>Cannonball says, sorry, ma'. Am. But we saw him as plain as day. He had a bandage around his head. Wounded, I guess, but it was him. If anybody knows Tomahawk, it's us, his own Rangers.

260
00:32:20.000 --> 00:32:23.000
<v Speaker B>Now, it seems Ms. Liberty has some intel.

261
00:32:23.000 --> 00:32:25.000
<v Speaker A>Oh, yes. I wanted to warn you. The Hoods attacked us.

262
00:32:25.000 --> 00:32:26.000
<v Speaker B>No, she's American.

263
00:32:26.000 --> 00:32:29.000
<v Speaker A>Oh. Oh, yes. I wanted to warn you.

264
00:32:29.000 --> 00:32:31.000
<v Speaker B>The Hood's attack was simply a diversion

265
00:32:31.000 --> 00:32:39.000
<v Speaker A>to keep you busy while British troops march on a dam to wreck Operation Beaver. I'll show you.

266
00:32:39.000 --> 00:33:01.000
<v Speaker B>All right. Now they see a British squadron of soldiers marching along the lane on the way to wreck Operation Beaver. Ms. Liberty thinks they could use a bit of magic to render those guys those guns useless. And she leads them to a cavern.

267
00:33:01.000 --> 00:33:05.000
<v Speaker A>This story takes a hard left. Right.

268
00:33:05.000 --> 00:33:10.000
<v Speaker B>Now, this is as opposed to.

269
00:33:10.000 --> 00:33:38.000
<v Speaker A>Well, I suppose everything else is acceptable. A bunch of hooligans all dressed up in different garb from different years, all in a secret militia fighting on behalf of the Americans. Then there's this woman dressed up in stars and stripes outfit who wears a big black wig and rides white horse and she's named Miss Liberty and knocks hornets out of nests with a whip. I mean, given that that's just sort of your everyday sort of occurrences and this is all acceptable. This next thing absolutely does take a hard left turn.

270
00:33:38.000 --> 00:33:51.000
<v Speaker B>She leads them to a cave where there is a giant sculpture of a head. It's a cross between an Olmec head from. Do you know what Olmec heads are?

271
00:33:51.000 --> 00:33:52.000
<v Speaker A>Mm.

272
00:33:52.000 --> 00:33:55.000
<v Speaker B>It's crossed between that and Zardoz.

273
00:33:55.000 --> 00:33:59.000
<v Speaker A>Good one. Good one. Yeah.

274
00:33:59.000 --> 00:34:23.000
<v Speaker B>And apparently it's magnetic because big anvil gets too close and he's got a metal belt buckle. And so the magnetic head pulls him toward it so that in such a manner that his crotch lands at the mouth squarely in the mouth of the giant head.

275
00:34:23.000 --> 00:34:26.000
<v Speaker A>There's no doubting that you're absolutely right.

276
00:34:26.000 --> 00:34:42.000
<v Speaker B>Ms. Liberty explains that it's a magnetic head and it pulled his metal belt buckle and was able to pull the entire weight of this man, who conservatively

277
00:34:42.000 --> 00:34:45.000
<v Speaker A>probably weighs about 300 pounds. Yeah, yeah.

278
00:34:45.000 --> 00:34:47.000
<v Speaker B>He's very tall and muscular.

279
00:34:47.000 --> 00:34:48.000
<v Speaker A>Yeah.

280
00:34:48.000 --> 00:34:56.000
<v Speaker B>All right. They managed to free Big Anvil. They have a plan. Now they've built a.

281
00:34:56.000 --> 00:35:01.000
<v Speaker A>Why does big anvil have such a big smile on his face?

282
00:35:01.000 --> 00:35:30.000
<v Speaker B>Maybe he should go back a couple of episodes and join the Jo club. They build as giant catapults and big anvil single handedly carries the giant head statue out of the cave, puts it on the catapult, shoots it at the British army. So I guess one could say that the rip roaring Rangers are giving the British army head.

283
00:35:30.000 --> 00:35:31.000
<v Speaker A>God. Wow.

284
00:35:31.000 --> 00:35:34.000
<v Speaker B>Well, it writes itself. Come on.

285
00:35:34.000 --> 00:35:36.000
<v Speaker A>Are you gonna leave that in there?

286
00:35:36.000 --> 00:35:56.000
<v Speaker B>Blimey. Oh, sorry, they're British. Blimey head, so help me. It's a huge head. Like a nightmarish meteor. The lodestone plunges into the enemy's midst. Something's pulled me rifle away. Help.

287
00:35:56.000 --> 00:35:57.000
<v Speaker A>Help.

288
00:35:57.000 --> 00:36:05.000
<v Speaker B>My bloomin gun. It's flying. It's flying.

289
00:36:05.000 --> 00:36:17.000
<v Speaker A>So now we're even matched. They don't have weapons and neither do we. But we got our fists. And apparently on Big Anvil's fist, someone has taken a fine quill and etched these words.

290
00:36:17.000 --> 00:36:19.000
<v Speaker B>He's got an elaborate tattoo across his Fitch.

291
00:36:19.000 --> 00:36:26.000
<v Speaker A>Here they come, those rip snortin rowdy Rangers with their fists rolled and ready for action.

292
00:36:26.000 --> 00:36:47.000
<v Speaker B>So they get to punchin'. Lots of panels of action here. Brass Buttons is a short fella. He can't reach the soldier's jaw. He says he needs to be a couple of heads taller. But all he had to do is climb on top of the one head and leap down.

293
00:36:47.000 --> 00:36:48.000
<v Speaker A>You're on the next page.

294
00:36:48.000 --> 00:37:25.000
<v Speaker B>It's a little gay. Yeah, I'm trying to skip all the action shots here and get back to the thrilling dialogue. Stovepipe's hat gets knocked off his head and that makes him angry. So he. Well, that's not important. Just lots of fight gags. Yeah, they finally defeat all the soldiers. And Ms. Liberty knows that Lady Schilling, who masquerades as the Hood, is sure to hear what happened. I think I'll slip up on the British and try to find out what her next move will be.

295
00:37:25.000 --> 00:37:27.000
<v Speaker A>Okay, but be careful.

296
00:37:27.000 --> 00:37:39.000
<v Speaker B>We'll stay here sometime later. Unfortunately, Lady Schilling, our troops were unable to beat the Rangers. We were completely and ignobly rooted.

297
00:37:39.000 --> 00:37:40.000
<v Speaker A>Blunderers.

298
00:37:40.000 --> 00:37:41.000
<v Speaker B>Idiots.

299
00:37:41.000 --> 00:37:43.000
<v Speaker A>Why? Why am I always surrounded by incompetence?

300
00:37:43.000 --> 00:37:44.000
<v Speaker B>Oh, get out.

301
00:37:44.000 --> 00:37:45.000
<v Speaker A>Get out.

302
00:37:45.000 --> 00:37:51.000
<v Speaker B>You know Joan Collins, Dame Joan Collins would be a good actress to portray Lady Schilling.

303
00:37:51.000 --> 00:37:52.000
<v Speaker A>She would.

304
00:37:52.000 --> 00:38:02.000
<v Speaker B>Now Tomahawk's taking off his bandage because his wound is healed and says it's gonna be up to us now, Eh?

305
00:38:02.000 --> 00:38:10.000
<v Speaker A>Yes, my darling. Us. With you helping me, we can't fail. I have a plan to destroy Observation Beaver, which I'll tell you about later.

306
00:38:10.000 --> 00:38:24.000
<v Speaker B>But just then Ms. Liberty is outside the window. And now everything is clear to her. Tomahawk turned traitor because he's in love with Lady Schilling. Sob. He'll never know that I secretly loved him all the time. Sob.

307
00:38:24.000 --> 00:38:37.000
<v Speaker A>But I can't let My personal feelings get in the way of duty. I must ride back to the Rangers at once and warn them. Lady Schilling will lead the attack on the dam, with Tomahawk helping her.

308
00:38:37.000 --> 00:38:42.000
<v Speaker B>Miss Liberty discloses the shocking news to the Rangers.

309
00:38:42.000 --> 00:38:51.000
<v Speaker A>If Tomahawk isn't around to help her, it might put a crimp into Lady Shielding's plans. There's only one thing we can do. We gotta kill Tomahawk.

310
00:38:51.000 --> 00:38:59.000
<v Speaker B>Long Rifle, you're our best sharpshooter. One shot is all you'll need. One shot atween the eyes.

311
00:38:59.000 --> 00:39:03.000
<v Speaker A>Oh, no. Cannonball. Please don't ask me to do that. Tomahawk's my friend.

312
00:39:03.000 --> 00:39:22.000
<v Speaker B>But now he's your enemy. Did you forget Operation Beaver and how it would affect the war? Ever living Yank is counting on it. Are you gonna stack up the life of one man against that? Remember, this is war, and he's a traitor. If we'd captured Tomahawk, it'd be our duty to execute him.

313
00:39:22.000 --> 00:39:32.000
<v Speaker A>Meanwhile, back at the cabin, we get another entry into this absurd adventure.

314
00:39:32.000 --> 00:39:34.000
<v Speaker B>Tom, dearest. What's wrong?

315
00:39:34.000 --> 00:39:46.000
<v Speaker A>My head feels kind of funny. Guess I'm still groggy from the wallop that Ranger gave me. The one you called Big Anvil. I'll forget about it. That's a. Now, what about this plan of yours?

316
00:39:46.000 --> 00:39:49.000
<v Speaker B>There it is.

317
00:39:49.000 --> 00:39:51.000
<v Speaker A>A giant shilling.

318
00:39:51.000 --> 00:40:00.000
<v Speaker B>Only an iron replica of one. Just a little conceit of mine to advertise who wrecked Operation Beaver when that juggernaut rolls downhill and smashes into the dam.

319
00:40:00.000 --> 00:40:04.000
<v Speaker A>So the original plan was that the dam was to be destroyed by the British troops?

320
00:40:04.000 --> 00:40:05.000
<v Speaker B>Yeah.

321
00:40:05.000 --> 00:40:16.000
<v Speaker A>But their plan was routed because they took a giant Indian head and threw and used a catapult. Trees. And the Indian head took their guns?

322
00:40:16.000 --> 00:40:17.000
<v Speaker B>Yes.

323
00:40:16.000 --> 00:40:20.000
<v Speaker A>So apparently they weren't able to recover their guns. Like, the guns are permanently stuck to

324
00:40:20.000 --> 00:40:22.000
<v Speaker B>the Indian head because it's magnetic.

325
00:40:22.000 --> 00:40:26.000
<v Speaker A>And the troops are gone.

326
00:40:26.000 --> 00:40:28.000
<v Speaker B>Well, they were punched.

327
00:40:28.000 --> 00:40:38.000
<v Speaker A>Okay? They were punched. Right. So now she's had a gigantic iron coin made in the shape of, of, and likeness of a shilling?

328
00:40:38.000 --> 00:40:39.000
<v Speaker B>Yes.

329
00:40:38.000 --> 00:40:43.000
<v Speaker A>And the plan is to roll it down the mountain to destroy the dam?

330
00:40:43.000 --> 00:40:44.000
<v Speaker B>Yes.

331
00:40:44.000 --> 00:40:55.000
<v Speaker A>How crazy. How did she have time to have this iron coin made? Was it always to be thus?

332
00:40:55.000 --> 00:41:39.000
<v Speaker B>Well, she does say it was a conceit of hers so that everybody knew it was her. Who was that? Just like Lady Olenna. Tell Cersei. I want her to know it was me. Hang on. In 1776. Price of iron in 1776. 9 to 11 pounds per ton. And roughly 18 to 20 shillings per ton for crude cast iron. Now, this shilling, based on, let's say tomahawk, is 6ft tall. This shilling probably has a diameter of about 14ft and is about a foot and a half thick.

333
00:41:39.000 --> 00:41:40.000
<v Speaker A>Yes.

334
00:41:40.000 --> 00:41:43.000
<v Speaker B>That's a lot of iron, I'm thinking.

335
00:41:43.000 --> 00:41:52.000
<v Speaker A>Yeah. As a matter of fact, we

336
00:41:52.000 --> 00:41:53.000
<v Speaker B>see

337
00:41:53.000 --> 00:42:04.000
<v Speaker A>two iron, three, four men. Moving it into action. Moving it into play. In a few pages, four men.

338
00:42:04.000 --> 00:42:15.000
<v Speaker B>Now, we're burying the lead because sunlight shining from the shilling dazzles Tomahawk and makes him dizzy. Makes his brain spin. Shilling, Shilling. Lady Shilling. The Rangers.

339
00:42:15.000 --> 00:42:16.000
<v Speaker A>Now I remember.

340
00:42:15.000 --> 00:42:17.000
<v Speaker B>Now I remember everything.

341
00:42:17.000 --> 00:42:22.000
<v Speaker A>Because everybody knows that lead is shiny. Speaking mirror, like, yes. Not.

342
00:42:22.000 --> 00:42:25.000
<v Speaker B>It's not lead. It's iron.

343
00:42:25.000 --> 00:42:28.000
<v Speaker A>Okay. Well, raw. Okay, go ahead.

344
00:42:28.000 --> 00:42:34.000
<v Speaker B>We can see it's shiny because it's got shine lines coming off of it. Duh.

345
00:42:34.000 --> 00:42:36.000
<v Speaker A>Okay, so now he remembers everything.

346
00:42:36.000 --> 00:42:54.000
<v Speaker B>He does. Speaking of amnesia, Random Harvest is coming out on Blu Ray next month. Be prepared, everybody. All right. Yes. Lady Schilling's own conceit has helped restore Tomahawk's memory. That with an assist from Big Anvil's fist.

347
00:42:54.000 --> 00:42:59.000
<v Speaker A>So he says to the mask. No, the hood.

348
00:42:59.000 --> 00:43:01.000
<v Speaker B>The hood.

349
00:43:01.000 --> 00:43:10.000
<v Speaker A>I gotta get away so I can warn the Rangers, he thinks to himself, and he says, I think I'll take a little walk. But the fresh air, it might help clear my head. She's suspicious.

350
00:43:10.000 --> 00:43:15.000
<v Speaker B>She is. Tom, you don't like walking.

351
00:43:15.000 --> 00:43:17.000
<v Speaker A>You don't like fresh air.

352
00:43:17.000 --> 00:43:25.000
<v Speaker B>Meanwhile, Ms. Liberty, apparently has traveled to the American Southwest. The Badlands.

353
00:43:25.000 --> 00:43:28.000
<v Speaker A>Because I thought we were up, you know, in New England.

354
00:43:28.000 --> 00:43:41.000
<v Speaker B>Yeah, so did I. But no, this is clearly a mesa in the distance and no greenery to be seen. All right.

355
00:43:41.000 --> 00:43:42.000
<v Speaker A>And she's doubled over, crying.

356
00:43:42.000 --> 00:44:47.000
<v Speaker B>Doubled over, crying on her horse. Meanwhile, unaware that Tomahawk has recovered his senses and is no longer an enemy, Long Rifle moves swiftly toward his target. At that moment, Ms. Liberty comes upon a pile of rocks simulating a dam with an upright twig. The signal that the dam is to be attacked. But only Tomahawk could have left it. That bandage on his head. As a nurse, I've heard doctors say a head wound can cause temporary amnesia. Also, as a nurse, because I'm a girl, I've never directly observed that. I've only heard it from men, doctors. That must account for Tomahawk's betrayal. Lady Schilling must have seen to that. But this signal means he's got his memory back. Now Long Rifle's on the way to kill him. I'VE got to stop him. It'd be too terrible if I. Oh, I've got to. But can I do it? Will I be in time? I hope I'm not too late. Judy Garland. Young Judy Garland should play Miss Liberty.

357
00:44:47.000 --> 00:45:06.000
<v Speaker A>She has gone from sobbing while riding a horse to discovering that a stick between some rocks is a signal to just remembering that her nurse. What she heard is a nurse has amnesia. And now she's riding away in frenetic energy to save his life.

358
00:45:06.000 --> 00:45:16.000
<v Speaker B>Yes, I was afraid that they had not commonly used the term amnesia in the 1700s. But I just did some research.

359
00:45:16.000 --> 00:45:21.000
<v Speaker A>I saw you over there Googling. Which allowed me to do some recap for our listener.

360
00:45:21.000 --> 00:45:27.000
<v Speaker B>Thank you. Now, Long Rifle's all too ready to shoot Tomahawk.

361
00:45:27.000 --> 00:45:29.000
<v Speaker A>Yeah, well, he didn't want to.

362
00:45:29.000 --> 00:45:55.000
<v Speaker B>Doesn't want to, but he's feels obligated because all the other fellers told him to. Slowly, Long Rifle's finger tightens on the trigger. He squeezes it slowly. Slowly, then crack. Can this really be it? The end of Tomahawk? What hostile Indians and a merciless enemy fail to do. Is it to be accomplished, ironically, by a bullet sped by one of his own men?

363
00:45:55.000 --> 00:46:15.000
<v Speaker A>Turn the page and find out. And the crack was Miss Liberty's whip. Phew. I had to crack my whip. Wait. I'm sorry. She's the American. I had to crack my whip to stop you. Long Rifle. Tomahawk's not our enemy now. He had amnesia, but he's fully recovered now.

364
00:46:15.000 --> 00:46:22.000
<v Speaker B>Huh. Am I glad you stopped me. I could never live with myself if I just shot him. Hold on.

365
00:46:22.000 --> 00:46:23.000
<v Speaker A>Go ahead.

366
00:46:22.000 --> 00:46:28.000
<v Speaker B>Some of the Hood's engines, they've grabbed Hum Hawk. I gotta get down there, try to stop him.

367
00:46:28.000 --> 00:46:45.000
<v Speaker A>No. You're the only one, man. I won't let you risk it. It's more important you warn the Rangers. The Hood is leading an attack on the the dam. Get going at once. And don't worry. I'll do my best to free Tomahawk somehow.

368
00:46:45.000 --> 00:46:58.000
<v Speaker B>Yeah, it's probably better that you send a man on foot to warn the Rangers instead of you riding your horse over there. Ms. Liberty, shortly we find the Tomahawk's been strung up on this giant shilling.

369
00:46:58.000 --> 00:47:03.000
<v Speaker A>When you started complaining, your head ached, I suspected your memory was returning, so I had you followed.

370
00:47:03.000 --> 00:47:04.000
<v Speaker B>Oh, you fool.

371
00:47:04.000 --> 00:47:12.000
<v Speaker A>I don't want to kill you. Don't worry, you won't. Not if I have anything to say about it.

372
00:47:12.000 --> 00:47:18.000
<v Speaker B>Ms. Liberty, an impressive video. Time dungeons. You're about to sacrifice your own life.

373
00:47:18.000 --> 00:47:26.000
<v Speaker A>Needlessly, she attacks her with a sword. Nice try, dearie, but you missed one of your fangs.

374
00:47:26.000 --> 00:47:29.000
<v Speaker B>If I can't have him, nobody will.

375
00:47:29.000 --> 00:47:35.000
<v Speaker A>Oh, no. You're going to kill Tomahawk. But it's not going to be that easy, m'.

376
00:47:35.000 --> 00:47:36.000
<v Speaker B>Lady.

377
00:47:35.000 --> 00:47:45.000
<v Speaker A>You're going. Making myself laughed in my own stupid, awful line. Delivery. You're going to have to duel me first.

378
00:47:45.000 --> 00:47:58.000
<v Speaker B>So there's a cat fight right out here in front of this giant shilling. Tomahawk sees two Indians sneaking up behind Ms. Liberty, and he can't do a thing to warn her, so she's captured.

379
00:47:58.000 --> 00:48:05.000
<v Speaker A>What? Oh, Tomahawk. I tried. I. I'm sorry.

380
00:48:05.000 --> 00:48:15.000
<v Speaker B>Your loyalty to Tomahawk must be rewarded. So I'm going to let you have the privilege of watching him die. You men take both of them along. Oh, wait, no. She's got a disguised voice.

381
00:48:15.000 --> 00:48:21.000
<v Speaker A>That's all right. I was just thinking, in a few

382
00:48:21.000 --> 00:48:35.000
<v Speaker B>seconds, that giant shilling with Tomahawk will start rolling downhill. Once it starts, nothing will stop it until it smashes through the dam. Tomahawk. And the dam destroyed in one stroke.

383
00:48:35.000 --> 00:48:37.000
<v Speaker A>What a charm.

384
00:48:37.000 --> 00:48:40.000
<v Speaker B>All set. Let it go now.

385
00:48:40.000 --> 00:48:46.000
<v Speaker A>Do you know who does the absolute, absolute best? Vapid woman's voice.

386
00:48:46.000 --> 00:48:47.000
<v Speaker B>Jake.

387
00:48:47.000 --> 00:49:04.000
<v Speaker A>Jake. I envy his ability to do that. Like my stupid reading. Right now, I'm trying to do this sort of, like, American who can't. Like, he does it to. I cannot listen to it without cry. Laughing. It is hysterical.

388
00:49:04.000 --> 00:49:07.000
<v Speaker B>Well, maybe we'll have him to be a guest on the podcast again someday.

389
00:49:07.000 --> 00:49:09.000
<v Speaker A>He does the best.

390
00:49:09.000 --> 00:49:13.000
<v Speaker B>Now this shilling is rolling downhill faster and faster. He can't get loose now.

391
00:49:13.000 --> 00:49:23.000
<v Speaker A>How could he not die? I mean, if it's rolling so fast that he is literally a blur. The blood is rushing to his extremities, including his head. Yeah, how does he not die?

392
00:49:23.000 --> 00:49:29.000
<v Speaker B>Well, I mean, you know, astronauts can survive up to, like, 11 G's, so.

393
00:49:29.000 --> 00:49:38.000
<v Speaker A>Okay, so. But. Sunlight glinting off the gleaming disc alerts the rangers camped below. Oh, look, something rolling down the wheel. Sakura, Tomahawka is died.

394
00:49:38.000 --> 00:49:39.000
<v Speaker B>Do it.

395
00:49:39.000 --> 00:49:40.000
<v Speaker A>Woo.

396
00:49:40.000 --> 00:49:43.000
<v Speaker B>That thing's too big and coming down too fast to be stopped.

397
00:49:43.000 --> 00:49:47.000
<v Speaker A>Let's stop drawing and do something. We're Rangers, ain't we?

398
00:49:47.000 --> 00:49:50.000
<v Speaker B>Now that's Big Anvil. He's from Maine.

399
00:49:50.000 --> 00:49:53.000
<v Speaker A>Oh, Maine accent. Maine accent.

400
00:49:53.000 --> 00:49:57.000
<v Speaker B>Stop jawing and do something. We're Rangers, ain't we?

401
00:49:57.000 --> 00:49:59.000
<v Speaker A>You're doing the New Hampshire accent, I think.

402
00:49:59.000 --> 00:50:01.000
<v Speaker B>What's the difference? They're all there.

403
00:50:01.000 --> 00:50:06.000
<v Speaker A>Let's stop John. And let's stop John. And do something. We're rangers, ain't we?

404
00:50:06.000 --> 00:50:07.000
<v Speaker B>That's good. Yeah.

405
00:50:06.000 --> 00:50:07.000
<v Speaker A>Okay.

406
00:50:07.000 --> 00:50:13.000
<v Speaker B>Anyway, off they go. They have no chance to get there except for one.

407
00:50:13.000 --> 00:50:17.000
<v Speaker A>They're gonna strap Big Anvil to the catapult.

408
00:50:17.000 --> 00:50:20.000
<v Speaker B>Uh huh. Which is very dangerous.

409
00:50:20.000 --> 00:50:48.000
<v Speaker A>Very dangerous because he's gonna be thrown through the air. So. Hope their aim is correct. He has to. They have to aim him toward a gigantic ton coin rolling down a hill with Tomahawk strapped to it. Yes, they have to get him. They have to time it just so with their just visual guessing, guesswork. Throw him on this catapult, toss him into the air, and he has to hit it just right to stop the downward flow.

410
00:50:48.000 --> 00:52:15.000
<v Speaker B>Now Tomahawk, big anvil rather, is about 50 yards away, still in the air. He sees that he's going to miss by inches. However, he's very lucky that he has big feet. And you know what they say, big feet, big footprints. That's right. He manages to knock the giant schilling over. It lands on the ground. Tomahawk is somehow still alive. And he is freed. And he explains to the other Rangers that he's got his memory back. Just then, the Hood with her band of Indians orders them to start firing upon the Rangers, which they do. Tomahawk has the idea to use this giant shilling as a shield. So they prop it up and start pushing it uphill towards the firing Indian army. And Big Anvil can't stop complaining about his stupid feet. Why didn't he go get a pedicure while he's at the manicure station? All right. They get up there, they start punching. Big Anvil just picks up this giant shilling on his shoulders and tosses it at the British soldiers, who also lands

411
00:52:15.000 --> 00:52:16.000
<v Speaker A>on top of them.

412
00:52:15.000 --> 00:52:16.000
<v Speaker B>Somehow appear.

413
00:52:16.000 --> 00:52:22.000
<v Speaker A>Somehow. I mean, one can assume that he's killing them. Yes, like that giant coin is going to just land on them and kill them.

414
00:52:22.000 --> 00:52:24.000
<v Speaker B>Probably they're smashed to death.

415
00:52:24.000 --> 00:52:26.000
<v Speaker A>Yes.

416
00:52:26.000 --> 00:52:57.000
<v Speaker B>Now, the Hood, remember, has captured Ms. Liberty and has her held at gunpoint. Tomahawk orders them not to do anything. Don't budge, don't even breathe. But here comes Stovepipe. My father, the general. Did you heard? Did you know my father was a general? I've only said it every time I've appeared on panel. My father, the general, always said it was a battle etiquette to salute a gallant victor. My hat's off to you, ma'. Am. Swack.

417
00:52:57.000 --> 00:53:01.000
<v Speaker A>And he knocks the revolver out of her hand.

418
00:53:01.000 --> 00:53:11.000
<v Speaker B>Yes. Now, Tomahawk knew that Stovepipe had an arsenal of weapons hidden in his hat. But what flew out of it knocked that gun out of the hood's hand.

419
00:53:11.000 --> 00:53:15.000
<v Speaker A>Just a shilling. I always keep a coin in there in case I ever need some hard cash.

420
00:53:15.000 --> 00:53:21.000
<v Speaker B>My father, the General, always told me to carry some spare coinage in my hat, so I always do.

421
00:53:21.000 --> 00:53:35.000
<v Speaker A>Hard cash. That reminds me. Thank you, Ms. Liberty. The Rangers will be able to recover the gold from the sunken ship. She just smiles. That's it. That's how it ends.

422
00:53:35.000 --> 00:53:49.000
<v Speaker B>That's how it ends. I know that it's more realistic, but I always find it disconcerting when these characters wearing domino masks are drawn with pupils. I prefer the Batman look with just blank eyes.

423
00:53:49.000 --> 00:53:55.000
<v Speaker A>Oh, it drives me insane that Batman has no eyes. Why no pupils? It's stupid.

424
00:53:55.000 --> 00:53:57.000
<v Speaker B>You're stupid.

425
00:53:57.000 --> 00:53:59.000
<v Speaker A>Where am I?

426
00:53:59.000 --> 00:54:03.000
<v Speaker B>Well, I just don't. Robin doesn't always have pupils either.

427
00:54:03.000 --> 00:54:06.000
<v Speaker A>Okay,

428
00:54:06.000 --> 00:54:15.000
<v Speaker B>well, yes, I enjoyed this issue of Tomahawk more than any other issue of Tomahawk than I've. That I've read. And that's really saying something. Boy.

429
00:54:15.000 --> 00:54:31.000
<v Speaker A>Yes, I thought this is pretty good. The story did take a hard left turn with the giant magnetic Indian head being taken out of the cave, which is a desecration of a sacred site. But, hey, you know, as long as the British get destroyed, I believe this

430
00:54:31.000 --> 00:54:41.000
<v Speaker B>is the most realistic issue of Tamalk that we've read yet. No Frankenstein? No. There was one with a gorilla. Remember the Indian gorilla?

431
00:54:41.000 --> 00:54:45.000
<v Speaker A>Yeah.

432
00:54:45.000 --> 00:54:46.000
<v Speaker B>Thunder Man.

433
00:54:46.000 --> 00:54:49.000
<v Speaker A>Gorillas are famously not located in North America.

434
00:54:49.000 --> 00:54:53.000
<v Speaker B>Yes, well, he escaped from the circus or something and was adopted by an Indian.

435
00:54:53.000 --> 00:54:55.000
<v Speaker A>The pre Civil War circus.

436
00:54:55.000 --> 00:55:09.000
<v Speaker B>Yes. They had circuses in the American Revolution, I'm quite certain. Thunder Man. Remember Thunder Man? He has the belt that causes lightning to come out from the sky.

437
00:55:09.000 --> 00:55:12.000
<v Speaker A>Oh, my God. Did I say pre Civil War? I meant pre American Revolution.

438
00:55:12.000 --> 00:55:13.000
<v Speaker B>I know what you meant.

439
00:55:13.000 --> 00:55:15.000
<v Speaker A>Yeah.

440
00:55:15.000 --> 00:55:20.000
<v Speaker B>And I believe Thunderman. Thunderman returns in our next issue of Tomahawk.

441
00:55:20.000 --> 00:55:22.000
<v Speaker A>Oh, God. Should I sort of be so lucky?

442
00:55:22.000 --> 00:55:26.000
<v Speaker B>As to next week, you're in for a treat.

443
00:55:26.000 --> 00:55:27.000
<v Speaker A>What? What?

444
00:55:26.000 --> 00:55:27.000
<v Speaker B>What? What?

445
00:55:27.000 --> 00:55:28.000
<v Speaker A>What?

446
00:55:27.000 --> 00:55:30.000
<v Speaker B>Batman. Speaking of people with no pupils.

447
00:55:30.000 --> 00:55:31.000
<v Speaker A>Oh, okay.

448
00:55:31.000 --> 00:55:48.000
<v Speaker B>It's Batman next week. Yeah, you can find us on social media, Ogochuckpod. You can rate and review us wherever you get your podcasts from. You can find us on our sister podcast, Nerd Orchestra with the aforementioned Chuck. And you can find us right back here next week with Batman.

449
00:55:48.000 --> 00:55:50.000
<v Speaker A>Batman. Is it detective comics?

450
00:55:50.000 --> 00:55:52.000
<v Speaker B>No, it's Batman comics.

451
00:55:52.000 --> 00:55:53.000
<v Speaker A>Batman comics. Okay, cool.

452
00:55:53.000 --> 00:56:02.000
<v Speaker B>All right, bye.

453
00:56:02.000 --> 00:56:04.000
<v Speaker A>Why?

454
00:56:04.000 --> 00:56:06.000
<v Speaker B>Wondering why.

455
00:56:06.000 --> 00:56:08.000
<v Speaker A>So we're kicking out the Hands of

456
00:56:08.000 --> 00:56:20.000
<v Speaker B>Christ Looking for the world.

457
00:56:20.000 --> 00:56:46.000
<v Speaker A>Thinking it all behind. It. Out the hate Looking for the world.
