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<v Speaker A>Sam. Waking up dreaming dark so long I cannot find the meaning hold my hand Let me stay by your side through this never ending night I can feel

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<v Speaker B>it now it holds me all the

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<v Speaker A>his demon surround me in this red light he calls me he is reaching out consuming.

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<v Speaker B>Goblins and gays. I'm Aubrey, your GM and also have some players to introduce themselves, who they are, who they're playing and then we'll get rolling into things.

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<v Speaker C>Hi, I'm Aki and I play the vigilante Grave Wing, who is a Nagaji's sylph, monk and kineticist. We both use she her pronouns.

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<v Speaker D>Hello, I am Faris, she her and I play Aloha Tver. Also she her a bardic thaumaturge beast kin doing her best while juggling a family curse, falling in love and of course the end of the world.

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<v Speaker E>Hello, I'm Dusty. I use they he pronouns. Name playing Eu Formerly Moran, still a problem, just angrier now. They are blood hunter Nephilim problem. Just. Just trying to fix things, even though it's all bad. They also use they he pronouns.

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<v Speaker F>Hello, I'm Sparlock and I play Alistair Whiskerfield, the great rat detective, arcane archer and wizard extraordinaire, the revolutionary firebrand, sworn enemy to the Scriabins and scourge of the bourgeoisie and master of Nicodemus Tower. We both use he him pronouns.

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<v Speaker A>Hi, I'm Tick. I use he, she, they pronouns. And today I'll be playing Niall, who uses he they pronouns. He cooks, he cleans, he eats people and has an alien parasite living in his spine, slowly consuming him. What more could you ask for?

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<v Speaker G>Hi, I'm Alyssa. My pronouns are they, them, and I play Laith Idrisi, the fourth Dampier Dandy, rogue, failed matricide with a minus one constitution modifier. Leith uses she any pronouns.

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<v Speaker B>So tell me what happened last time

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<v Speaker A>you burned my house to the ground and you killed my family. That is basically what happened. Hester was like, yeah, I love talking to you guys. It's so sad that my entire fucking family died several years ago when these monsters attacked. And everyone was like, ooh, ooh. And was like, hey, Niall, I have bad news about your family. And I was like, schism is that show. And he was like, maybe kind of. Listen, I don't want to tell you, like you weren't asking. You know, Delulu, ignorance is bliss. So, yeah, whole family's dead. Thanks, Aubrey. And then we went to talk to some pirates about making a wonderful deal for them to work for Us in exchange for some wonderful plans in a vault we have ironed out.

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<v Speaker G>Yippee.

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<v Speaker A>And to talk to Hester and co again to see if we can have a bit of an alliance to kill the. The sin vore guy. Mr. Sin Snacker. He should have been called the Sin Snacker. That's funnier. Other than Sin Eater, we're gonna call him the Sin Snacker. But yeah, we're gonna team up. Hopefully I deal with that guy. Learn more about the toxic worms invading our area. Click here and see how toxic Yuri becomes a possible thing. I mean, Yuri's always been toxic. What am I saying?

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<v Speaker B>Yes, speaking of, it is about time for that heist that you set up with the Headmaster. Yeah. So we should probably go over the plan again.

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<v Speaker A>The plan which I'm not attending because I have the stealth of a graceful baby giraffe, whatever that is. We are sending our group in to sneak in our best stealthing. And we have already arranged with the Headmaster that the case that they want to. They need to get into is unlocked. It has a fake crown in it.

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<v Speaker B>It's locked, but it has the fake crown in it. It's not trapped.

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<v Speaker A>It's not booby trapped. It's locked. It's like not. It's not. It's not a serious threat. It's just like, wow, this is convincing level of threat. So as long as we send the stealthiest people in to break in and just take it, we don't have to worry about any surprises, to our knowledge. And as long as we don't touch anything else, we should be completely fine. I'm not going, though. I'm not stealthy. Yes, Greyblade.

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<v Speaker C>I was like, we should probably establish out loud who the fuck is actually going.

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<v Speaker D>Mm,

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<v Speaker B>probably a good idea.

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<v Speaker D>Give some talismans for sneaking.

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<v Speaker C>So obviously Leith is going because it'd be really foolish to not send her. We. We did play with the idea of sending Vittorio, because that can pass. Can cast invisibility and stuff. We still want to do that.

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<v Speaker D>Are we going at, like, not during school hours, I assume.

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<v Speaker A>Yeah, definitely. That'll make the most sense at least.

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<v Speaker D>Or is this like a 24 hour school? Because nighttime is a figment of our imagination.

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<v Speaker B>It's classes. Classes which happen during the daytime.

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<v Speaker E>I think Yuri would go and. Because also, like, they can now disguise themselves and invisible themselves so they could help orchestrate the distraction that's gonna happen. I assume

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<v Speaker D>if I go, it's only because I can do things like guidance. My stealth is middling though. It's like I'm trained. It's fine. But

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<v Speaker C>yeah, we need. We need stealth. I have a good stealth stat despite not being trained in it. And that is solely because my dexterity is insane.

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<v Speaker B>Really high.

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<v Speaker D>Yeah.

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<v Speaker C>So it's like I can still go and I think it won't be that bad. Plus, Grave Wing can do parkour and. And I do have the ability to distract because of a feat. I'm just not trained in stealth. So if we're gonna like stack stealth items, you might want to stack it on me.

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<v Speaker D>What other tools do we need for this heist? We need stealthy people. Do we need. I. I mean, if lathe is there, then we also have a lock breaker. Is there any other like skill set we need there?

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<v Speaker E>I think it would be bad to not send anyone. That's like a fighter. Fighter. I think having a magic person do the fighting. Not a good idea.

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<v Speaker F>Alistair.

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<v Speaker G>That's why she has such good con.

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<v Speaker F>Alistair is definitely coming. Though still a little traumatized from the last infiltration.

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<v Speaker C>Grave Wing is a fighter. Fighter, yeah.

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<v Speaker A>Who's not coming at this point? Is it just me?

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<v Speaker D>I'm on the defense. I think only if I'm necessary.

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<v Speaker A>That's kind of my thought too.

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<v Speaker D>My talismans. But yeah, getting a crowd in and

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<v Speaker A>out seems like it'll be kind of hard if we have more people.

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<v Speaker B>Yeah. I mean it also is. The question is, did you all want to have some sort of distraction to make it easier on you? Draw away any attention?

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<v Speaker C>Didn't we do that for setup?

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<v Speaker D>Yeah, yeah.

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<v Speaker E>We got like.

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<v Speaker C>It's already done.

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<v Speaker B>Okay.

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<v Speaker E>We're gonna like have them start like a very loud protest.

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<v Speaker C>Yes. That's already happening because we set. That's the setup. Yeah, there is.

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<v Speaker F>I think we should have the non sneaky people just hanging out nearby. It is a college campus.

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<v Speaker C>We failed at setting that up.

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<v Speaker B>You did.

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<v Speaker D>We did good at the other two.

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<v Speaker C>There is no yeah, we did good in the other two. We failed setting, so we still need a distraction if we want it. We failed setting that up.

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<v Speaker F>Do we know we failed setting it up?

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<v Speaker B>Yes.

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<v Speaker C>Yes. Because in the notes it says Alistair fails on setting up a distraction for the Ravenswood heist.

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<v Speaker F>Oh, that feels personal.

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<v Speaker D>I didn't. I did set the precedent of who does it. It's just so we remember for like next time so the same person isn't rolling a million times. Though that being said, we did duplicate from last time, so those three are off the docket for the next roles.

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<v Speaker E>Anyway, I. I think Yuri would be Glad to help set a distraction. I have like my performance. I'm like I'm the firebrand anyways, so my performance is fine. My intimidation's better.

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<v Speaker D>How. How big is the crown considered one bulk.

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<v Speaker B>Yes, it would be.

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<v Speaker A>Okay.

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<v Speaker B>Well, it'd probably be less than. Well, be roughly a bulk.

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<v Speaker C>Sorry.

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<v Speaker D>I minimized all of my screen somehow.

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<v Speaker A>Okay.

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<v Speaker D>Would it be useful to the the heist team? And this may depend on how many people are heisting for sure, but to be able to. Not. Hang on. Let me read this again.

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<v Speaker B>Okay.

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<v Speaker D>Yeah. Theoretically, you could break into the office, attune the crown to a prism and then walk out with the crown left there and then summon it to you at a later location. Is that a useful feature to not have to physically remove it from the bot the building just get close enough to attune to it. In which case we probably could have done this when Alistair went in if he hadn't set up the trap. But I forgot about it like this. Or do you. Is it. Is it fine to just physically take it? I'm thinking more along the lines of like if you get caught, it won't be on your person. But I don't know if that's actually necessary or helpful. I'm just throwing out my tools and you all can pick what you think is useful.

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<v Speaker A>If we get caught, we die like men. This is a joke.

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<v Speaker D>Let's not.

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<v Speaker B>Laith.

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<v Speaker E>What do you think? You're the one lock breaking.

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<v Speaker G>I mean, can we attune to the fake crown?

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<v Speaker D>It's not like attuning in the regular sense. It's. You're attuning the item to the talisman. You're just. Okay, so it's not like magical attuning. This is how I smuggled Yuri's gun into the the Masquerade. So I didn't have a gun on my skirts.

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<v Speaker G>Oh, I see.

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<v Speaker C>I see.

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<v Speaker D>Yeah. But there's not a distance limit on it. It just can't be in an extra dimensional space as long as it's on your plane. It can retrieve it from anywhere as. But you have to fix it first.

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<v Speaker B>Yeah, that is. That is a all you question.

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<v Speaker G>I don't think it hurts to have. If there's not like an opportunity cost to it. I don't think we'll need it hopefully, but you know.

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<v Speaker A>Okay, cool. Better safe than sorry.

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<v Speaker D>Yeah, it's. It's just a personal preference and whether you want to risk being caught with it versus this. All you have to do is get close enough to a tune and Then you can walk out without it and call it to you after you leave

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<v Speaker B>the building

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<v Speaker C>that we're going to. A magical building in a magical room. I mean, sure, he said that he turned off traps. That doesn't mean he turned off being able to use potential magic in the building or in the room. I just feel like it doesn't specify

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<v Speaker D>that that would prevent it.

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<v Speaker B>I think it's always a good plan.

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<v Speaker D>Yeah. Just as an option.

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<v Speaker C>Yeah. What I'm saying is I don't think it's like. I don't think it's wise to be like it's attuned and then walk out and then see if it appears. I just. I don't know. I don't roll. I just feel like this is. This is like the most magical building in this entire area. It doesn't make sense.

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<v Speaker A>Theoretically. Can't we attune and take it and then that way if someone takes it back from us, we can just yoink it from their fucking grubby hands.

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<v Speaker C>Yeah, that's also true.

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<v Speaker D>Yeah, we could have really screwed up. We could have done the real crown now.

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<v Speaker A>We could have done a yoink, but I'm kidding.

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<v Speaker C>Yeah, well, to be fair, we didn't even see the real crown last time. Alistair just got a mouth full of poison.

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<v Speaker E>Yes, powerful, powerful.

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<v Speaker D>Sorry, you're right. Our bad. Okay, then I'm going to drop. There's three people going to do act the actual heist or three heisting.

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<v Speaker B>I think so, yeah.

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<v Speaker C>Then that is who's actually heisting though now I'm confused again.

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<v Speaker D>Blaze and Alistair

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<v Speaker C>leaving chicken boy at home.

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<v Speaker D>Oh, I forgot about chicken Boy.

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<v Speaker B>If you want Victoria to come along, he can.

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<v Speaker E>I am worried for him being out in public too long, especially with the.

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<v Speaker C>I'm worried for you being out in public too long. You're the active person who got.

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<v Speaker E>I have disguise and invisibility without me helping.

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<v Speaker D>He can just do that right now.

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<v Speaker E>I have that now. Just immediately. I just think putting Vittorio more situations until we really want to like blast off with like, him going public. Because if the blade sees him and like, explains what it is, Gore knows

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<v Speaker D>him

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<v Speaker E>and they're gonna now know more about what we were able to do, so.

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<v Speaker C>Okay, Chicken boy is home.

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<v Speaker D>I'm dropping my talismans down. Chicken man.

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<v Speaker C>He's a boy.

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<v Speaker D>Chicken boy.

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<v Speaker C>A man means I hate him.

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<v Speaker E>Yeah, okay. All right.

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<v Speaker C>I feel a little. I feel a little misandrous today. I've had enough. The bit has changed.

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<v Speaker D>I've dropped all of the talisman links. It's just two talisman. There's four talismans but only two types. One of you all get. All three of you get the Onyx panther which gives you. You can get a plus one item bonus to your sneak and move at full speed instead of half on a sneak action it is again only a oncer and then the other one is presumably for lathe and that's the retrieval prism to have a backup plan if you lose the crown for some reason or have to stash it quickly or whatever. That's all I'm sending with you though so don't freaking get hurt or nothing like that or start a fight.

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<v Speaker C>Oh my God.

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<v Speaker A>I can give you guys potions if you want. I can make those in the form of good soup. I pack you guys lunches.

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<v Speaker B>Every time you say that I always think of the. The gift.

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<v Speaker A>Well yeah, everything I say is a meme and or a pun.

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<v Speaker B>You know just an Adam driver just going good soup I will send.

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<v Speaker A>I'm gonna make you guys. Do you guys want a cheetahs elixir? It gives you a plus 5 foot status bonus to your speed for a minute in case you need to run a little bit faster.

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<v Speaker G>That would be for Alistair.

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<v Speaker C>Yeah, I was gonna say that would be for Alistair and even then I don't think Alistair could actually keep up with le and me.

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<v Speaker A>We're like help I guess a little bit.

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<v Speaker C>Alistair is like 20 I think or 25 on a good day. So I don't know.

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<v Speaker F>I mean worse comes to worse I can haste myself.

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<v Speaker C>It's also true. What other potions can you make tick?

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<v Speaker A>Surprisingly I've not upgraded my potions in a while because I've been dead inside. So I'm going to give you guys this and then like three health potions cuz again I need to do that.

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<v Speaker D>Oh, I already did do that. Never mind. Whoop. When did I do that? Well ta da. Sorry, I forgot I was not muted.

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<v Speaker F>I'm apparently very damaged and have no spell slots so let me fix that real quick.

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<v Speaker C>Alistair spent all his downtime fighting in the pits.

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<v Speaker B>You know the. The fighting pits that Johnny used to run?

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<v Speaker D>No, they're not.

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<v Speaker C>Bag open right. Like though that I swear closed. I was like. I was like we. We literally killed him.

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<v Speaker D>I was like surprise. I'm going to give LA my detect magic can trip card and also remind her she has some other cantrip cards still. One of which might be ghost sound and one of which might be message. I don't remember which ones laythe has used. But I also know Alyssa never uses their cards, so there's a good chance Laith still has them all.

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<v Speaker G>Unfortunately, I did use message. I have no direction for Bidding Ward, Caustic Blast, and Prestigation.

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<v Speaker D>It's also ghost sound. I have it marked as yours.

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<v Speaker G>Oh, interesting.

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<v Speaker D>But from a later time. It's later on my list, so that means it's not from the original fake message I sent you. It's one that I must have given you another time for some reason.

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<v Speaker G>Oh, cool.

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<v Speaker D>And so now you also have the detect magic cantrip card as well. Please use the detect magic one.

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<v Speaker A>So, okay, we got the going in group of our wonderful moth, milf, Leith and Alistair. We have the distraction group of Yuri specifically in disguise because please do not go outside without a disguise for any point in your life. Heart emoji. I love you. We have possibly Lou in distraction area. Do we want Lou to be very distracting and fun? You want to have sort of revolution, Lou?

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<v Speaker D>Always.

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<v Speaker A>Oh, my God. Beautiful. And do we want Nyla in the distraction group as well? Because I do have sending in case we need to communicate between the groups.

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<v Speaker D>I have message. Which has a. It's not a very long range, though, but I can also send rats after them or little birds.

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<v Speaker A>Yeah, I have messages and I have sending, so sending is like planetary.

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<v Speaker C>Yeah, I was going to say, I think. I think we want to keep our communication away from sending animals into buildings

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<v Speaker A>for now.

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<v Speaker D>People don't want me to have any fun.

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<v Speaker C>I mean, we. We did, but then again, Alistair got a mouth full of poison.

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<v Speaker A>Yeah, maybe the mouse died. Did you think of that?

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<v Speaker D>Yeah, I did.

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<v Speaker C>I'm gonna keep saying mouth because, like, y' all keep forgetting.

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<v Speaker A>Maybe we just want to start killing things. Anyways, I can join the.

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<v Speaker C>To do this. To not cause harm to the school. What is happening here?

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<v Speaker A>You see, the mice aren't part of the school anymore. They were expelled.

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<v Speaker B>I turned the question to what kind of distraction are you wanting to pull?

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<v Speaker E>I think, honestly, the same situation just get people really upset at

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<v Speaker D>night time, though. Shouldn't most people be asleep?

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<v Speaker B>They are students.

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<v Speaker E>They're students.

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<v Speaker C>Yeah.

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<v Speaker A>You think they're gonna sleep?

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<v Speaker C>This is also a dorm school. Like, if you're loud enough, at the very least, they're all gonna wake up.

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<v Speaker E>Yeah, this is sleeping because of y'.

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<v Speaker D>All.

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<v Speaker E>Y' all ain't sleeping because of me.

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<v Speaker D>Well, that feels like the opposite. We don't want to wake them up.

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<v Speaker C>Not really. Because. Because, look, man, the idea. I mean, the. The idea behind the the protest is that there is a murderer that murders people at night out on a dorm school. So at the very least, causing as much as a disturbance because there's, like, TAS and everywhere. Like, that's gonna distract more of the staff as it is also distracting the students. And then obviously there will be some students that are super headstrong. They're like, yeah, wait a minute. I don't want to get murdered

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<v Speaker F>earlier.

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<v Speaker D>Distraction too.

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<v Speaker B>Weird question. Are any good at illusions? Maybe surprise new victim.

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<v Speaker A>I'm good at making real victims, but I'm not good at illusions.

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<v Speaker C>I really don't think we should be making a surprise new victim.

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<v Speaker D>I was just gonna say, can we pull the quote, unquote fire alarm?

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<v Speaker E>Just start a fire.

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<v Speaker A>You'll fire.

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<v Speaker D>Real fire.

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<v Speaker C>I was mad. Pull the alarm, man. These cultists coming in to take their own sounds way, way safer.

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<v Speaker A>Now it's.

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<v Speaker B>I am.

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<v Speaker C>The whole point of our protest is that they're inconsistent. Convenient.

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<v Speaker B>Yeah.

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<v Speaker E>Protest could work, I think. I still think the protest is a good idea because getting all the students, like, up and riled and, like, yuri could bring some of our crew just, like, just say they're students. I mean, they were all adults, so it's not like they're trying to be high schoolers. Like Beverly Hills 9210.

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<v Speaker B>Yeah, this is. They are. This is a college. So they are all adult age.

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<v Speaker C>Yeah, yeah.

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<v Speaker B>And honestly, the. The blades are pretty close to that age range.

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<v Speaker E>Yeah, yeah, yeah, yeah. I think that. I think the idea is the same thing.

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<v Speaker C>Okay, wait, wait, wait. Now, which blades? Because this is your fault. Blades. Bloody blades. You gotta say bloody blades or else I'm gonna be like, what are. What is late the Drisi the fourth or whatever. How.

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<v Speaker G>How old is she again?

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<v Speaker D>What do you mean?

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<v Speaker B>College?

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<v Speaker E>Actually, you see, old.

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<v Speaker A>You see, she kept failing college, so she wasn't allowed to graduate.

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<v Speaker E>Correct.

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<v Speaker B>The bloody blades, they are all roughly the same age as a lot of the people at Ravenswood. So they could help be protesters.

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<v Speaker E>Yeah, yeah. So let's do that. I think that's still a good plan because it's going to get people, everyone either distracted looking out their windows. Are people, like, joining in and causing a problem for the faculty and, hey,

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<v Speaker A>this is a joke. But if we ever need a human body as, like, a fake victim. This is a joke. Just let me know. This is a joke

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<v Speaker G>so that you can take it out of your pantry. Yeah,

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<v Speaker C>see how they didn't say this is a joke after that one.

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<v Speaker A>Kick with the groin?

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<v Speaker E>I have more Dumb ideas. But I think we should just keep it simple.

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<v Speaker B>Yeah. Yeah, It's. The less. The simpler a plan is, the less chances it has to up, theoretically. So I'm going to start with the distraction team. And this is gonna work like a skill challenge. How do you want to go about this?

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<v Speaker A>How brutal do we want to be? Like, not towards the students, but you want to be like, they're just gonna leave. They're not gonna find this murder. They're just letting a murderer out on campus. Oh, my God. I'm gonna start. I don't be like, hi, do you want to politely join a riot?

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<v Speaker E>No, no, we have to call them out loudly because if we. If we go to the extreme, people are going to either be surprised, are like, immediately like gut reaction joined in on it. Okay, so, yeah, I think Yuri disguised as, like, a different student. Tig, do you know bullhorn dispel?

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<v Speaker A>No, I. Hold on a second. Is a mental spell. I could learn it.

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<v Speaker B>It's a cantrip.

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<v Speaker E>It's a cantrip.

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<v Speaker A>I don't have that cantrip, but let me check my thing. If I could actually pick up a cantrip temporarily,

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<v Speaker E>I think it's an arcane cantrip.

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<v Speaker B>Tick. Spell list is a cult.

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<v Speaker A>Yeah, I don't have it, but if it's a mental spell on my spell list, I can temporarily learn it because of my thing. I'm a jigger.

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<v Speaker B>It just sort of. I don't think it's mental because it just makes your voice louder.

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<v Speaker A>I don't think I'd have it then.

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<v Speaker C>Does one of our. Does one of our bloody blades people that we're bringing have it?

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<v Speaker E>Yes, it's on the occult spell list. Auditory can trip, concentrate, illusion, manipulate.

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<v Speaker B>I will say that because it is a can trip that one of the. One of the bloody blades does happen.

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<v Speaker E>Oh, yeah.

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<v Speaker C>Okay.

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<v Speaker E>Are they. Are they the same level as us? Because then we can make people hear clearly within 1200ft.

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<v Speaker B>They're a little bit like lower level than you, but still cool. Then.

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<v Speaker E>Yeah, I think Yuri goes actually to where the fountain is, I think, because that's. Is that kind of like a central area where the dorms are?

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<v Speaker B>Yeah, okay.

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<v Speaker E>Yeah, I think, yeah. Yuri starts going off like, saying that this school is not protecting their students. How many people have died with their students and are like our government? Not taking care of us, not protecting us? We are the future of Malacca and they're killing us in the streets.

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<v Speaker B>This game isn't topical at all.

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<v Speaker E>Pots and pans being slammed. So we would be here but also with Foghorn. No bullhorn. Actually, it. Yes. But I really want to say specifically, I'm saying in a very angry tone and to make any people that I'm talking intimidate, intimidated.

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<v Speaker B>You don't want to give me an intimidation room. And then the other. The other two of you are going along, you can roll to assist.

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<v Speaker A>I would love to assist on an intimidation role by just being really scary looking and also just cheering on. You're like, yeah, yeah. You know, like, yeah, I agree with you. There's people in this crowd that do, in fact, agree with you, even though it's a small crowd.

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<v Speaker C>You know, I like the idea that at some point of the day today we were like, arts and crafts time and we made posters.

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<v Speaker E>Honestly, that's super easy to do.

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<v Speaker C>It's. It's super cute. I mean, like, you might as well, right? It's a part of the damn distraction. But I just think that was a cute, fun activity. And there's one poster that is. Or sign, whatever that is to say suspiciously written because graveling can't write. And it's just like, what if I just put a big X on the board?

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<v Speaker A>Suspiciously. One of them looks surprisingly well done. Because crafting is just a skill in this game that it's not cooking, but it is what it is.

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<v Speaker C>How we figure out which one.

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<v Speaker A>Why did I get a nat20 to help you.

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<v Speaker D>So did I. Oh, my God.

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<v Speaker E>I mean, I rolled a 16, so it's a 31 prior to.

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<v Speaker B>Plus an extra 4.

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<v Speaker E>Two for each 35.

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<v Speaker B>35.

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<v Speaker A>I rolled higher than you. You suck. I'm kidding.

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<v Speaker D>Literally, what I rolled was a 35.

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<v Speaker A>I roll a 37. You're not scary enough. I'm just messing with you.

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<v Speaker D>No, I'm a better liar, though.

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<v Speaker A>Weirdly.

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<v Speaker B>Weirdly, yeah.

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<v Speaker D>As long as I'm not stressing about it.

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<v Speaker B>So, yeah, you. You get this started. You probably start earlier in the day than, like, when the heist is supposed to start, so you can maybe ramp up a little bit before the actual heist starts. And it's a lot easier than you were expecting to get these students on your side and protesting with you.

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<v Speaker D>Oh, we also have a plus one circumstance bonus from drinking with the pirates.

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<v Speaker A>That was only for the pirates.

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<v Speaker C>That was only for the pirates.

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<v Speaker D>Yeah, that was only for the pirates.

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<v Speaker C>It was only when we were dealing with the pirates. We get the plus one. Yeah.

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<v Speaker A>Hey, if there's any pirates in the crowd, though, we got a plus one for them. Is that like a.

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<v Speaker D>Anytime we deal with the Pirates. We get a plus one or just that one time?

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<v Speaker G>We got a plus one.

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<v Speaker B>It was that one time. But if you're ever doing negotiations with them again and you do drink, he will get that plus one again.

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<v Speaker A>Gotcha.

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<v Speaker D>Okay. Because we got it, like at the end of the scene, so I assumed it was like a forward thing. Okay, never mind. Carry on.

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<v Speaker B>Yeah. So you all are doing this and sort of whipping up a bit of a fervor on campus. And you are seeing that, like, also quite a few of the other students are scared and concerned. Concerned as to what is going on and what the faculty is or isn't doing. And by the time the heist starts, you've. You've probably pulled in. We'll say rolling a D100 for this roll.

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<v Speaker A>69. It'll be funny.

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<v Speaker B>84. 84 students,

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<v Speaker C>majority.

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<v Speaker A>Nice.

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<v Speaker G>Damn.

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<v Speaker C>Well, I mean, one would hope that they would care about living in the place that they have to pay to be at. Like, come on.

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<v Speaker B>Yeah. And turn to you and the heist crew if you all want to give me stealth rolls. As you sort of sneak your way in, you're able to find a sort of an entrance that is usually moved supplies in and out of

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<v Speaker F>that is a 35.

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<v Speaker G>34.

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<v Speaker C>One second. I actually rolled pretty well. 31.

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<v Speaker B>Right. So essentially the way you're. Everything is going to work is you're going to start in sort of like near the bottom of the school, and you're going to have to slowly make your way up and then across to the tower that the headmaster's office is in. So you start going up first and you're going up through this specific wing that has mostly classrooms in it. So. So by the time this is going on, most of the teachers have left by this point. Can everybody roll me a perception check?

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<v Speaker C>I'm just going to use a hero point on this.

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<v Speaker G>Oh, no. I rolled bad. And I was counting on Aki.

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<v Speaker C>The hero point made it good. Okay. Because I rolled a nap one on the first time. I'm not taking any nap one. So here, like, if I rolled bad, I was like, that's okay. But now not that bad. Where is it?

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<v Speaker D>Yeah, yeah.

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<v Speaker C>Okay. What am I doing? Dirty 30.

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<v Speaker F>32, 24.

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<v Speaker B>So you're working your way through these hallways, and that's when you spot it. A name plate next to a door for an office. It says Professor Osmot Tallis. He still has his office here.

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<v Speaker C>Should we check it out? I don't see the name plate because I can't read

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<v Speaker B>bear,

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<v Speaker F>but all three

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<v Speaker B>of you do see it.

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<v Speaker F>I will read it out loud to you.

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<v Speaker C>Nah, crown first. If we have time, then I don't want to waste time in there.

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<v Speaker B>Okay.

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<v Speaker G>Surely they've already gone through it for anything interesting already.

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<v Speaker C>Also, we did make a promise to a very powerful wizard to only take what we said we'd take

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<v Speaker G>from his.

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<v Speaker F>Yeah, but I got a whisker for trouble, and I have a feeling maybe we should check it out. But on our way back.

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<v Speaker C>On our way back if we got time.

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<v Speaker B>So if you continue on leaving the door for now, I'm going to need another stealth check.

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<v Speaker F>So close almost to 20. 38.

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<v Speaker C>I'm so glad I swapped dice because I got scared of my other dice, so I just went and grabbed another pair, I think. 32.

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<v Speaker G>30.

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<v Speaker C>Yeah, 32.

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<v Speaker B>Hey, you all are keeping to the shadows, moving quietly, and so far have not come across any faculty or teachers or security. Maybe that's a little weird in and of itself, but who knows? And give me another perception check.

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<v Speaker F>31.

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<v Speaker C>23 was bad this time.

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<v Speaker G>27.

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<v Speaker B>It's sort of. You've taken a moment to, like, just get your bearings because the school itself is very maze like there are essentially is. You're having to take this incredibly securitous route to get to there, hopefully, you know, through ways that people aren't looking at. So you're sort of taking a moment reorienting yourself. Alistair. When you hear the voices, you hear two people talking. You hear after a moment, you're like, that's the headmaster. You hear him say to someone, I am not subjecting any more of my students to your obscene experiments. And then you hear in response, a gruffer, deeper voice. Say, growing conscience.

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<v Speaker E>Now,

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<v Speaker B>whatever happened to doing whatever you needed to to stop all of this? And then you hear the headmaster say, I've seen what you do to them. I cannot be party to this anymore. This is not what we wanted when we established the holy blood.

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<v Speaker F>I will. As I'm hearing this, I will kind of whisper, like, just generally what I'm hearing and be like, we may want to go, because this is. This sounds like a conversation that's not going to. To end well for one of these people. And there may be useful information to be had.

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<v Speaker D>Can I ask a question out of character?

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<v Speaker B>Yeah.

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<v Speaker D>Most of us have heard the voice of Elias Gore in our prologues, including many of the people present in this scene. Do they recognize this voice as Elias Gore?

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<v Speaker B>Yes, they would.

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<v Speaker C>Ferris asked the question I was gonna ask. So. Does this hall. Okay, so this is a hallway there any doors here that lead to rooms? I'm suggesting magical supply closet. Magical janitor's closet. This is a magical school, but everything's still dirty.

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<v Speaker B>Yeah. There. There is a. A magical supply closet. This is an actual magical supply. This is for. You're in sort of a class where a lot of evocation spells are and some people need magical components. So the essentially the storage closet is filled with magical components components.

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<v Speaker C>Cool. I want to hide in there for the potential to continue to ease drop on this. But also like to stay out of sight.

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<v Speaker A>Yeah.

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<v Speaker B>Tell all of you go back into the closet.

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<v Speaker D>Yeah.

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<v Speaker F>Yep.

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<v Speaker A>From our place.

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<v Speaker G>So long from our place hidden in the closet. Is it able, is it possible to discern how genuine the headmaster is being in these protests?

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<v Speaker B>Yeah. Give me another perception check.

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<v Speaker G>32.

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<v Speaker B>Yeah, 32. The headmaster, Andreas sounds very angry and very much like he's reached a. His breaking point.

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<v Speaker G>It's actually a 33 if that matters because of my sword. But it's fine if it doesn't matter.

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<v Speaker B>But you still get the same information.

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<v Speaker G>Yeah. Cool. Well, that's good to know.

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<v Speaker C>But in the blackmail pocket, what else are they saying?

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<v Speaker B>You hear Gor reply saying, you are aware that I don't need your permission. Cygnus at this point will give me whatever I want, but if I need more test subjects, I will have them. And then you hear Andreas say, if you step foot on this campus with the intent of stealing any of my students, I will smite you where you stand. Gore. And then you hear Gorr say, we'll see about that. You start to hear heavy footfalls heading in an opposite direction.

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<v Speaker C>When it sounds like they're gone, I'll give the the rest of the heist team like a. Like a thumbs up. And then I will peek out first before stepping out. Just kind of make sure the coast is clear. I'm in full grave wing fit, by the way, because it's easier if one of us gets caught. It's totally fine if it's me. It's like very expected at this point.

330
00:44:29.000 --> 00:44:44.000
<v Speaker B>As you step out, you don't see or hear the headmaster or Elias Gore.

331
00:44:44.000 --> 00:44:52.000
<v Speaker C>I'll motion for the rest to follow so we can hurry up and get this thing.

332
00:44:52.000 --> 00:44:55.000
<v Speaker G>Yeah, following.

333
00:44:55.000 --> 00:45:17.000
<v Speaker B>I you all head off towards the headmaster's office. I'm going to jump back to the people running the protest. If you would all like to give me another role.

334
00:45:17.000 --> 00:45:20.000
<v Speaker G>Sorry, this is perception or stealth.

335
00:45:20.000 --> 00:45:23.000
<v Speaker B>It's the. The intimidation roll from the protest group.

336
00:45:23.000 --> 00:45:24.000
<v Speaker G>Oh, this is the outside people. Sorry.

337
00:45:24.000 --> 00:45:27.000
<v Speaker B>Yeah, it's the outside people.

338
00:45:27.000 --> 00:45:33.000
<v Speaker E>I'm gonna use hero point for that role because it was a five.

339
00:45:33.000 --> 00:45:37.000
<v Speaker D>So did I. And the hero point was not very clear.

340
00:45:37.000 --> 00:45:41.000
<v Speaker A>We keep intimidating kind of a little bit.

341
00:45:41.000 --> 00:45:44.000
<v Speaker E>Yes. Yes.

342
00:45:44.000 --> 00:45:52.000
<v Speaker D>Are we still. Yuri is intimidating and we're just helping.

343
00:45:52.000 --> 00:45:54.000
<v Speaker B>Yes, that's. That's how we'll do it.

344
00:45:54.000 --> 00:45:57.000
<v Speaker A>I would like to use a hero point. Cuz I did bad.

345
00:45:57.000 --> 00:46:05.000
<v Speaker D>No, we all use hero points. I'm gonna give Yuri guidance. And also I got a 21 with the hero point.

346
00:46:05.000 --> 00:46:09.000
<v Speaker A>I got a 19 without the hero point. So hopefully it can roll higher than a two.

347
00:46:09.000 --> 00:46:11.000
<v Speaker D>One would help.

348
00:46:11.000 --> 00:46:13.000
<v Speaker A>Oh, I did. Yeah. That's a 32. Oh my God. Wow.

349
00:46:13.000 --> 00:46:14.000
<v Speaker E>Nice.

350
00:46:14.000 --> 00:46:15.000
<v Speaker D>I'm so scared.

351
00:46:14.000 --> 00:46:29.000
<v Speaker E>I got an 18 on my dice. So that's 34 plus guidance is 35 plus whatever other on the.

352
00:46:29.000 --> 00:46:59.000
<v Speaker B>I. Yeah you for a moment. You're wondering if you have done too well at this of whipping up people into a fervor. Another 50 people join the protest. And can I have you all give me perception checks?

353
00:46:59.000 --> 00:47:08.000
<v Speaker E>I'm going to give the other two people a freebie. Yuri is very happy that there's so many people out here.

354
00:47:08.000 --> 00:47:12.000
<v Speaker A>I got a 26 which was surprisingly good for me.

355
00:47:12.000 --> 00:47:29.000
<v Speaker E>For perception. Fucking. What's Smith 33 for Yuri.

356
00:47:29.000 --> 00:47:41.000
<v Speaker B>You all at some point in the middle of your protest spot Elias Gore leaving campus.

357
00:47:41.000 --> 00:47:45.000
<v Speaker D>Unless you rolled incredibly bad. I don't think I did.

358
00:47:45.000 --> 00:47:48.000
<v Speaker B>He's not trying to hide.

359
00:47:48.000 --> 00:47:53.000
<v Speaker A>Okay.

360
00:47:53.000 --> 00:48:04.000
<v Speaker B>I think you Morris clock him. Is just a Holy blood member. Alouette, you recognize the get up. The other two were like that's that motherfucker.

361
00:48:04.000 --> 00:48:08.000
<v Speaker A>I'm gonna look at Yuri like do we do something?

362
00:48:08.000 --> 00:48:10.000
<v Speaker E>Bad idea to do something.

363
00:48:10.000 --> 00:48:11.000
<v Speaker D>Yeah.

364
00:48:11.000 --> 00:48:32.000
<v Speaker E>Could I send one of people that are with our crew to like that are us. They're stealthy to attack behind them. Like. Like, like follow them but not like not be super obvious.

365
00:48:32.000 --> 00:48:36.000
<v Speaker B>You could. Yeah.

366
00:48:36.000 --> 00:48:39.000
<v Speaker A>Should we tell the inside group that we saw him leaving?

367
00:48:39.000 --> 00:48:56.000
<v Speaker E>I mean we can. I also like well okay, I'm going to. Yuri will look at the other two and we'll look at Alouette slash Lou because that's really their conscience and just say should we have someone follow Gore? That's Gore right over there.

368
00:48:56.000 --> 00:49:16.000
<v Speaker D>Oh I. I did not realize. I don't know what purpose it would do. He's. We already know he is evil and terrible. He's probably going back to the early blood to do something evil and terrible. Do we need the specifics right now or do we have enough on our Plate. Okay, we can't do this tonight. Whatever it is.

369
00:49:16.000 --> 00:49:22.000
<v Speaker E>Wait, wait, wait, wait. Okay. Consider we get everyone angry at him because he's supposed to be protecting the

370
00:49:22.000 --> 00:49:33.000
<v Speaker D>students, not him specifically. That. I. I don't think it is the only. But that is doing that. I thought it was like the coin guard.

371
00:49:33.000 --> 00:49:44.000
<v Speaker A>Let's not stray too far from what we plan. Because the more we start picking pieces out of our project is the more it might make things more difficult for the people inside. Let's. I'll tell them we're sending what we saw and call it a day.

372
00:49:44.000 --> 00:50:00.000
<v Speaker D>Besides, we cannot go after him without Vittorio. Because that was like, a condition Vittorio asked for to not be being like an evil or Elizabeth. He wants to kill Gord. Is it? Okay, fine.

373
00:50:00.000 --> 00:50:10.000
<v Speaker A>So I will actually use sunding, if that's all right with you guys to tell Grave Wing because she's the most competent person that's going inside. I mean, don't laugh.

374
00:50:10.000 --> 00:50:23.000
<v Speaker D>We need to tell them. We don't need to distract them. He's not in there. Now, that's. This is a thing for when they are done. It is not pressing information.

375
00:50:23.000 --> 00:50:26.000
<v Speaker A>I'm worried if he comes back.

376
00:50:26.000 --> 00:50:27.000
<v Speaker D>Why he's leaving.

377
00:50:27.000 --> 00:50:40.000
<v Speaker A>I don't know. If you don't think it's important to tell them. I cannot tell them, but I think it would be important for them to know that Elias Gore was in the building.

378
00:50:40.000 --> 00:50:44.000
<v Speaker D>I think it will only distract them. All right.

379
00:50:44.000 --> 00:50:46.000
<v Speaker A>I'll trust your judgment on this.

380
00:50:46.000 --> 00:50:47.000
<v Speaker D>What does that mean? They are out.

381
00:50:47.000 --> 00:50:59.000
<v Speaker E>Yuri is upset by this. Like, just like, lightly, because they really want to kick his ass, but just starts yelling, no justice, no peace. No justice, no peace.

382
00:50:59.000 --> 00:51:05.000
<v Speaker A>Handle your anger to the sin eater this time.

383
00:51:05.000 --> 00:51:22.000
<v Speaker B>Yeah, so you all will notice this, and things are whipping up in a way that this could easily spill over into a riot.

384
00:51:22.000 --> 00:51:28.000
<v Speaker D>I don't know. Let them.

385
00:51:28.000 --> 00:51:30.000
<v Speaker B>I feel like pros and cons of each.

386
00:51:30.000 --> 00:51:36.000
<v Speaker D>Yeah, yeah. They're not incorrect.

387
00:51:36.000 --> 00:51:42.000
<v Speaker A>I'm. I mean, we don't even know if we have the crown yet or how long we have to keep this up.

388
00:51:42.000 --> 00:51:43.000
<v Speaker D>That's also true.

389
00:51:43.000 --> 00:51:46.000
<v Speaker A>I mean, I sure could ask them if you'd like.

390
00:51:46.000 --> 00:51:51.000
<v Speaker E>Yeah, that's simple. I mean, you can just ask them. You. You're the one with the magic.

391
00:51:51.000 --> 00:51:58.000
<v Speaker A>Okay, now I'll use sending. I say is I actually saved a slot from not doing something silly, I guess.

392
00:51:58.000 --> 00:51:59.000
<v Speaker C>Yippee.

393
00:51:59.000 --> 00:52:26.000
<v Speaker A>And I trust Grave Wing. And I got 25 words, so distractions going extreme. Do you have the crown? There's going to be a riot soon. Let us know an eta. I guess that's one word because you saw Elias Gore leave the school. Cuz I can sneak it in.

394
00:52:26.000 --> 00:52:31.000
<v Speaker G>You're telling Grave Wing you could stick it in Elias Score. That doesn't seem relevant.

395
00:52:31.000 --> 00:52:36.000
<v Speaker A>Damn. I tick will be sticking something in Elias Score at this rate soon, if you know what I mean.

396
00:52:36.000 --> 00:52:40.000
<v Speaker E>Oh, what kind of nose do they got?

397
00:52:40.000 --> 00:52:42.000
<v Speaker C>Wait, what the. Dang.

398
00:52:42.000 --> 00:52:43.000
<v Speaker G>That's a my. That's a me thing.

399
00:52:43.000 --> 00:52:56.000
<v Speaker C>How dare you. How dare you. How dare you. This maroon 5 looking ass. How dare you.

400
00:52:56.000 --> 00:53:03.000
<v Speaker B>So, inside crew, give me one more stealth roll.

401
00:53:03.000 --> 00:53:08.000
<v Speaker C>No, I'll keep. Because we just got the hero point. I'll keep that one for now.

402
00:53:08.000 --> 00:53:18.000
<v Speaker F>26, 36, 28 lowest yet.

403
00:53:18.000 --> 00:54:13.000
<v Speaker B>Yeah, you all are a little distracted by. At some point, you are crossing over this bridge between these two towers and you look down through one of the windows and see the protest is going very well. And. But you're sort of watching as it's sort of whipping up into a froth of people very angry and upset as to what's going on. And it is you. You can all see for yourselves that this is quickly becoming a riot. And. And it's probably about that time when you get the message from Nile as you're sort of heading up the staircase to the tower where the headmaster's office is.

404
00:54:13.000 --> 00:54:14.000
<v Speaker D>Am I allowed?

405
00:54:14.000 --> 00:54:16.000
<v Speaker C>Can I reply back?

406
00:54:16.000 --> 00:54:18.000
<v Speaker B>Yes, you have up to 25 words.

407
00:54:18.000 --> 00:54:20.000
<v Speaker C>25 words to reply back.

408
00:54:20.000 --> 00:54:26.000
<v Speaker A>Okay.

409
00:54:26.000 --> 00:54:41.000
<v Speaker C>Also, saw him. No crown yet. Control it.

410
00:54:41.000 --> 00:54:50.000
<v Speaker A>Okay, I'll pass the info on everyone else and be like, we have to contain this riot for at least a little bit longer before it gets overblown.

411
00:54:50.000 --> 00:54:58.000
<v Speaker F>I will message Yuri and be like, fight the power.

412
00:54:58.000 --> 00:55:06.000
<v Speaker G>Good. Correct.

413
00:55:06.000 --> 00:55:14.000
<v Speaker A>What distracts people? Lou, can you play like a song or something? Maybe that'll do. What do people like? Beans.

414
00:55:14.000 --> 00:55:15.000
<v Speaker D>Beans?

415
00:55:15.000 --> 00:55:16.000
<v Speaker B>What?

416
00:55:16.000 --> 00:55:27.000
<v Speaker D>Yeah, I mean, I can play as a bell, but I don't know if that's gonna be calming. Not everyone likes just Belle.

417
00:55:27.000 --> 00:55:30.000
<v Speaker C>Y' all don't know any songs. Come on.

418
00:55:30.000 --> 00:55:40.000
<v Speaker D>I know a lot of songs, but I don't have my full set with me. I mean, I can start singing, but it wasn't really good enough to get into the city choir, so they're probably going to throw things.

419
00:55:40.000 --> 00:55:59.000
<v Speaker E>I think Yuri is just going to. With the. The bullhorn active, hopefully just start yelling at the students and maybe like, are there any visible, like, coin guard faculty, whoever, nearby?

420
00:55:59.000 --> 00:56:24.000
<v Speaker B>You can certainly see the Coin Guard. They. They've kind of. They are very much keeping an eye on everything kind of surrounding you. And trying to keep you in one very specific area so that this doesn't spill over into other parts of campus. Not, like, pushing back, but they've. They've clearly, like, formed a perimeter.

421
00:56:24.000 --> 00:57:32.000
<v Speaker E>I think Yuri will then just kind of like. Like, stand on the ledge of the fountain. So even if they chose a person that's taller than Yuri, they'd still, like, want to be, like, able to be seen. And we'll start saying, look at what every. All of you could do. You could see that you all have the actual power here to demand what needs to be done. We need to make sure that this campus is a place for learning and not a place for whatever is happening. Now, you can see that they're scared, but to show them what we need to be do, we need to organize, not catastrophize. You know, more chanting after that and getting people to just get. They want to get everyone into a chant to kind of, like, unify the people.

422
00:57:32.000 --> 00:57:40.000
<v Speaker B>I. It does sound like you want to use a diplomacy for this rather than intimidation. Like,

423
00:57:40.000 --> 00:57:45.000
<v Speaker G>yeah, unfortunately,

424
00:57:45.000 --> 00:58:12.000
<v Speaker E>I'll. I'll roll it. Especially with untrained improvisation. My beloved. I'm gonna roll cousin dice to channel Lou because Lou's better at diplomacy. Sl. That's a nat 20. Let's go for 31. But.

425
00:58:12.000 --> 00:58:43.000
<v Speaker B>So, yeah, you. You do try and, like, you're able to sort of reign things in a little bit and try and it. People are still excited and hyped up and angry, but you're focusing that rather than letting it all sort of just flow over and become a riot. All of you heading up the tower, you can hear as someone, maybe Lou is leading everybody in a song.

426
00:58:43.000 --> 00:58:51.000
<v Speaker D>Sure. Let's go. It's singing time. We're singing K Pop Demon hunter.

427
00:58:51.000 --> 00:59:04.000
<v Speaker A>We're no strangers to love you and so do I by a great song leader, Nick Rastle.

428
00:59:04.000 --> 00:59:09.000
<v Speaker C>I hope we get struck down

429
00:59:09.000 --> 00:59:11.000
<v Speaker A>by what? Copyright or God.

430
00:59:11.000 --> 00:59:13.000
<v Speaker D>Yeah, all of them.

431
00:59:13.000 --> 00:59:17.000
<v Speaker A>Okay,

432
00:59:17.000 --> 00:59:30.000
<v Speaker B>so the three on the sneaking team have found themselves in front of. To Alistair, a very familiar door.

433
00:59:30.000 --> 00:59:36.000
<v Speaker F>Y' all can open this one.

434
00:59:36.000 --> 00:59:37.000
<v Speaker A>Yeah.

435
00:59:36.000 --> 00:59:49.000
<v Speaker G>Le will step forward with her lockpicks and attempts to open the door, ignoring or avoiding the. Wait, does this one. Was this one locked or it was just open and it poisoned you?

436
00:59:49.000 --> 00:59:50.000
<v Speaker B>It is locked, too.

437
00:59:50.000 --> 00:59:52.000
<v Speaker A>Okay.

438
00:59:52.000 --> 00:59:58.000
<v Speaker B>Yeah, Yeah.

439
00:59:58.000 --> 01:00:10.000
<v Speaker G>She will open, attempt to lock, pick it, and attempt to avoid the trap. Now that she knows it's there, That is.

440
01:00:10.000 --> 01:00:24.000
<v Speaker C>I'm not sure how to help but, like, is there. I don't know a way to. If the trap springs, I can like, block it with my hand.

441
01:00:24.000 --> 01:00:28.000
<v Speaker F>Don't even think about it. That's what I did.

442
01:00:28.000 --> 01:00:30.000
<v Speaker B>You try to catch it?

443
01:00:30.000 --> 01:00:32.000
<v Speaker F>Yes.

444
01:00:32.000 --> 01:00:41.000
<v Speaker B>The trap will spring. That's the thing. You're aware that. That he has left that one active?

445
01:00:41.000 --> 01:00:50.000
<v Speaker C>Oh, I have. I'm a wind kineticist. Could I, like, trap it in, like, Subway doesn't even spread to the hallway.

446
01:00:50.000 --> 01:00:51.000
<v Speaker B>Sure, yeah, it's gonna.

447
01:00:51.000 --> 01:01:01.000
<v Speaker C>It's. It was gas, right? I'm assuming it was gas. How. It was a needle. All right, y', all, never mind. Womp, womp. It's gonna happen.

448
01:01:01.000 --> 01:01:09.000
<v Speaker B>Well, if you want to disable the trap first, you can do a thievery check. And then followed by a thief recheck to unlock the door.

449
01:01:09.000 --> 01:01:12.000
<v Speaker G>Okay, yeah, if we can disable it, we'll try to do that first. But that was only.

450
01:01:12.000 --> 01:01:13.000
<v Speaker B>We can do that.

451
01:01:13.000 --> 01:01:20.000
<v Speaker G>That was only a 29, so I don't know if I can actually.

452
01:01:20.000 --> 01:01:27.000
<v Speaker B>You are. Have identified the mechanism. If you want to try again. You did not trip it because you didn't critically fail.

453
01:01:27.000 --> 01:01:39.000
<v Speaker G>Okay, good. That's the nat one. I'm going to use a hero point.

454
01:01:39.000 --> 01:01:42.000
<v Speaker A>Did you fail twice? I mean, probably.

455
01:01:42.000 --> 01:01:47.000
<v Speaker G>I got a one and then I got a two, so the two makes it a 21.

456
01:01:47.000 --> 01:01:49.000
<v Speaker A>I swear to God, I'm gonna piss on your homework.

457
01:01:49.000 --> 01:02:06.000
<v Speaker B>Yeah, unfortunately, that is a critical failure. And I need you to give me a reflex save because you know this needle's coming.

458
01:02:06.000 --> 01:02:17.000
<v Speaker F>Can she get us or can get apologies? Can they get a circumstance bonus? Because they know exactly what the trap is and where it's coming from. Since they've been warned.

459
01:02:17.000 --> 01:02:19.000
<v Speaker B>Yeah. Yeah.

460
01:02:19.000 --> 01:02:23.000
<v Speaker C>I was like, could we. Could we just pull them back like we know.

461
01:02:23.000 --> 01:02:29.000
<v Speaker B>I imagine that's. That's part of the. Part of the circumstance bonus of you pulling Leith back.

462
01:02:29.000 --> 01:02:31.000
<v Speaker G>Okay, so then that's a 40 reflex.

463
01:02:31.000 --> 01:02:48.000
<v Speaker B>40. Yeah. No, you're able to. You watch as this needle sort of springs out and sort of hits and embeds itself into the. Like, the wood of the door frame, like centimeters from where your hand was.

464
01:02:48.000 --> 01:03:01.000
<v Speaker G>Leith sort of tosses her hair back and pockets that and acts as if this was her disarming the trap the whole time. And she did this because she wanted to take the poison.

465
01:03:01.000 --> 01:03:04.000
<v Speaker B>This is a very potent poison.

466
01:03:04.000 --> 01:03:09.000
<v Speaker C>Yeah.

467
01:03:09.000 --> 01:03:16.000
<v Speaker B>And yeah, then you give me a thief check to unlock the door.

468
01:03:16.000 --> 01:03:20.000
<v Speaker G>Dice are not happy today. That is a 24.

469
01:03:20.000 --> 01:04:18.000
<v Speaker B>24. It takes you several more minutes than you. Than it honestly should. Maybe the adrenaline is getting to you at this point, but you're able to eventually. You hear the pop of the lock and the door will swing open and you will see the headmaster's office. It itself is grand in. In a word, you see shelves full of books, tomes on so many eras of history and theories and subjects. You see a magnificent wood desk that you guess he sits at. There is like a trophy case along one way, wall filled of various things from his time as an adventurer. And one of those things is the crown.

470
01:04:18.000 --> 01:04:36.000
<v Speaker G>Yeah. I think that Leith will look for sort of traps as we move throughout the room and will encourage other people to also keep an eye out because she does not trust this man.

471
01:04:36.000 --> 01:04:53.000
<v Speaker C>I didn't trust this man, period. Like I. I want to look for traps and as well, but also. Ah, well, anything incriminating would be great.

472
01:04:53.000 --> 01:05:01.000
<v Speaker B>Alistair, is there anything that you are looking for specifically in his office?

473
01:05:01.000 --> 01:05:35.000
<v Speaker F>You could see me thinking, couldn't you? I think I will assist. Yeah. I will assist Grave Wing in trying to find anything specifically now that we've overheard that conversation. Anything incriminating regarding his relationship with Elias.

474
01:05:35.000 --> 01:05:46.000
<v Speaker B>If everybody wants to give me. If you're looking around the office, it'll be perception checks. If you are working on getting the crown out of the trophy case, It'll be another three free.

475
01:05:46.000 --> 01:05:50.000
<v Speaker E>Check.

476
01:05:50.000 --> 01:05:53.000
<v Speaker C>What's the incriminating evidence? Evidence check. Okay.

477
01:05:53.000 --> 01:05:56.000
<v Speaker B>Perception

478
01:05:56.000 --> 01:06:02.000
<v Speaker G>32. Well, should I do a perception first to like confirm the traps or not?

479
01:06:02.000 --> 01:06:05.000
<v Speaker B>Traps, yes. You can do that.

480
01:06:05.000 --> 01:06:08.000
<v Speaker G>Okay.

481
01:06:08.000 --> 01:06:12.000
<v Speaker C>I got a NAT20 for incriminating evidence, so I don't know.

482
01:06:12.000 --> 01:06:23.000
<v Speaker F>Yeah, yeah, I was debating doing a reroll on that 28, but I think we'll take your NAT 20.

483
01:06:23.000 --> 01:06:34.000
<v Speaker C>I saw and I was like, don't worry about it, I got you. But yeah, the nat 20 would be 34. Nice.

484
01:06:34.000 --> 01:06:40.000
<v Speaker G>I got a 32 for both perception and for theory.

485
01:06:40.000 --> 01:07:00.000
<v Speaker B>Yeah, 32. You can easily tell that the trophy case that this specific crown it is in, he's not trapped like he promised. And the 32 is enough to pop that lock and open it. And there is the forged crown.

486
01:07:00.000 --> 01:07:16.000
<v Speaker G>Sweet. I will take it without attuning it to the talisman because I want to go back to Talus's office and maybe steal something from there.

487
01:07:16.000 --> 01:08:13.000
<v Speaker B>Yeah. So yeah, you two do feel this crown. And it's beautiful in a macabre way. This perfect replica still even has the floating blood in the crystals. And you put it in your bag and Gravewing and Alistair, you're sort of looking and you both kind of spot it at the same time. You spot it first, Gravewing. But Alistair, you can truly see what Gravewing has spotted there's a old leather bound notebook on this shelf and you see in gold lettering on it the last name of Valere.

488
01:08:13.000 --> 01:08:19.000
<v Speaker C>I poke Alistar. What the hell is that?

489
01:08:19.000 --> 01:08:22.000
<v Speaker B>I don't know. Let's see.

490
01:08:22.000 --> 01:08:26.000
<v Speaker F>I do not have detect magic prepared.

491
01:08:26.000 --> 01:08:30.000
<v Speaker G>Oh, I have a detect magic Kendrik card. You if he mentioned anything about it.

492
01:08:30.000 --> 01:08:36.000
<v Speaker C>Yeah, no, as soon as Alistair says I don't know, I go Leif.

493
01:08:36.000 --> 01:08:42.000
<v Speaker B>It is a notebook. It is like a journal on like the bookshelf.

494
01:08:42.000 --> 01:09:03.000
<v Speaker F>I'm just worried about it being magically booby trapped. I will take a look at it before picking it up just to make sure that's not trapped. Trapped. Oh wow. There's my 3838.

495
01:09:03.000 --> 01:09:48.000
<v Speaker B>No, none of the bookshelves do appear to be trapped in any way. It's just things that are in the display cases. You see in the display cases themselves you see weapons, armor, a sort of a rock is the best way to put it. Sort of this gemstone in itself when you're looking at it is this gemstone that is in a. The shape of an anatomically correct heart in one of these display cases and. But the bookcases themselves, no traps. So it's safe to pull this journal off the shelf.

496
01:09:48.000 --> 01:10:07.000
<v Speaker F>Yeah, I will. I will pull it out and start thumbing through it very quickly. Like do we want to take this? He will definitely notice if this one's gone.

497
01:10:07.000 --> 01:10:11.000
<v Speaker G>I was gonna ask if I could use the detect magic card on it.

498
01:10:11.000 --> 01:10:32.000
<v Speaker B>Yeah, you can. The book itself is not enchanted in any way. It appears to be a notebook, an old leather bound notebook. But itself there is a lot of magical things around here, so it's kind of easy to pick out the things that aren't magic.

499
01:10:32.000 --> 01:10:38.000
<v Speaker G>Great. I will attune the talisman to this I.

500
01:10:38.000 --> 01:11:17.000
<v Speaker B>This book as you're flipping through is very clear that Andreas did all of the preliminary studies on the Valere curse. All of this notebook. All of this notebook is dedicated to his study of what Vittorio did and how it affected him and possible ways it could be repurposed and used.

501
01:11:17.000 --> 01:11:24.000
<v Speaker F>I will share this information. Should we take it

502
01:11:24.000 --> 01:11:41.000
<v Speaker G>with this talisman? We can take it later. We'll give him a day or two to check his office, make sure nothing is missing and then we take it.

503
01:11:41.000 --> 01:11:51.000
<v Speaker C>Sounds good. At least we know where it is or that it it's here and exists.

504
01:11:51.000 --> 01:12:11.000
<v Speaker F>Okay, I will put it back. Oh man, I wish I had that copy book spell and let's but let we should go check out the other office as well,

505
01:12:11.000 --> 01:12:16.000
<v Speaker C>Yeah, we got some time. Not too much though.

506
01:12:16.000 --> 01:12:17.000
<v Speaker A>Yeah.

507
01:12:17.000 --> 01:12:22.000
<v Speaker G>How's it sound?

508
01:12:22.000 --> 01:12:30.000
<v Speaker B>Give me another diplomacy check Yuri, and see how well you can you sort of refocus the riot.

509
01:12:30.000 --> 01:12:34.000
<v Speaker E>Two in a row. Are you sure?

510
01:12:34.000 --> 01:12:35.000
<v Speaker B>Yes.

511
01:12:35.000 --> 01:12:37.000
<v Speaker E>Okay.

512
01:12:37.000 --> 01:12:40.000
<v Speaker D>Are we still rolling help checks or. No.

513
01:12:40.000 --> 01:12:42.000
<v Speaker B>You can if you would like.

514
01:12:42.000 --> 01:12:49.000
<v Speaker E>Please, please, please.

515
01:12:49.000 --> 01:12:57.000
<v Speaker D>Diploma s there. 28 to help. Is. Is.

516
01:12:57.000 --> 01:13:01.000
<v Speaker E>Is Nile helping?

517
01:13:01.000 --> 01:13:02.000
<v Speaker C>I will help.

518
01:13:02.000 --> 01:13:04.000
<v Speaker A>Persuasion. Right?

519
01:13:04.000 --> 01:13:06.000
<v Speaker E>Diplomacy.

520
01:13:06.000 --> 01:13:09.000
<v Speaker A>I'm gonna pee myself.

521
01:13:09.000 --> 01:13:11.000
<v Speaker D>That's not helpful.

522
01:13:11.000 --> 01:13:14.000
<v Speaker C>That's all. Also something furries do.

523
01:13:14.000 --> 01:13:15.000
<v Speaker A>I swear to God.

524
01:13:15.000 --> 01:13:17.000
<v Speaker F>God Damn it.

525
01:13:17.000 --> 01:13:20.000
<v Speaker A>Dirty 30 you.

526
01:13:20.000 --> 01:13:25.000
<v Speaker E>Oh yeah. Well that's going to help my 26 total.

527
01:13:25.000 --> 01:13:27.000
<v Speaker A>Oh no,

528
01:13:27.000 --> 01:13:29.000
<v Speaker D>it's.

529
01:13:29.000 --> 01:13:39.000
<v Speaker B>You're. You're having a little trouble keeping hold of it. It's for the time being. Staying a protest and not going into a riot.

530
01:13:39.000 --> 01:13:48.000
<v Speaker D>I'm gonna try to organize it into just. We're all having. We're having choir right now. It is choir time

531
01:13:48.000 --> 01:14:13.000
<v Speaker B>for the time being. You're managing to keep control of it. So the people sneaking. You kind of hear as things like K Crescendo like the song is a little too energetic. People start to get a little edgy and. And then they managed to pull it back. But it was pretty close to breaking out into a riot. Again.

532
01:14:13.000 --> 01:14:19.000
<v Speaker A>This is more stressful than gambling.

533
01:14:19.000 --> 01:14:29.000
<v Speaker G>Sounds like they're holding for now. I think we have time to look into Tallis office.

534
01:14:29.000 --> 01:14:44.000
<v Speaker C>I just don't want this to go into a full blown riot. They will kill these people for less and then they'll blame it on us.

535
01:14:44.000 --> 01:14:58.000
<v Speaker B>Or the team inside. Give me a another stealth check to sneak back to the office.

536
01:14:58.000 --> 01:15:08.000
<v Speaker C>I watched my dice go from a 1 to like a 15 on the die. So. Did I just almost shit myself?

537
01:15:08.000 --> 01:15:09.000
<v Speaker G>Yeah.

538
01:15:08.000 --> 01:15:11.000
<v Speaker F>That's a 39.

539
01:15:11.000 --> 01:15:14.000
<v Speaker G>31.

540
01:15:14.000 --> 01:15:22.000
<v Speaker B>Hey. Yeah. Without too much trouble, you all find your way back to Talis's office.

541
01:15:22.000 --> 01:15:24.000
<v Speaker G>Is the door trapped andor locked?

542
01:15:24.000 --> 01:15:35.000
<v Speaker B>Give me a perception check. Unless you want to test it with your Bonnie.

543
01:15:35.000 --> 01:15:46.000
<v Speaker G>I was going to say I only got a 28, so I think I'm going to turn to Alistair and say. Did you want to check this one too?

544
01:15:46.000 --> 01:15:54.000
<v Speaker F>I give a look of betrayal, but 35.

545
01:15:54.000 --> 01:16:01.000
<v Speaker B>Check the lock. Yeah, it's locked, but it is not trapped.

546
01:16:01.000 --> 01:16:05.000
<v Speaker F>You're all good.

547
01:16:05.000 --> 01:16:24.000
<v Speaker G>Okay. We will try to lock the gate. That is a. That can't be right. Is that right? Oh yeah, that makes sense. 38.

548
01:16:24.000 --> 01:16:46.000
<v Speaker B>38 it. This one. This lock. Far easier does it? Only takes you less than a minute to unlock it and you're able to enter this office the first Thing you'll notice is that it has been a while since anyone's been in here. It is a little dusty.

549
01:16:46.000 --> 01:16:57.000
<v Speaker G>Are there any tracks in the dust indicating that anyone's been in here at all or that things have been moved around?

550
01:16:57.000 --> 01:17:05.000
<v Speaker B>There are no tracks in the dust, and it doesn't look like anything has been moved around that you can tell.

551
01:17:05.000 --> 01:17:07.000
<v Speaker G>Great.

552
01:17:07.000 --> 01:17:12.000
<v Speaker F>Means we can take anything.

553
01:17:12.000 --> 01:17:28.000
<v Speaker C>Yeah. Be careful what you touch. Not about to trust little genocide in any of his things.

554
01:17:28.000 --> 01:17:39.000
<v Speaker G>If there's a jar with one of the schisms inside of it, even if it looks asleep, you should leave it be.

555
01:17:39.000 --> 01:17:52.000
<v Speaker B>Not from experience or anything, but those of you who want to check the office give me perception checks.

556
01:17:52.000 --> 01:17:54.000
<v Speaker C>Could I do a different check?

557
01:17:54.000 --> 01:17:56.000
<v Speaker B>Yeah. What are you looking for?

558
01:17:56.000 --> 01:18:37.000
<v Speaker C>Okay, because truthfully, I'm not sure if I'm gonna be any help in some nerd's apartment. I can't read. I'm way more worried about the crowd outside. I'd like to keep an eye on that, so that way I know when we gotta get out, because I don't. If they start. If they. If a riot actually starts. I don't want to be in here while students might potentially be coming inside. No, thanks. Yeah, That also be perception, I guess.

559
01:18:37.000 --> 01:18:43.000
<v Speaker B>Yes, it would also be a perception.

560
01:18:43.000 --> 01:18:47.000
<v Speaker F>That's a 34 for Alistair.

561
01:18:47.000 --> 01:18:59.000
<v Speaker G>Hey. A 33 for Leith. And I think that Leith is specifically looking for either anything about the Valere curse or anything mentioning juniper.

562
01:18:59.000 --> 01:19:05.000
<v Speaker C>Dirty 30 for graveling,

563
01:19:05.000 --> 01:19:15.000
<v Speaker B>I think. Graveling. It certainly seems like they have it controlled for now, but who knows how long you have?

564
01:19:15.000 --> 01:19:17.000
<v Speaker C>That's what I rolled to find out.

565
01:19:17.000 --> 01:20:04.000
<v Speaker B>Yeah, you've. You've got a few minutes at least, and they may be able to continue. We'll figure out in just a minute how they're. How they're doing after I tell the others what they found. So both of you are looking around. There are a lot of journals in his very specific shorthand, and it's kind of hard to tell if they pertain to Juniper or any of that without translating them. But Alistair, as you are looking around, you do find sort of leaning up against the wall by his desk, a very ornate cane with a ram's head on top.

566
01:20:04.000 --> 01:20:06.000
<v Speaker D>Ooh.

567
01:20:06.000 --> 01:20:39.000
<v Speaker F>I pick it up and start looking at it. Then I probably don't spend too much time. I'm just like, ooh, shiny. And so I'm gonna put that in my bag or strap it to my back as more. And let's just. How many books can we hold?

568
01:20:39.000 --> 01:20:49.000
<v Speaker C>We have a smuggler's bag that acts as a bag of holding. So a handful. But we probably don't want a clear shelf just in case.

569
01:20:49.000 --> 01:20:56.000
<v Speaker G>As we're looking through. Is there any sort of, like, are journals dated? Is it clear? Clear if there's any sort of.

570
01:20:56.000 --> 01:21:12.000
<v Speaker B>Yeah, the journals are all very, very dated. Dated, as in, like, he was very specific about always writing the dates. So you can easily find journals that he was using during the time that Juniper would have been there.

571
01:21:12.000 --> 01:21:15.000
<v Speaker G>Yeah, that is what I would like, please.

572
01:21:15.000 --> 01:21:21.000
<v Speaker B>Yeah. Let's say you get a small handful of them from during that time.

573
01:21:21.000 --> 01:21:29.000
<v Speaker G>Do they have the ones backdated to when he would have been working, like, on the bird curse originally or.

574
01:21:29.000 --> 01:21:35.000
<v Speaker B>No, unfortunately, it does not seem to go that far back.

575
01:21:35.000 --> 01:21:41.000
<v Speaker G>That's fair.

576
01:21:41.000 --> 01:21:53.000
<v Speaker B>And yeah, no, there is. There's the cane, there's journals, and unfortunately, any alchemy supplies that might have been kept in here have long gone bad.

577
01:21:53.000 --> 01:21:59.000
<v Speaker F>Is there any ink?

578
01:21:59.000 --> 01:22:09.000
<v Speaker B>Ink was probably have gone bad at this point because it's. This room hasn't been opened for, like, five years.

579
01:22:09.000 --> 01:22:24.000
<v Speaker F>Could it like, not like, for the purposes of. If I wanted to make a mess, could I like purposes, not like I'm attempting to scribe spells Purposes.

580
01:22:24.000 --> 01:22:30.000
<v Speaker B>Sure, yeah. If you wanted to do that, you could.

581
01:22:30.000 --> 01:23:04.000
<v Speaker F>Okay, Right before we leave, I'll be like, take as many books as you can, and then I will make. I'll, like, toss the place a little bit and I will use the ink or whatever I can just find to write one of the slogans that they're chanting outside on the wall.

582
01:23:04.000 --> 01:23:07.000
<v Speaker C>What are you doing?

583
01:23:07.000 --> 01:23:11.000
<v Speaker F>If.

584
01:23:11.000 --> 01:23:15.000
<v Speaker C>What are you doing?

585
01:23:15.000 --> 01:23:22.000
<v Speaker F>Yeah, you guys stop me before I attempt to do that somewhat, because I will.

586
01:23:22.000 --> 01:23:30.000
<v Speaker C>You're making a whole mess here after I told you you shouldn't. What are you doing?

587
01:23:30.000 --> 01:23:36.000
<v Speaker F>They don't know who's in here. There's a lot of people that are very angry outside.

588
01:23:36.000 --> 01:23:40.000
<v Speaker C>You want to get more students and staff who are.

589
01:23:40.000 --> 01:23:41.000
<v Speaker D>Are.

590
01:23:41.000 --> 01:23:45.000
<v Speaker F>They're not. They can't get rid of all of them.

591
01:23:45.000 --> 01:23:51.000
<v Speaker C>You want to incriminate the students and staff?

592
01:23:51.000 --> 01:23:56.000
<v Speaker F>Yep. Whether. Where are they going?

593
01:23:56.000 --> 01:24:02.000
<v Speaker C>You're not doing that. Stop it. We need to get out now.

594
01:24:02.000 --> 01:24:04.000
<v Speaker F>Fine.

595
01:24:04.000 --> 01:24:06.000
<v Speaker C>I usually support your mess, but this is not it.

596
01:24:06.000 --> 01:24:11.000
<v Speaker A>Okay,

597
01:24:11.000 --> 01:24:24.000
<v Speaker B>So can I get one last diplomacy roll from the people?

598
01:24:24.000 --> 01:24:29.000
<v Speaker A>Should I try the diplomacy? I'm kind of scared, but

599
01:24:29.000 --> 01:24:34.000
<v Speaker B>whoever wants to lead the.

600
01:24:34.000 --> 01:24:35.000
<v Speaker D>Lead this.

601
01:24:35.000 --> 01:24:40.000
<v Speaker B>Lou, if you want to lead them in singing, you could attempt that and everybody else could assist.

602
01:24:40.000 --> 01:24:41.000
<v Speaker E>Would that be a performance?

603
01:24:41.000 --> 01:24:44.000
<v Speaker B>Maybe that would call a performance.

604
01:24:44.000 --> 01:24:49.000
<v Speaker D>It's all the same Intimidation, diplomacy, and performance are all the same level now.

605
01:24:49.000 --> 01:24:52.000
<v Speaker A>We're turning into an impromptu concert. Ayo.

606
01:24:52.000 --> 01:24:57.000
<v Speaker D>I mean, this is my audition, so I can join the symphony.

607
01:24:57.000 --> 01:24:59.000
<v Speaker A>Oh, my God, your sister.

608
01:24:59.000 --> 01:25:01.000
<v Speaker D>Did you notice? Look how good I am.

609
01:25:01.000 --> 01:25:11.000
<v Speaker A>Do I even have an okay, so I, for some reason, have a decent performance. So I guess I can. I guess I can give you a plus 15.

610
01:25:11.000 --> 01:25:13.000
<v Speaker D>Oh, okay. We're the tide, then.

611
01:25:13.000 --> 01:25:17.000
<v Speaker A>I. I can. I can support you. I guess I could. I can get a little beat with some drums while you do your little.

612
01:25:17.000 --> 01:25:19.000
<v Speaker D>I got a nat 20.

613
01:25:19.000 --> 01:25:21.000
<v Speaker E>Okay. We're supporting Lou.

614
01:25:21.000 --> 01:25:25.000
<v Speaker A>All right, let's give it a try. I don't know. Maybe I'm supporting her. Maybe I'm making it worse.

615
01:25:25.000 --> 01:25:33.000
<v Speaker D>My dice are only giving me below 5 or a nat 20. Those are my only options tonight, and it is stressful.

616
01:25:33.000 --> 01:25:37.000
<v Speaker A>I got a 23, so I think that's not gonna cripple you horribly.

617
01:25:37.000 --> 01:25:44.000
<v Speaker E>I got dirty 20.

618
01:25:44.000 --> 01:25:59.000
<v Speaker D>35 total is my. Is my. My top number. I can guidance myself. Nope. No, I can't. Oh, wait,

619
01:25:59.000 --> 01:26:00.000
<v Speaker B>before.

620
01:25:59.000 --> 01:26:08.000
<v Speaker D>No, no, I already did the thing, so I can't do it myself. I wrote your world, so. But it's okay. I got an attorney. I'm not super worried about this.

621
01:26:08.000 --> 01:26:13.000
<v Speaker B>Yeah. Yeah. You're able to keep it under control.

622
01:26:13.000 --> 01:26:24.000
<v Speaker D>It is calming them down so they can go back to bed. They can bring this up in the morning. We're gonna have a little quiet song. We're gonna hold a candlelight vigil. I'm turning it into a memorial.

623
01:26:24.000 --> 01:26:31.000
<v Speaker B>Yeah, yeah, yeah. Something like that. You're intentionally avoiding any songs from Les Mis.

624
01:26:31.000 --> 01:26:32.000
<v Speaker A>Yeah.

625
01:26:31.000 --> 01:26:55.000
<v Speaker D>Geez. No, no. We are not hearing the people sing. We are hearing the people quietly mourn. We're gonna have a little quiet vigil. It was a protest, but now it's time to have a vigil. A memorial for the three people who have died here. We're gonna start bringing some candles out. We can protest again tomorrow. But it's evening time. It's memorial time. Yeah.

626
01:26:55.000 --> 01:27:11.000
<v Speaker B>So the people in here you hear as everything is quieting down. And then it give me one last stealth check to slip out of the building.

627
01:27:11.000 --> 01:27:15.000
<v Speaker C>29 again.

628
01:27:15.000 --> 01:27:25.000
<v Speaker F>I'm tempted to take the four because I think it'll be funny, but I'll go ahead and use a hero point to reroll, please.

629
01:27:25.000 --> 01:27:28.000
<v Speaker C>We're not trying to be funny. We're trying to live.

630
01:27:28.000 --> 01:27:35.000
<v Speaker F>37, 34.

631
01:27:35.000 --> 01:28:09.000
<v Speaker B>So there's a good chance that the headmaster will be the only one who realized that you were all here. As you all Slip out the service entrance and back into the night. I use your plan to all meet back up at the Wollstonecraft Manor.

632
01:28:09.000 --> 01:28:24.000
<v Speaker F>Yeah, I'll let everyone else know that we are leaving so that they can make their escape as well.

633
01:28:24.000 --> 01:28:27.000
<v Speaker A>We're gonna sneak out of school now, guys.

634
01:28:27.000 --> 01:28:36.000
<v Speaker D>I mean, I'll probably stay until it naturally disperses. Especially like having toned it down to memorial levels instead of protest levels. Yeah.

635
01:28:36.000 --> 01:28:38.000
<v Speaker A>Make sure everyone goes back. I'll stay back with Lou.

636
01:28:38.000 --> 01:28:40.000
<v Speaker D>Just also because.

637
01:28:40.000 --> 01:28:41.000
<v Speaker C>Yeah.

638
01:28:41.000 --> 01:28:42.000
<v Speaker D>What if they get killed?

639
01:28:42.000 --> 01:28:45.000
<v Speaker A>You know? Yeah.

640
01:28:45.000 --> 01:28:47.000
<v Speaker D>Maybe we do a little safety patrol.

641
01:28:47.000 --> 01:28:48.000
<v Speaker G>I don't know.

642
01:28:48.000 --> 01:28:57.000
<v Speaker A>Sending people back to their rooms being really cool. I'll stay back with Lou to make sure people get back to their rooms. Tell them to drink water, all that stuff.

643
01:28:57.000 --> 01:29:07.000
<v Speaker D>Stay in groups. We protect each other.

644
01:29:07.000 --> 01:29:20.000
<v Speaker B>So eventually you all will reconvene at the Wollstonecraft Manor. It's late in the night, but

645
01:29:20.000 --> 01:29:25.000
<v Speaker A>I better get started on dinner. It's late night.

646
01:29:25.000 --> 01:29:30.000
<v Speaker B>It's like closer to like. What would be like one in the morning at this point.

647
01:29:30.000 --> 01:29:38.000
<v Speaker A>Midnight snack time. Everypony.

648
01:29:38.000 --> 01:29:40.000
<v Speaker C>How did this go?

649
01:29:40.000 --> 01:29:44.000
<v Speaker D>Did you succeed?

650
01:29:44.000 --> 01:29:47.000
<v Speaker C>Yeah, yeah, we got it.

651
01:29:47.000 --> 01:29:54.000
<v Speaker G>Laith will produce the crown with a flourish.

652
01:29:54.000 --> 01:30:02.000
<v Speaker C>We found one other thing that we'll retrieve later.

653
01:30:02.000 --> 01:30:12.000
<v Speaker G>She will produce the. I was gonna say she will produce the talisman crystal. Oh.

654
01:30:12.000 --> 01:30:16.000
<v Speaker D>I do not think we are taking anything else.

655
01:30:16.000 --> 01:30:21.000
<v Speaker G>That's why we'll retrieve it later. It's not magical or trapped. We checked.

656
01:30:21.000 --> 01:30:22.000
<v Speaker A>Okay.

657
01:30:22.000 --> 01:30:29.000
<v Speaker C>It is your family's journal though.

658
01:30:29.000 --> 01:30:33.000
<v Speaker D>Oh.

659
01:30:33.000 --> 01:30:40.000
<v Speaker F>Is very informative.

660
01:30:40.000 --> 01:30:44.000
<v Speaker D>Is it Vitoria's?

661
01:30:44.000 --> 01:30:56.000
<v Speaker B>It was the headmaster's observations on studying the Valere curse and how it could best be used.

662
01:30:56.000 --> 01:30:58.000
<v Speaker C>We say that.

663
01:30:58.000 --> 01:30:59.000
<v Speaker D>Oh.

664
01:30:59.000 --> 01:31:02.000
<v Speaker E>Oh, yeah. That's good, sir.

665
01:31:02.000 --> 01:31:11.000
<v Speaker C>Yeah, we also overheard him talking with Elias Gore.

666
01:31:11.000 --> 01:31:15.000
<v Speaker E>Oh, so that's why he wasn't there.

667
01:31:15.000 --> 01:31:33.000
<v Speaker C>Yeah. It would appear that for a while they've had some understanding on experimenting on students. And now the understanding has become a threat. We might be able to get this old fuck on our side.

668
01:31:33.000 --> 01:31:40.000
<v Speaker D>That would be a Indeed.

669
01:31:40.000 --> 01:31:52.000
<v Speaker C>Look, I'll take a powerful old wizard who could probably take most of us angry at the same guy.

670
01:31:52.000 --> 01:32:12.000
<v Speaker D>Oh, certainly. I do not think we are in a position to be that juicy with our allies. We can be a little juicy. Like maybe not the cult, but yeah, speaking.

671
01:32:12.000 --> 01:32:16.000
<v Speaker C>Kind of toppling.

672
01:32:16.000 --> 01:32:21.000
<v Speaker G>Speaking of angry old men though, we also found Talis's old office.

673
01:32:21.000 --> 01:32:23.000
<v Speaker D>It's still there.

674
01:32:23.000 --> 01:32:24.000
<v Speaker G>Apparently it was.

675
01:32:24.000 --> 01:32:29.000
<v Speaker D>You have not hired anyone else? Jeez.

676
01:32:29.000 --> 01:32:33.000
<v Speaker G>I mean, the official story is that he's just on sabbatical he'll be back any day.

677
01:32:33.000 --> 01:32:40.000
<v Speaker D>Oh, but he is dead now. We should maybe tell them unofficially. Like anonymously.

678
01:32:40.000 --> 01:33:04.000
<v Speaker F>He got a number of his journals. Someone wouldn't let me ransack the place. I don't say that quite that accusatory. Accusatory. Accuse authority. Yeah, not quite that tone. That was a little bit of me coming out. I wanted to make a mess.

679
01:33:04.000 --> 01:33:13.000
<v Speaker C>I don't think we should be making messes in places where the guy knows we're gonna be and then knows that we were only supposed to take one thing.

680
01:33:13.000 --> 01:33:27.000
<v Speaker D>Yes, I am surprised you took anything at all, to be honest. But I suppose he would not have expected us to go into Titus's office. He does not know we have a connection to that.

681
01:33:27.000 --> 01:33:29.000
<v Speaker F>And it was untouched.

682
01:33:29.000 --> 01:33:41.000
<v Speaker D>He's unlikely to check it. Also, Maybe we wait on the anonymous notice of death.

683
01:33:41.000 --> 01:33:52.000
<v Speaker G>The journals were written in code though, so I think you'll have. Someone will have to take them out to Juniper to get them translated. And Leith gives Lou a look.

684
01:33:52.000 --> 01:33:56.000
<v Speaker D>Juniper is currently living here.

685
01:33:56.000 --> 01:33:57.000
<v Speaker G>Or is that true?

686
01:33:57.000 --> 01:34:01.000
<v Speaker D>Back at. We've been doing for a few times. I think she's currently in the manor with us.

687
01:34:01.000 --> 01:34:04.000
<v Speaker C>I don't. Yeah, I don't think.

688
01:34:04.000 --> 01:34:05.000
<v Speaker D>New store yet.

689
01:34:05.000 --> 01:34:13.000
<v Speaker C>I don't think the new store is ready yet. Because it said we'd take it. We take at least a week or two to get it ready. So it's not ready yet.

690
01:34:13.000 --> 01:34:18.000
<v Speaker D>Yeah, so she's gonna move again for like the fourth time.

691
01:34:18.000 --> 01:34:23.000
<v Speaker B>But Juniper and Rook are just hanging out in one of the rooms, reading.

692
01:34:23.000 --> 01:34:29.000
<v Speaker D>We have NPC room in the corner. There's just bunk beds for all the NPCs we acquire.

693
01:34:29.000 --> 01:34:34.000
<v Speaker C>Like an enshrouded.

694
01:34:34.000 --> 01:34:50.000
<v Speaker D>But I can. Yes, you can. Or I can. Or we can take it to Juniper. I mean, she has a lot of these to go through, but she's far. If I set it down as far as I understand it,

695
01:34:50.000 --> 01:34:56.000
<v Speaker G>I'm sure she'd rather see you.

696
01:34:56.000 --> 01:35:02.000
<v Speaker D>You know, I have to ask her questions about another one anyway, so.

697
01:35:02.000 --> 01:35:19.000
<v Speaker C>Oh, This is gay as fuck. My feet hurt. My back hurts. I'm gonna go lie down until dinner's ready.

698
01:35:19.000 --> 01:35:29.000
<v Speaker D>I don't know if we're getting dinner or just a snack. So if you're not hungry, you can probably skip it without hurting their feelings much.

699
01:35:29.000 --> 01:35:31.000
<v Speaker A>It's a light. It's very late.

700
01:35:31.000 --> 01:35:37.000
<v Speaker D>It is very late at night. It is in the morning, technically.

701
01:35:37.000 --> 01:35:48.000
<v Speaker C>Look, if. If Niall makes something, I'm not gonna not eat it. And I will make something.

702
01:35:48.000 --> 01:35:52.000
<v Speaker A>Aubry. How common is like oatmeal. And porridge in this setting. Like, it's great, right?

703
01:35:52.000 --> 01:35:54.000
<v Speaker B>Yeah, it's very common.

704
01:35:54.000 --> 01:36:22.000
<v Speaker A>Okay, I'll make some nice warm oatmeal for everyone with some sort of whatever sweet foods I could get. There's not much, but you know what I mean. I'm working with what I got, but basically oatmeal and tea for a nice little late snack before bed. God, if I had enough money, I'd make a little dinosaur eggs that hatch when you add hot water into them.

705
01:36:22.000 --> 01:36:24.000
<v Speaker F>That sounds so good.

706
01:36:24.000 --> 01:36:31.000
<v Speaker A>I love those.

707
01:36:31.000 --> 01:36:47.000
<v Speaker B>So all in all, a successful heist. And all that remains is to give the crown to sable and for sable and the scarlet bond to hold up their end of the.

708
01:36:47.000 --> 01:36:48.000
<v Speaker D>The.

709
01:36:48.000 --> 01:36:59.000
<v Speaker B>The bargain. So I guess we'll figure out what

710
01:36:59.000 --> 01:37:04.000
<v Speaker A>happens next time on Goblets and Gays.

711
01:37:04.000 --> 01:37:07.000
<v Speaker B>That too.

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01:37:07.000 --> 01:38:17.000
<v Speaker A>Thank you everyone for listening to a wonderful episode of Goblets and Gays. If you like what we do here, feel free to follow us on Instagram, on bluesky, on Patreon. Nudge, nudge, wink, wink. We say lots of very interesting things and you should pay us extra to hear us say those interesting things because Aubrey likes to monetize the stupid shit that comes in our mouth. Some of it's illegal, but don't worry about it. If you like what we do, feel free to give us a five star review as well. Those are free in case you can't afford Patreon or join our discord and send a funny little messages into our spoiler channelers. Every time I read them, I'm like, I get to know stuff that you don't get to know. And remember, stay safe and eat your vegetables. Me in this red light he calls me. He is reaching out, consuming.

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01:38:17.000 --> 01:39:46.000
<v Speaker D>My dream. Sa.